Alexandra D’onofrio
Biographic Data
| ID | 234670 |
|---|---|
| NAME | Alexandra D’onofrio |
| GIVEN NAMES | Alexandra |
| FAMILY NAME | D’onofrio |
| SIGNATURE | D’ONOFRIO A |
| AFFILIATIONS | United Nations Industrial Development Organization |
| ORCID | 0000-0002-1344-2962 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 3 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 1 |
Animating memories of migration: A participatory research collaboration between an anthropologist and an animator
This article examines the collaborative use of animation and drawing in ethnographic research to explore the memories and imaginative worlds of people who have experienced the illegal crossing of the Mediterranean. Working with three Egyptian men in Italy, anthropologist Alexandra D’Onofrio and animator Francesca Cogni invited participants to engage in storytelling, photography, and participatory animation to reflect on their crossing experiences…
Diversities and Inequality: The Male Burials in Early Iron Age Athens
Diversities and Inequality: The Male Burials in Early Iron Age Athens
It Was Tomorrow: Collaborative Ethnographic Film and Co-Creative Research With People Who Have Experienced Illegal Migration
Moving global horizons: Imagining selfhood, mobility and futurities through creative practice in ethnographic research
This article explores imagined selfhood, mobility and futurities through creative practice in ethnography. Globalisation allows people with varying socio-economic and geographical backgrounds to imagine themselves with more possibilities. How can creative practice such as improvisation in ethnofictions, storytelling and participatory animation be applied in ethnographic research to explore the imaginary realm of selfhood and expectations on being…
Theater, Anthropology and
Theater has been a focus of systematic investigation in anthropology since the 1970s. Because of its cross‐cultural nature, theater has been of interdisciplinary interest to scholars employing ethnographic methods to analyze cultural meanings present in texts and embodied in rituals and in the social exchange of symbols between performers and audiences. Following the “affective turn” of the 1990s and under the influence of postcolonial critique, …
Monetization, Financial Development, and Growth: Time Series Evidence from 22 Countries in Sub-Saharan Africa
Monetization, Financial Development, and Growth: Time Series Evidence from 22 Countries in Sub-Saharan Africa
Theater, Anthropology and
Theater has been a focus of systematic investigation in anthropology since the 1970s. Because of its cross‐cultural nature, theater has been of interdisciplinary interest to scholars employing ethnographic methods to analyze cultural meanings present in texts and embodied in rituals and in the social exchange of symbols between performers and audiences. Following the “affective turn” of the 1990s and under the influence of postcolonial critique, …
Moving global horizons: Imagining selfhood, mobility and futurities through creative practice in ethnographic research
This article explores imagined selfhood, mobility and futurities through creative practice in ethnography. Globalisation allows people with varying socio-economic and geographical backgrounds to imagine themselves with more possibilities. How can creative practice such as improvisation in ethnofictions, storytelling and participatory animation be applied in ethnographic research to explore the imaginary realm of selfhood and expectations on being…
Diversities and Inequality: The Male Burials in Early Iron Age Athens
Diversities and Inequality: The Male Burials in Early Iron Age Athens
It Was Tomorrow: Collaborative Ethnographic Film and Co-Creative Research With People Who Have Experienced Illegal Migration
Animating memories of migration: A participatory research collaboration between an anthropologist and an animator
This article examines the collaborative use of animation and drawing in ethnographic research to explore the memories and imaginative worlds of people who have experienced the illegal crossing of the Mediterranean. Working with three Egyptian men in Italy, anthropologist Alexandra D’Onofrio and animator Francesca Cogni invited participants to engage in storytelling, photography, and participatory animation to reflect on their crossing experiences…
Ethnography (4 works) · Sociology (4 works) · Anthropology (3 works) · Aesthetics (2 works) · Anthropological Studies and Insights (2 works) · Art (2 works) · Epistemology (2 works) · Geographies of human-animal interactions (2 works) · Inequality (2 works) · Mathematical analysis (2 works)