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Stephen Yiu-Wai Chu

Biographic Data

ID236524
NAMEStephen Yiu-Wai Chu
GIVEN NAMESStephen Yiu-Wai
FAMILY NAMEChu
SIGNATURECHU S Y
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS6
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2011
LATEST PUBLICATION YEAR2022
H-INDEX1
  • Note on Romanisation, Translation and Box Office Records

    Stephen Yiu-Wai Chu•CHAPTER•Main Melody Films•2022

    Extract Chinese names are generally romanised according to the style commonly used in Hong Kong, with English first names followed by Chinese surname (such as Ann Hui). For the sake of consistency, those without English first names are also romanised in the same way (such as Kar-Wai Wong), except those internationally known by other formats (such as Tsui Hark) or more commonly known by pinyin (such as Jin Yong). Names of mainland Chinese generall…

  • Main Melody Films

    Stephen Yiu-Wai Chu•BOOK•Main Melody Films•2022

    The 2010s will probably enter the annals of Chinese film history as the decade of change, and major changes include, among others, the “blockbusterisation” of main melody films. Main melody films are indeed not new to the Mainland market. Simply put, they used to refer to propaganda works that paid tribute to the nation, the party and the army, and in this sense its history is as long as that of Chinese cinema. In the new millennium, they had gra…

  • Main Melody Films

    Stephen Yiu-Wai Chu•BOOK•Main Melody Films•2022

    Provides an in-depth study of Hong Kong directors’ participation in Chinese 'main-melody' blockbusters in the 2010s Sheds light on the development of cross-border cooperation of Mainland and Hong Kong film industries, and general film studies regarding cross-cultural collaborations Explores the move from Mainland-Hong Kong dichotomy, shifting the emphasis to cultural translations across the border Helps researchers understand changing values in a…

  • Brand Hong Kong

    Stephen Yiu-Wai Chu, S Y Chu•ARTICLE•Visual Anthropology•2011•Cited by: 6•References: 6

    After its reversion to China in 1997, Hong Kong placed a significant emphasis on defining its international visibility as a Special Administrative Region (SAR), a gateway to the Mainland in terms of finance, trade, investment, tourism, transport and communications. In order to package its image as “Asia's world city,” the Chief Executive's Commission on Strategic Development recommended in its February 2000 2000. Bringing the Vision to Life: Hong…

  • Brand Hong Kong

    Stephen Yiu-Wai Chu, S Y Chu•ARTICLE•Visual Anthropology•2011•Cited by: 6•References: 6

    After its reversion to China in 1997, Hong Kong placed a significant emphasis on defining its international visibility as a Special Administrative Region (SAR), a gateway to the Mainland in terms of finance, trade, investment, tourism, transport and communications. In order to package its image as “Asia's world city,” the Chief Executive's Commission on Strategic Development recommended in its February 2000 2000. Bringing the Vision to Life: Hong…

  • Brand Hong Kong

    Stephen Yiu-Wai Chu, S Y Chu•ARTICLE•Visual Anthropology•2011•Cited by: 6•References: 6

    After its reversion to China in 1997, Hong Kong placed a significant emphasis on defining its international visibility as a Special Administrative Region (SAR), a gateway to the Mainland in terms of finance, trade, investment, tourism, transport and communications. In order to package its image as “Asia's world city,” the Chief Executive's Commission on Strategic Development recommended in its February 2000 2000. Bringing the Vision to Life: Hong…

  • Note on Romanisation, Translation and Box Office Records

    Stephen Yiu-Wai Chu•CHAPTER•Main Melody Films•2022

    Extract Chinese names are generally romanised according to the style commonly used in Hong Kong, with English first names followed by Chinese surname (such as Ann Hui). For the sake of consistency, those without English first names are also romanised in the same way (such as Kar-Wai Wong), except those internationally known by other formats (such as Tsui Hark) or more commonly known by pinyin (such as Jin Yong). Names of mainland Chinese generall…

  • Main Melody Films

    Stephen Yiu-Wai Chu•BOOK•Main Melody Films•2022

    The 2010s will probably enter the annals of Chinese film history as the decade of change, and major changes include, among others, the “blockbusterisation” of main melody films. Main melody films are indeed not new to the Mainland market. Simply put, they used to refer to propaganda works that paid tribute to the nation, the party and the army, and in this sense its history is as long as that of Chinese cinema. In the new millennium, they had gra…

  • Main Melody Films

    Stephen Yiu-Wai Chu•BOOK•Main Melody Films•2022

    Provides an in-depth study of Hong Kong directors’ participation in Chinese 'main-melody' blockbusters in the 2010s Sheds light on the development of cross-border cooperation of Mainland and Hong Kong film industries, and general film studies regarding cross-cultural collaborations Explores the move from Mainland-Hong Kong dichotomy, shifting the emphasis to cultural translations across the border Helps researchers understand changing values in a…

China (4 works) · Mainland China (4 works) · Political science (4 works) · History (3 works) · Hong Kong and Taiwan Politics (3 works) · Law (3 works) · Mainland (3 works) · Advertising (2 works) · Ancient history (2 works) · Business (2 works)

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