Katherine Hagedorn
Biographic Data
| ID | 233469 |
|---|---|
| NAME | Katherine Hagedorn |
| GIVEN NAMES | Katherine |
| FAMILY NAME | Hagedorn |
| SIGNATURE | HAGEDORN K |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 12 |
| AUTHOR COUNT | 5 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2000 |
| LATEST PUBLICATION YEAR | 2014 |
| H-INDEX | 2 |
Rumba (i)
Cajón Espiritual: The Music Box of Cuba. Omí Iná and ObbaraObiní Batá Cuba: Conjunto Feminino de Percusión, Canto y Danza
Book Review| January 01 2007 Cajón Espiritual: The Music Box of Cuba. Omí Iná and ObbaraObiní Batá Cuba: Conjunto Feminino de Percusión, Canto y Danza Cajón Espiritual: The Music Box of Cuba. Omí Iná and Obbara, Luke Wassermann, Todd Brown and John Randall.Obiní Batá Cuba: Conjunto Feminino de Percusión, Canto y Danza, Luke Wassermann, John Randall, Todd Brown and Enrique Zayas. Katherine Hagedorn Katherine Hagedorn Search for other works by this…
From This One Song Alone, I Consider Him to be a Holy Man: Ecstatic Religion, Musical Affect, and the Global Consumer
This essay considers why studying ecstatic religious parctices that include music as an integral component of trance and possession performance might be productive for sociologists, praticularly in the context of globalization. As spirit possession practices become connected with global markets, and as specific musical genres associated with trance are reinterpreted within secular frameworks (Indo-Pakistani Sufi qawwali singing and Afro-Cuban Och…
Raíces Latinas: Smithsonian Folkways Latino Roots Collection
Drumming for the Gods: The Life and Times of Felipe Garcia Villamil
From This One Song Alone, I Consider Him to be a Holy Man: Ecstatic Religion, Musical Affect, and the Global Consumer
This essay considers why studying ecstatic religious parctices that include music as an integral component of trance and possession performance might be productive for sociologists, praticularly in the context of globalization. As spirit possession practices become connected with global markets, and as specific musical genres associated with trance are reinterpreted within secular frameworks (Indo-Pakistani Sufi qawwali singing and Afro-Cuban Och…
Drumming for the Gods: The Life and Times of Felipe Garcia Villamil
Drumming for the Gods: The Life and Times of Felipe Garcia Villamil
Raíces Latinas: Smithsonian Folkways Latino Roots Collection
From This One Song Alone, I Consider Him to be a Holy Man: Ecstatic Religion, Musical Affect, and the Global Consumer
This essay considers why studying ecstatic religious parctices that include music as an integral component of trance and possession performance might be productive for sociologists, praticularly in the context of globalization. As spirit possession practices become connected with global markets, and as specific musical genres associated with trance are reinterpreted within secular frameworks (Indo-Pakistani Sufi qawwali singing and Afro-Cuban Och…
Cajón Espiritual: The Music Box of Cuba. Omí Iná and ObbaraObiní Batá Cuba: Conjunto Feminino de Percusión, Canto y Danza
Book Review| January 01 2007 Cajón Espiritual: The Music Box of Cuba. Omí Iná and ObbaraObiní Batá Cuba: Conjunto Feminino de Percusión, Canto y Danza Cajón Espiritual: The Music Box of Cuba. Omí Iná and Obbara, Luke Wassermann, Todd Brown and John Randall.Obiní Batá Cuba: Conjunto Feminino de Percusión, Canto y Danza, Luke Wassermann, John Randall, Todd Brown and Enrique Zayas. Katherine Hagedorn Katherine Hagedorn Search for other works by this…
Rumba (i)
Art (3 works) · History (3 works) · History (3 works) · Anthropology (2 works) · Computer Science (2 works) · Humanities (2 works) · Literature (2 works) · Music History and Culture (2 works) · Musical (2 works) · Sociology (2 works)