W J T Mitchell

• “Every war is a war of words and images”

  Open Access•Pablo Manolo Rodríguez, Pamela Martínez Rod et al.•ARTICLE•Frontiers of Narrative Studies•2025

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  W.J.T. Mitchell is Gaylord Donnelley Distinguished Service Professor of English and Art History at the University of Chicago and editor of the journal Critical Inquiry . He is an iconology and cultural studies expert, and his works include Iconology: Image, Text, Ideology (1986), Cloning Terror (2011) and the collection of influent essays What Do Pictures Want? (2005), awarded the 2006 James Russell Lowell Prize from the Modern Language Associati…

• Old Trees, Wild Rivers

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2023•Referencias: 1

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• The Surplus Value of Images

  W J T Mitchell, William J Mitchell•ARTICLE•Mosaic•2022

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  This essay analyzes the ways in which images are over- and under-estimated, from idols that signify the highest values and demand human sacrifice, to empty signs that are worthless, hollow illusions. It then shows how these disparate estimations of "the surplus value of images" lead to the perception of images as living agencies that play crucial roles in social conflicts

• Reframing Landscape

  W J T Mitchell, William J Mitchell•ARTICLE•ARTMargins•2021

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  “Reframing Landscape” explores three distinct landscapes that have been decisively impacted by conquest and colonization, reframed by three artistic interventions: painting, photography, and sculpture. August Earle shows us the de-forested landscape of 19th century New Zealand, still guarded by a Maori totem; Miki Kratsman photographs a wall mural in occupied Palestine that erases the presence of indigeneous people; and Antony Gormley anticipates…

• Present Tense 2020

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2021•Citada por: 4•Referencias: 4

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  When is it a good time to think about time? The answer provided by this essay is that there is no time like the present, especially the crazy, tense present of the year 2020. In this year four distinct scales of temporality have collided in a prolonged period of crisis and uncertainty: (1) the onset of a global pandemic that devastated the world economy and killed over a million people, the worst public health disaster since the Spanish flu of 19…

• Mental Traveler

  W J T Mitchell•BOOK•Mental Traveler•2020

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• Groundhog Day and the Epoché

  W J T Mitchell•ARTICLE•Critical Inquiry•2020•Citada por: 3•Referencias: 18

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  Previous articleNext article FreeGroundhog Day and the EpochéW. J. T. MitchellW. J. T. Mitchell Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore11 May 2020I thought that, by seventy-eight, I had seen everything. Every epidemic from polio to AIDS to SARS. Every war from Korea to Vietnam to Iraq and Afghani…

• Mental Traveler

  W J T Mitchell, William J Mitchell•BOOK•Mental Traveler•2020

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• Beholding Violence in Medieval and Early Modern Europe

  Terry-Fritsch Allie, Felicia Labbie Erin et al.•BOOK•Beholding Violence in Medieval…•2017

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• Grégoire Chamayou. A Theory of the Drone . Trans. Janet Lloyd. New York

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2017

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• Beholding Violence in Medieval and Early Modern Europe

  Terry-Fritsch Allie, Felicia Labbie Erin et al.•BOOK•Beholding Violence in Medieval…•2017

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• Bashir Makhoul and Gordon Hon. The Origins of Palestinian Art . Liverpool

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2016

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• Image Science

  W J T Mitchell, William J Mitchell•BOOK•Image Science•2015

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• Comics as Media

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2014•Citada por: 6

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• Seeing Through Race

  W J T Mitchell•BOOK•Seeing Through Race•2012

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• Seeing Through Race

  W J T Mitchell, William J Mitchell•BOOK•Seeing Through Race•2012

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• Preface to “Occupy

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2012•Citada por: 5•Referencias: 2

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• Image, Space, Revolution

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2012•Citada por: 44•Referencias: 5

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• Report from Morocco

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2012

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• Poetic Justice

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2012•Referencias: 1

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• Playing the Race Card with Lacan

