Başak Ağın
Biographic Data
| ID | 2360365 |
|---|---|
| NAME | Başak Ağın |
| GIVEN NAMES | Başak |
| FAMILY NAME | Ağın |
| SIGNATURE | AĞIN B |
| AFFILIATIONS | TED University |
| ORCID | 0000-0002-4323-3686 |
| VERIFIED | Yes |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 5 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Introduction
Since Ihab Hassan’s 1977 “Prometheus as Performer” that heralded the posthuman as a model reaching beyond the postmodern, the concept and its related theories known as posthumanism(s) have proliferated in many fields ranging across philosophy, environmental humanities, and ethics. With the material and nonhuman turns being marked by the contribution of theorists from English departments, the concept of the posthuman has finally managed to move be…
Thinking-with Muñoz
This article seeks to reexplore José Esteban Muñoz in a posthumanist light. Deriving energy from eco-art and street art, it establishes a route from queer time to posthuman temporality and materiality, taking Karen Barad’s diffractive methodology as its model. Following a posthuman narrative framework, supported by theoretical developments in new materialisms and various art forms combining human and nonhuman actors, the article discusses how rea…
Hearing the Living Metaphors
In this paper, we evaluate Serpil Oppermann’s “Storied Seas and Living Metaphors in the Blue Humanities” as a turning point in the theoretical development of ecocriticism. Oppermann’s application of her own theory, material ecocriticism, in the reading of the water bodies that entwine the biological and the textual, situates material-ecocritical undertakings as a landmark of the ecocritical map. The well-known metaphor of the wave, used in explic…
Tracing ecophobia through bios/zoё dichotomy in Margaret Atwood’s Surfacing
Konuşan Beden, Çizgi Film
In the article published in Celal Bayar University Journal of Social Sciences, volume sixteen, issue 1/2, special issue on “Literature and Environment,” with the citation information “Ağın, Başak. (2018). Animated Film as an Eloquent Body: Seth Boyden’s An Object at Rest as Mattertext, Celal Bayar University Journal of Social Sciences, 16 (1/2), 27-46,” culled from the author’s PhD dissertation, the author noticed a conceptual error, which also r…
No prominent works on this page.
Konuşan Beden, Çizgi Film
In the article published in Celal Bayar University Journal of Social Sciences, volume sixteen, issue 1/2, special issue on “Literature and Environment,” with the citation information “Ağın, Başak. (2018). Animated Film as an Eloquent Body: Seth Boyden’s An Object at Rest as Mattertext, Celal Bayar University Journal of Social Sciences, 16 (1/2), 27-46,” culled from the author’s PhD dissertation, the author noticed a conceptual error, which also r…
Tracing ecophobia through bios/zoё dichotomy in Margaret Atwood’s Surfacing
Hearing the Living Metaphors
In this paper, we evaluate Serpil Oppermann’s “Storied Seas and Living Metaphors in the Blue Humanities” as a turning point in the theoretical development of ecocriticism. Oppermann’s application of her own theory, material ecocriticism, in the reading of the water bodies that entwine the biological and the textual, situates material-ecocritical undertakings as a landmark of the ecocritical map. The well-known metaphor of the wave, used in explic…
Introduction
Since Ihab Hassan’s 1977 “Prometheus as Performer” that heralded the posthuman as a model reaching beyond the postmodern, the concept and its related theories known as posthumanism(s) have proliferated in many fields ranging across philosophy, environmental humanities, and ethics. With the material and nonhuman turns being marked by the contribution of theorists from English departments, the concept of the posthuman has finally managed to move be…
Thinking-with Muñoz
This article seeks to reexplore José Esteban Muñoz in a posthumanist light. Deriving energy from eco-art and street art, it establishes a route from queer time to posthuman temporality and materiality, taking Karen Barad’s diffractive methodology as its model. Following a posthuman narrative framework, supported by theoretical developments in new materialisms and various art forms combining human and nonhuman actors, the article discusses how rea…
Sociology (5 works) · Philosophy (4 works) · Linguistics (3 works) · Aesthetics (2 works) · Art (2 works) · Biology (2 works) · Ecocriticism and Environmental Literature (2 works) · Ecology (2 works) · Environmental ethics (2 works) · Gender Studies (2 works)