Carlos García Benito
Biographic Data
| ID | 234732 |
|---|---|
| NAME | Carlos García Benito |
| GIVEN NAMES | Carlos García |
| FAMILY NAME | Benito |
| SIGNATURE | BENITO C G |
| AFFILIATIONS | Universidad de Zaragoza |
| ORCID | 0000-0001-8062-2245 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 29 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2010 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 2 |
Do You Hear What I See? Analyzing Visibility and Audibility in the Rock Art Landscape of the Alicante Mountains of Spain
This article examines the relationship between rock art landscapes and perception. It pays particular attention to vision and hearing, the two key senses for landscape awareness. Given the importance of scale in the study of rock art landscapes, a distinction is made between the adjacent landscape and the broader territorial scale. Several methodological improvements are suggested, including the importance of clipping viewsheds in GIS analysis an…
Experimental study of the aerophone of Isturitz
Un caso de Arqueología Experimental aplicado a la Arqueología Musical
Evaluamos en este estudio las posibilidades organológicas y el rendimiento musical del aerófono gravetiense más completo recuperado en el yacimiento de Isturitz, a partir de dos réplicas del original realizadas en ulnas de buitre leonado (Gyps fulvus). Estas réplicas, obtenidas mediante una cadena operativa de acciones muy simples, nos permiten dar cuenta de su rendimiento acústico según tres formas de producir su sonido. También se han analizado…
Geophysical and Archaeological Characterization of a Modest Roman Villa
The low contrast in physical properties of archaeological elements compared to the host soil is a common drawback in geophysical surveys applied to subtle archaeological sites because those contrasts are usually what are being measured by most instruments. Furthermore, when archaeological elements and construction remains are placed within the same package of materials, differentiation of each can make the interpretation of geophysical data somet…
The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain)
This paper explores the potential of acoustics to interpret the prehistoric rock art of southern A ndalusia ( S pain). Tests undertaken in two areas, north of the C elemín river and the B acinete area, will form the basis of our discussion. The results obtained at a selection of rock art sites show that the two key rock art sites, El Tajo de las Figuras and the large shelter at B acinete, both with the majority of paintings in the earlier Laguna …
Acoustics and Levantine rock art
Primera campaña de prospecciones arqueológicas en la comarca de Tarazona y el Moncayo. Avance preliminar de los resultados de la campaña de 2010
La falta de un estudio arqueológico integral de la Comarca de Tarazona y el Moncayo, junto con la ausencia de una carta arqueológica comarcal de la zona, motivó el inicio de estas prospecciones arqueológicas con el objetivo de perdurar en el tiempo hasta completar totalmente la información arqueológica de esta comarca. En su primera campaña se han centrado en el paraje denominado Cañada Madre que comprende parte de los términos municipales de Tar…
Acoustics and Levantine rock art
Do You Hear What I See? Analyzing Visibility and Audibility in the Rock Art Landscape of the Alicante Mountains of Spain
This article examines the relationship between rock art landscapes and perception. It pays particular attention to vision and hearing, the two key senses for landscape awareness. Given the importance of scale in the study of rock art landscapes, a distinction is made between the adjacent landscape and the broader territorial scale. Several methodological improvements are suggested, including the importance of clipping viewsheds in GIS analysis an…
Geophysical and Archaeological Characterization of a Modest Roman Villa
The low contrast in physical properties of archaeological elements compared to the host soil is a common drawback in geophysical surveys applied to subtle archaeological sites because those contrasts are usually what are being measured by most instruments. Furthermore, when archaeological elements and construction remains are placed within the same package of materials, differentiation of each can make the interpretation of geophysical data somet…
Primera campaña de prospecciones arqueológicas en la comarca de Tarazona y el Moncayo. Avance preliminar de los resultados de la campaña de 2010
La falta de un estudio arqueológico integral de la Comarca de Tarazona y el Moncayo, junto con la ausencia de una carta arqueológica comarcal de la zona, motivó el inicio de estas prospecciones arqueológicas con el objetivo de perdurar en el tiempo hasta completar totalmente la información arqueológica de esta comarca. En su primera campaña se han centrado en el paraje denominado Cañada Madre que comprende parte de los términos municipales de Tar…
Acoustics and Levantine rock art
The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain)
This paper explores the potential of acoustics to interpret the prehistoric rock art of southern A ndalusia ( S pain). Tests undertaken in two areas, north of the C elemín river and the B acinete area, will form the basis of our discussion. The results obtained at a selection of rock art sites show that the two key rock art sites, El Tajo de las Figuras and the large shelter at B acinete, both with the majority of paintings in the earlier Laguna …
Un caso de Arqueología Experimental aplicado a la Arqueología Musical
Evaluamos en este estudio las posibilidades organológicas y el rendimiento musical del aerófono gravetiense más completo recuperado en el yacimiento de Isturitz, a partir de dos réplicas del original realizadas en ulnas de buitre leonado (Gyps fulvus). Estas réplicas, obtenidas mediante una cadena operativa de acciones muy simples, nos permiten dar cuenta de su rendimiento acústico según tres formas de producir su sonido. También se han analizado…
Geophysical and Archaeological Characterization of a Modest Roman Villa
The low contrast in physical properties of archaeological elements compared to the host soil is a common drawback in geophysical surveys applied to subtle archaeological sites because those contrasts are usually what are being measured by most instruments. Furthermore, when archaeological elements and construction remains are placed within the same package of materials, differentiation of each can make the interpretation of geophysical data somet…
Experimental study of the aerophone of Isturitz
Do You Hear What I See? Analyzing Visibility and Audibility in the Rock Art Landscape of the Alicante Mountains of Spain
This article examines the relationship between rock art landscapes and perception. It pays particular attention to vision and hearing, the two key senses for landscape awareness. Given the importance of scale in the study of rock art landscapes, a distinction is made between the adjacent landscape and the broader territorial scale. Several methodological improvements are suggested, including the importance of clipping viewsheds in GIS analysis an…
Archaeological and Geological Studies (4 works) · Archaeology (4 works) · Archaeology and Rock Art Studies (4 works) · Geography (4 works) · Geology (4 works) · Archaeology and ancient environmental studies (3 works) · Pleistocene-Era Hominins and Archaeology (3 works) · Archaeological and Historical Studies (2 works) · Archaeology and Cultural Heritage (2 works) · Art (2 works)