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Wim Van Zanten

Biographic Data

ID234422
NAMEWim Van Zanten
GIVEN NAMESWim
FAMILY NAMEVan Zanten
SIGNATUREVAN ZANTEN W
AFFILIATIONSRoyal Netherlands Institute of Southeast Asian and Caribbean Studies
ORCID0000-0002-1406-3884
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS28
AUTHOR COUNT14
EDITOR COUNT0
FIRST PUBLICATION YEAR1984
LATEST PUBLICATION YEAR2017
H-INDEX3
  • Some notes on the pantun storytelling of the Baduy minority group its written and audiovisual documentation

    Open Access•Wim Van Zanten•ARTICLE•Wacana Journal of the Humanities…•2017•Cited by: 3•References: 3

    Baduy pantun stories are part of the larger Sundanese oral tradition of pantun storytelling in west Java. The stories recount the deeds of the nobility of such old Sundanese kingdoms as Pajajaran and Galuh. Although the Baduy still recite the pantun stories in their rituals, in the larger cities to the east of the Baduy village Kanékés pantun recitation almost disappeared. On the basis of short periods of fieldwork in and around Kanékés village b…

  • Social qualities of time and space created in performing arts of West Java The implications for safeguarding living culture

    Open Access•Wim Van Zanten•ARTICLE•Wacana Journal of the Humanities…•2012•Cited by: 11•References: 9

    Collective representations of “time” do not passively reflect time, but time and space are mediated by society. By our social practices, such as making music and dancing, we create time. Different cultural groups may experience and perceive time in different ways, and also within one cultural group the quality of time is not always experienced in the same way. Anthropological studies have shown that in each cultural group different perceptions of…

  • Guest Editor's Preface

    Open Access•Wim Van Zanten•ARTICLE•Yearbook for Traditional Music•2010

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet

    Bart Barendregt, Wim Van Zanten•ARTICLE•Yearbook for Traditional Music•2002•Cited by: 5

    In this article we analyse some developments in the popular music of Indonesia, especially those that have occurred during the last five years. The concept of “popular music” in present-day Indonesia is discussed briefly along with an analysis of how it is used in the negotiation of the identity of particular communities, playing a vital role in a dialogue of power at local, national and global levels. We ask how the different pop scenes comment …

  • Music Tradition of Malawi

    Wim Van Zanten, Unesco-Funded Research Team et al.•ARTICLE•Yearbook for Traditional Music•1999

  • Guest Editor's Preface

    Open Access•Wim Van Zanten•ARTICLE•Yearbook for Traditional Music•1998

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Indonesian Music and Dance; Traditional Music and Its Interaction with the West

    Wim Van Zanten, Jaap Kunst•ARTICLE•Cahiers de musiques traditionnelles•1996•Cited by: 1

  • Aspects of Baduy music in its sociocultural context, with special reference to singing and angklung

    Open Access•Wim Van Zanten, Wim Zanten•ARTICLE•Bijdragen tot de taal- land- en…•1995•Cited by: 4•References: 2

    Aspects of Baduy Music in its Sociocultural Context, with Special Reference to Singing and AngklungThe Baduy form an ethnic group of some 5,000 people, who live in an area of about 50 square kilometres located 100 km southwest of Jakarta, West Java.They speak a Sundanese dialect and are in this respect not very different from other Sundanese people.However, the Baduy have been living in this small area near the source of Ciujung River, called Des…

  • L'esthétique musicale de Sunda (Java-Ouest)

    Wim Van Zanten•ARTICLE•Cahiers de musiques traditionnelles•1994•Cited by: 2

    Dans la pensee de Sunda, les sons ne representent que la forme externe de la pratique musicale. La pratique de la musique, voire des arts en general est une forme « d’ascese dans le royaume » (tapa di nagara), c’est-a-dire une reflexion sur soi-meme et le monde environnant. Pour assurer le bien-etre de la societe et de ses membres, il faut que la musique, la danse, le theâtre et la poesie soient pratiques convenablement. L’esthetique de Sunda con…

  • Jaap Kunst Foundation

    Wim Van Zanten•ARTICLE•Music and Letters•1993

    Journal Article JAAP KUNST FOUNDATION Get access WIM VAN ZANTEN WIM VAN ZANTEN Secretary Jaap Kunst FoundationNoordeinde 63, 2445 XB Aarlanderveen, The Netherlands. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 74, Issue 4, November 1993, Pages 656-c–656, https://doi.org/10.1093/ml/74.4.656-c Published: 01 November 1993

  • Sundanese Music in the Cianjuran Style: Anthropological and Musicological Aspects of Tembang Sunda

    Sean Williams, Wim Van Zanten•ARTICLE•Yearbook for Traditional Music•1992•Cited by: 1

  • Sundanese Music in the Cianjuran Style: Anthropological and Musicological Aspects of Tembang Sunda