  Open Access•W J T Mitchell, Willie Mitchell•ARTICLE•Journal of Visual Culture•2011

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• Migration, Law, and the Image

  Open Access•W J T Mitchell, William J Mitchell•CHAPTER•Images of Illegalized Immigration•2010

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• Cloning Terror

  W J T Mitchell, William J Mitchell•BOOK•Cloning Terror•2010

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• Critical Terms for Media Studies

  W J T Mitchell, Mark B N Hansen•BOOK•Critical Terms for Media Studies•2010

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  Communications, philosophy, film and video, digital culture: media studies straddles an astounding array of fields and disciplines and produces a vocabulary that is in equal parts rigorous and intuitive. Critical Terms for Media Studies defines, and at times redefines, what this new and hybrid area aims to do, illuminating the key concepts behind its liveliest debates and most dynamic topics. Part of a larger conversation that engages culture, te…

• Obama as Icon

  Open Access•W J T Mitchell•ARTICLE•Journal of Visual Culture•2009

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• Animal Rites

  Cary Wolfe, W J T Mitchell et al.•BOOK•Animal Rites•2003•Citada por: 167

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  Now that supposedly distinguishing marks of humanity, from reasoning to tool use, have been found in other species, how can we justify discriminating against nonhuman animals solely on basis of their species? And how must cultural studies and critical practices change to do justice to others who are not human? In Animal Rites, Cary Wolfe examines contemporary notions of humanism, ethics and animals by reconstructing a little known but crucial und…

• What Do Pictures "Really" Want

  W J T Mitchell, William J Mitchell•BOOK•October•1996•Citada por: 77

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  This essay, later incorporated as a chapter in What Do Pictures Want? (2005), explores the complex relationship between images and desire, arguing that pictures, like other objects of desire, solicit attention and evoke emotional responses. Mitchell challenges the traditional iconographic approach to image analysis, proposing instead a "biopicture" theory that treats images as living entities with their own agency and demands. He draws on a wide …

• Image, Space, Revolution

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2012•Citada por: 44•Referencias: 5

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• Spatial Form in Literature

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1980•Citada por: 42

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• Holy Landscape

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2000•Citada por: 35

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• Pictorial versus Iconic Turn

  Gottfried Boehm, W J T Mitchell et al.•ARTICLE•Renaissance and Modern Studies•2009•Citada por: 20•Referencias: 1

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  In this exchange of letters, Gottfried Boehm and W. J. T. Mitchell explore the intellectual paths that brought them to simultaneously advocate an 'iconic turn' and a 'pictorial turn' respectively. They trace the emergence of the study of images through art history and philosophy and consider the diversity of images and the array of issues and ideas that come together under the topic of 'iconology' and 'pictoriality'. On the way they discuss the u…

• What Is an Image

  W J T Mitchell, William J Mitchell•ARTICLE•New Literary History•1984•Citada por: 15

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  T HERE HAVE BEEN times when the question What is an image? was matter of some urgency. In eighthand ninth-century Byzantium, for instance, your answer would have immediately identified you as partisan in the struggle between emperor and patriarch, as radical iconoclast seeking to purify the Church of idolatry, or conservative iconophile seeking to preserve traditional liturgical practices. The conflict over the nature and use of icons, on the sur…

• Romanticism and the Life of Things

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2001•Citada por: 13

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• The Violence of Public Art

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1990•Citada por: 13

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• Picturing Terror

  W J T Mitchell•ARTICLE•Critical Inquiry•2007•Citada por: 12•Referencias: 2

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• Edward Said

  W J T Mitchell, William J Mitchell et al.•ARTICLE•Critical Inquiry•2005•Citada por: 9

