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Sabia Mccoy‐torre

Biographic Data

ID233676
NAMESabia Mccoy‐torre
GIVEN NAMESSabia
FAMILY NAMEMccoy‐torre
SIGNATURETORRE S M
VERIFIEDNo
TOTAL WORKS1
TOTAL CITATIONS7
AUTHOR COUNT1
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2017
H-INDEX1
  • Love Dem Bad: Embodied Experience, Self-Adoration, and Eroticism in Dancehall

    Open Access•Sabia Mccoy‐torre, Sabia McCoy‐Torres•ARTICLE•Transforming Anthropology•2017•Cited by: 7•References: 13

    Based on fieldwork in a West Indian community in Brooklyn, New York, this article examines women's presentations of gender and sexuality in “dancehall” reggae dance. While scholarship concerning Black women in popular performance has examined hypersexual representations, it is also important to expand analyses to understand how women are empowered by their bodies through movement, subjectivity, and ecstatic experience. Using dancehall dance as an…

  • Love Dem Bad: Embodied Experience, Self-Adoration, and Eroticism in Dancehall

    Open Access•Sabia Mccoy‐torre, Sabia McCoy‐Torres•ARTICLE•Transforming Anthropology•2017•Cited by: 7•References: 13

    Based on fieldwork in a West Indian community in Brooklyn, New York, this article examines women's presentations of gender and sexuality in “dancehall” reggae dance. While scholarship concerning Black women in popular performance has examined hypersexual representations, it is also important to expand analyses to understand how women are empowered by their bodies through movement, subjectivity, and ecstatic experience. Using dancehall dance as an…

  • Love Dem Bad: Embodied Experience, Self-Adoration, and Eroticism in Dancehall

    Open Access•Sabia Mccoy‐torre, Sabia McCoy‐Torres•ARTICLE•Transforming Anthropology•2017•Cited by: 7•References: 13

    Based on fieldwork in a West Indian community in Brooklyn, New York, this article examines women's presentations of gender and sexuality in “dancehall” reggae dance. While scholarship concerning Black women in popular performance has examined hypersexual representations, it is also important to expand analyses to understand how women are empowered by their bodies through movement, subjectivity, and ecstatic experience. Using dancehall dance as an…

Aesthetics (1 works) · Art (1 works) · Beauty (1 works) · Cuban History and Society (1 works) · Dance (1 works) · Embodied cognition (1 works) · Eroticism (1 works) · Gender Studies (1 works) · Gender Studies (1 works) · Human sexuality (1 works)

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