    R Anderson Sutton, Wim Van Zanten•ARTICLE•Ethnomusicology•1991

  • The Tone Material of the Kacapi in Tembang Sunda in West Java

    Wim Van Zanten•ARTICLE•Ethnomusicology•1986•Cited by: 1

    T he theory about the tone material in Sundanese music, prevailing since the 1920s writings of Kunst and Kusumadinata, is neither appropriate for describing what is happening in current practice nor adequate for prescribing what should be happening. This article will focus on tuning behaviour in one genre of Sundanese music and offer a new empirical foundation for theory as developed from frequency analyses of recorded zither tunings. Over the sp…

  • The poetry of tembang Sunda

    Open Access•Wim Van Zanten, Wim Zanten•ARTICLE•Bijdragen tot de taal- land- en…•1984•References: 2

  • Social qualities of time and space created in performing arts of West Java The implications for safeguarding living culture

    Open Access•Wim Van Zanten•ARTICLE•Wacana Journal of the Humanities…•2012•Cited by: 11•References: 9

    Collective representations of “time” do not passively reflect time, but time and space are mediated by society. By our social practices, such as making music and dancing, we create time. Different cultural groups may experience and perceive time in different ways, and also within one cultural group the quality of time is not always experienced in the same way. Anthropological studies have shown that in each cultural group different perceptions of…

  • Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet

    Bart Barendregt, Wim Van Zanten•ARTICLE•Yearbook for Traditional Music•2002•Cited by: 5

    In this article we analyse some developments in the popular music of Indonesia, especially those that have occurred during the last five years. The concept of “popular music” in present-day Indonesia is discussed briefly along with an analysis of how it is used in the negotiation of the identity of particular communities, playing a vital role in a dialogue of power at local, national and global levels. We ask how the different pop scenes comment …

  • Aspects of Baduy music in its sociocultural context, with special reference to singing and angklung

    Open Access•Wim Van Zanten, Wim Zanten•ARTICLE•Bijdragen tot de taal- land- en…•1995•Cited by: 4•References: 2

    Aspects of Baduy Music in its Sociocultural Context, with Special Reference to Singing and AngklungThe Baduy form an ethnic group of some 5,000 people, who live in an area of about 50 square kilometres located 100 km southwest of Jakarta, West Java.They speak a Sundanese dialect and are in this respect not very different from other Sundanese people.However, the Baduy have been living in this small area near the source of Ciujung River, called Des…

  • Some notes on the pantun storytelling of the Baduy minority group its written and audiovisual documentation

    Open Access•Wim Van Zanten•ARTICLE•Wacana Journal of the Humanities…•2017•Cited by: 3•References: 3

    Baduy pantun stories are part of the larger Sundanese oral tradition of pantun storytelling in west Java. The stories recount the deeds of the nobility of such old Sundanese kingdoms as Pajajaran and Galuh. Although the Baduy still recite the pantun stories in their rituals, in the larger cities to the east of the Baduy village Kanékés pantun recitation almost disappeared. On the basis of short periods of fieldwork in and around Kanékés village b…

  • L'esthétique musicale de Sunda (Java-Ouest)

    Wim Van Zanten•ARTICLE•Cahiers de musiques traditionnelles•1994•Cited by: 2

    Dans la pensee de Sunda, les sons ne representent que la forme externe de la pratique musicale. La pratique de la musique, voire des arts en general est une forme « d’ascese dans le royaume » (tapa di nagara), c’est-a-dire une reflexion sur soi-meme et le monde environnant. Pour assurer le bien-etre de la societe et de ses membres, il faut que la musique, la danse, le theâtre et la poesie soient pratiques convenablement. L’esthetique de Sunda con…

  • Indonesian Music and Dance; Traditional Music and Its Interaction with the West

    Wim Van Zanten, Jaap Kunst•ARTICLE•Cahiers de musiques traditionnelles•1996•Cited by: 1

  • Sundanese Music in the Cianjuran Style: Anthropological and Musicological Aspects of Tembang Sunda

    Sean Williams, Wim Van Zanten•ARTICLE•Yearbook for Traditional Music•1992•Cited by: 1

  • The Tone Material of the Kacapi in Tembang Sunda in West Java

    Wim Van Zanten•ARTICLE•Ethnomusicology•1986•Cited by: 1

    T he theory about the tone material in Sundanese music, prevailing since the 1920s writings of Kunst and Kusumadinata, is neither appropriate for describing what is happening in current practice nor adequate for prescribing what should be happening. This article will focus on tuning behaviour in one genre of Sundanese music and offer a new empirical foundation for theory as developed from frequency analyses of recorded zither tunings. Over the sp…

  • The poetry of tembang Sunda

    Open Access•Wim Van Zanten, Wim Zanten•ARTICLE•Bijdragen tot de taal- land- en…•1984•References: 2

  • The Tone Material of the Kacapi in Tembang Sunda in West Java

    Wim Van Zanten•ARTICLE•Ethnomusicology•1986•Cited by: 1

    T he theory about the tone material in Sundanese music, prevailing since the 1920s writings of Kunst and Kusumadinata, is neither appropriate for describing what is happening in current practice nor adequate for prescribing what should be happening. This article will focus on tuning behaviour in one genre of Sundanese music and offer a new empirical foundation for theory as developed from frequency analyses of recorded zither tunings. Over the sp…