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• Medium Theory

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2004•Citada por: 9

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• Comics as Media

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2014•Citada por: 6

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• Secular Divination

  W J T Mitchell•ARTICLE•Critical Inquiry•2005•Citada por: 6•Referencias: 1

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• The Politics of Genre

  W J T Mitchell, William J Mitchell•ARTICLE•Representations•1984•Citada por: 6

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  Research Article| April 01 1984 The Politics of Genre: Space and Time in Lessing's Laocoon W. J. T. Mitchell W. J. T. Mitchell Search for other works by this author on: This Site PubMed Google Scholar Representations (1984) 6: 98–115. https://doi.org/10.2307/2928540 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search …

• Critical Inquiry' and the Ideology of Pluralism

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1982•Citada por: 6

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• Preface to “Occupy

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2012•Citada por: 5•Referencias: 2

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• Ekphrasis and the Other

  W J T Mitchell•ARTICLE•South Atlantic Quarterly•1992•Citada por: 5

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  Research Article| July 01 1992 Ekphrasis and the Other W.J.T. Mitchell W.J.T. Mitchell Search for other works by this author on: This Site Google South Atlantic Quarterly (1992) 91 (3): 695–719. https://doi.org/10.1215/00382876-91-3-695 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation W.J.T. Mitchell; Ekphrasis and the Other. South Atlantic Quarterly 1 July 1992; 91 (3): 695–719. doi: https://doi.o…

• Present Tense 2020

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2021•Citada por: 4•Referencias: 4

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  When is it a good time to think about time? The answer provided by this essay is that there is no time like the present, especially the crazy, tense present of the year 2020. In this year four distinct scales of temporality have collided in a prolonged period of crisis and uncertainty: (1) the onset of a global pandemic that devastated the world economy and killed over a million people, the worst public health disaster since the Spanish flu of 19…

• Criticism and Crisis

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•2002•Citada por: 4

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• Ut Pictura Theoria

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1989•Citada por: 4

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• Diagrammatology

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1981•Citada por: 4

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• Groundhog Day and the Epoché

  W J T Mitchell•ARTICLE•Critical Inquiry•2020•Citada por: 3•Referencias: 18

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  Previous articleNext article FreeGroundhog Day and the EpochéW. J. T. MitchellW. J. T. Mitchell Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMore11 May 2020I thought that, by seventy-eight, I had seen everything. Every epidemic from polio to AIDS to SARS. Every war from Korea to Vietnam to Iraq and Afghani…

• Pluralism as Dogmatism

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1986•Citada por: 3

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• The Ends of Theory

  W J T Mitchell, William J Mitchell et al.•ARTICLE•Critical Inquiry•2005•Citada por: 2

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• Poetic and Pictorial Imagination in Blake's The Book of Urizen

  W J T Mitchell, William J Mitchell•ARTICLE•Eighteenth-Century Studies•1969

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• Emblem and Expression

  W J T Mitchell, Ronald Paulson•ARTICLE•Modern Language Notes•1976

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• "Critical Inquiry" after Sheldon Sacks

  W J T Mitchell, William J Mitchell•ARTICLE•The Bulletin of the Midwest…•1979

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• Blake's Composite Art

  Elaine Kreizman, W J T Mitchell•ARTICLE•Modern Language Notes•1979

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• Sheldon Sacks 1930-1979

  Robert E Streeter, Wayne C Booth et al.•ARTICLE•Critical Inquiry•1979

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• Blake's Composite Art

  Joseph Wittreich, W J T Mitchell et al.•ARTICLE•Eighteenth-Century Studies•1980

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• Spatial Form in Literature

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1980•Citada por: 42

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• Diagrammatology

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1981•Citada por: 4

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• Critical Inquiry' and the Ideology of Pluralism

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1982•Citada por: 6

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• The Language of Images

  Carolyn Dussere, W J T Mitchell et al.•ARTICLE•The German Quarterly•1983

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• What Is an Image

  W J T Mitchell, William J Mitchell•ARTICLE•New Literary History•1984•Citada por: 15

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  T HERE HAVE BEEN times when the question What is an image? was matter of some urgency. In eighthand ninth-century Byzantium, for instance, your answer would have immediately identified you as partisan in the struggle between emperor and patriarch, as radical iconoclast seeking to purify the Church of idolatry, or conservative iconophile seeking to preserve traditional liturgical practices. The conflict over the nature and use of icons, on the sur…

• The Politics of Genre

  W J T Mitchell, William J Mitchell•ARTICLE•Representations•1984•Citada por: 6

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  Research Article| April 01 1984 The Politics of Genre: Space and Time in Lessing's Laocoon W. J. T. Mitchell W. J. T. Mitchell Search for other works by this author on: This Site PubMed Google Scholar Representations (1984) 6: 98–115. https://doi.org/10.2307/2928540 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Twitter LinkedIn Tools Icon Tools Get Permissions Cite Icon Cite Search …

• Iconology

  W J T Mitchell, William J Mitchell et al.•BOOK•Iconology•1986

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  dopuszcza się delikatnych prowokacji pod adresem historyków sztuki badających twórczość Stanisława Igna cego Witkiewicza; twierdzi, że pomijają

• Floating Authorship

  Peggy Kamuf, W J T Mitchell•ARTICLE•diacritics•1986

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• Introduction

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1986

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• How Good Is Nelson Goodman

  W J T Mitchell, William J Mitchell et al.•ARTICLE•Poetics Today•1986

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• Pluralism as Dogmatism

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1986•Citada por: 3

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• The Political Theory of Painting From Reynolds to Hazlitt

  W J T Mitchell, William J Mitchell et al.•ARTICLE•Eighteenth-Century Studies•1987

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• Iconology

  W J T Mitchell•BOOK•Iconology•1987

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• Wittgenstein's Imagery and What It Tells Us

  W J T Mitchell, William J Mitchell•ARTICLE•New Literary History•1988

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  ITERARY CRITICS who like to go to the philosophers for help have good reason to be both attracted and repelled by the work of Wittgenstein. His writing would seem in many ways to be concerned with just the topics that are of most interest to us: language, meaning, thought, and their relations to forms of life, the ways we live. And yet Wittgenstein presents a real problem for literary critics, not just because he is difficult (certainly Kant, Heg…

• The Ethics of Form in the Photographic Essay

  W J T Mitchell•ARTICLE•Afterimage•1989

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  Essay| January 01 1989 The Ethics of Form in the Photographic Essay W.J.T. Mitchell W.J.T. Mitchell W.J.T. Mitchell is professor of English and Art and Design at the University of Chicago, and editor of Critical Inquiry. Search for other works by this author on: This Site PubMed Google Scholar Afterimage (1989) 16 (6): 8–13. https://doi.org/10.1525/aft.1989.16.6.8 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data P…

• Iconology

  David Topper, W J T Mitchell et al.•ARTICLE•Leonardo•1989

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• Space, Ideology, and Literary Representation

  W J T Mitchell, William J Mitchell•ARTICLE•Poetics Today•1989•Citada por: 1

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  first thing to say about notion of space from a literary point of view is that it does not exist, or should not exist. Literature, as we have been told at least since Lessing's Laocoon, is a temporal art. Space enters into literature only as a dubious fiction, as a phantom in minds of overimaginative readers, as an invasion from alien and rival forms like painting, or as a necessary evil in transmission of verbal by spatial, visible traces of wri…

• Ut Pictura Theoria

  W J T Mitchell, William J Mitchell•ARTICLE•Critical Inquiry•1989•Citada por: 4

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• Influence, Autobiography, and Literary History

  W J T Mitchell, William J Mitchell•ARTICLE•ELH•1990

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  Influence, autobiography, literary history: what logic, what practical necessity could bring these terms together in the same text, even the same sentence? At the most general level, one could imagine a kind of literary history constructed out of chains of influences revealed through the autobiographies of writers. Autobiography would have an extended sense in this form of literary history: all literary texts, it would argue, grow out of a strugg…

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