  • Sundanese Music in the Cianjuran Style: Anthropological and Musicological Aspects of Tembang Sunda

    R Anderson Sutton, Wim Van Zanten•ARTICLE•Ethnomusicology•1991

  • Sundanese Music in the Cianjuran Style: Anthropological and Musicological Aspects of Tembang Sunda

    Sean Williams, Wim Van Zanten•ARTICLE•Yearbook for Traditional Music•1992•Cited by: 1

  • Jaap Kunst Foundation

    Wim Van Zanten•ARTICLE•Music and Letters•1993

    Journal Article JAAP KUNST FOUNDATION Get access WIM VAN ZANTEN WIM VAN ZANTEN Secretary Jaap Kunst FoundationNoordeinde 63, 2445 XB Aarlanderveen, The Netherlands. Search for other works by this author on: Oxford Academic Google Scholar Music and Letters, Volume 74, Issue 4, November 1993, Pages 656-c–656, https://doi.org/10.1093/ml/74.4.656-c Published: 01 November 1993

  • L'esthétique musicale de Sunda (Java-Ouest)

    Wim Van Zanten•ARTICLE•Cahiers de musiques traditionnelles•1994•Cited by: 2

    Dans la pensee de Sunda, les sons ne representent que la forme externe de la pratique musicale. La pratique de la musique, voire des arts en general est une forme « d’ascese dans le royaume » (tapa di nagara), c’est-a-dire une reflexion sur soi-meme et le monde environnant. Pour assurer le bien-etre de la societe et de ses membres, il faut que la musique, la danse, le theâtre et la poesie soient pratiques convenablement. L’esthetique de Sunda con…

  • Aspects of Baduy music in its sociocultural context, with special reference to singing and angklung

    Open Access•Wim Van Zanten, Wim Zanten•ARTICLE•Bijdragen tot de taal- land- en…•1995•Cited by: 4•References: 2

    Aspects of Baduy Music in its Sociocultural Context, with Special Reference to Singing and AngklungThe Baduy form an ethnic group of some 5,000 people, who live in an area of about 50 square kilometres located 100 km southwest of Jakarta, West Java.They speak a Sundanese dialect and are in this respect not very different from other Sundanese people.However, the Baduy have been living in this small area near the source of Ciujung River, called Des…

  • Indonesian Music and Dance; Traditional Music and Its Interaction with the West

    Wim Van Zanten, Jaap Kunst•ARTICLE•Cahiers de musiques traditionnelles•1996•Cited by: 1

  • Guest Editor's Preface

    Open Access•Wim Van Zanten•ARTICLE•Yearbook for Traditional Music•1998

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Music Tradition of Malawi

    Wim Van Zanten, Unesco-Funded Research Team et al.•ARTICLE•Yearbook for Traditional Music•1999

  • Popular Music in Indonesia since 1998, in Particular Fusion, Indie and Islamic Music on Video Compact Discs and the Internet

    Bart Barendregt, Wim Van Zanten•ARTICLE•Yearbook for Traditional Music•2002•Cited by: 5

    In this article we analyse some developments in the popular music of Indonesia, especially those that have occurred during the last five years. The concept of “popular music” in present-day Indonesia is discussed briefly along with an analysis of how it is used in the negotiation of the identity of particular communities, playing a vital role in a dialogue of power at local, national and global levels. We ask how the different pop scenes comment …

  • Guest Editor's Preface

    Open Access•Wim Van Zanten•ARTICLE•Yearbook for Traditional Music•2010

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Social qualities of time and space created in performing arts of West Java The implications for safeguarding living culture

    Open Access•Wim Van Zanten•ARTICLE•Wacana Journal of the Humanities…•2012•Cited by: 11•References: 9

    Collective representations of “time” do not passively reflect time, but time and space are mediated by society. By our social practices, such as making music and dancing, we create time. Different cultural groups may experience and perceive time in different ways, and also within one cultural group the quality of time is not always experienced in the same way. Anthropological studies have shown that in each cultural group different perceptions of…

  • Some notes on the pantun storytelling of the Baduy minority group its written and audiovisual documentation

    Open Access•Wim Van Zanten•ARTICLE•Wacana Journal of the Humanities…•2017•Cited by: 3•References: 3

    Baduy pantun stories are part of the larger Sundanese oral tradition of pantun storytelling in west Java. The stories recount the deeds of the nobility of such old Sundanese kingdoms as Pajajaran and Galuh. Although the Baduy still recite the pantun stories in their rituals, in the larger cities to the east of the Baduy village Kanékés pantun recitation almost disappeared. On the basis of short periods of fieldwork in and around Kanékés village b…

Art (12 works) · Asian Studies and History (9 works) · Computer Science (7 works) · Cultural and Artistic Studies (7 works) · History (7 works) · Aesthetics (5 works) · Literature (5 works) · Sociology (5 works) · History (4 works) · Visual arts (4 works)

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