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Marie–luise Kohlke

Biographic Data

ID2366743
NAMEMarie–luise Kohlke
GIVEN NAMESMarie–luise
FAMILY NAMEKohlke
SIGNATUREKOHLKE M L
AFFILIATIONSSwansea University
ORCID0000-0003-1475-7218
VERIFIEDYes
TOTAL WORKS8
TOTAL CITATIONS6
WORKS AS AUTHOR8
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2004
LATEST PUBLICATION YEAR2022
H-INDEX2
  • Heterotopic Proliferation in E. S. Thomson’s Jem Flockhart Series

    Open Access•Marie–luise Kohlke, Marie-Luise Kohlke•ARTICLE•Humanities•2022

    This article explores the convergence, inversion, and collapse of heterotopic spaces in E. S. Thomson’s neo-Victorian Jem Flockhart series about a cross-dressing female apothecary in mid-nineteenth-century London. The eponymous first-person narrator becomes embroiled in the detection of horrific murder cases, with the action traversing a wide range of Michel Foucault’s exemplary Other spaces, including hospitals, graveyards, brothels, prisons, as…

  • Heterotopic and Neo-Victorian Affinities

    Open Access•Marie–luise Kohlke, Marie-Luise Kohlke et al.•ARTICLE•Humanities•2022

    The introduction to this special issue on Neo-Victorian Heterotopias investigates the affinities between the spaces designated by Michel Foucault’s ambivalent and protean concept of ‘heterotopia’ and the similarly equivocal, shifting, and adaptable cultural phenomenon of ‘neo-Victorianism’. In both cases, cultural spaces and/or artefacts prove deeply intertwined with chronicity, at once juxtaposing and blending different temporal moments, past an…

  • The lures of neo‐Victorianism presentism (with a feminist case study of Penny Dreadful )

    Open Access•Marie–luise Kohlke•ARTICLE•Literature Compass•2018•References: 4

    Commonly credited with a distinctly presentist agenda, neo‐Victorian works invite readers/viewers to infer seeming parallels and continuities between the 19th century and postmodernity. The discernment of presentism's exact operations, however, presupposes an informed audience with a comparatively high level of historical knowledge and sophistication, which cannot be assumed by works targeting a diverse mass market, as in the case of televisual p…

  • The Neo-Victorian Doctor and Resurrected Gothic Masculinities

    Open Access•Marie–luise Kohlke•ARTICLE•Victoriographies•2015•Cited by: 2

    Both neo-Victorian fiction and popular discourse repeatedly reprise the nineteenth-century Gothic doctor figure to represent a crisis of post-Enlightenment masculinity, as well as problematising the past's continuing influence over our own time. From parodic to sinister re-imaginings of transgressive medical men, the trope constitutes a significant schema through which the nineteenth century is filtered, formatted, and reactivated in and for the …

  • Neo-Victorian Gothic

    Marie–luise Kohlke, Marie-Luise Kohlke et al.•BOOK•Neo-Victorian Gothic•2012

    This volume, the third in Rodopi’s Neo-Victorian Series, reassesses neo-Victorianism as a quintessentially Gothic movement. Through their revival of bygone spectres, their obsession with forgotten skeletons in the cupboard, and their exploration of nineteenth-century extremities, neo-Victorian works not only reflect our contemporary Gothic culture but also reactivate it and even enrich it with new variations such as postcolonial, eco or steampunk…

  • Negotiating Sexual Idioms

    Marie–luise Kohlke, Luisa Orza et al.•BOOK•Negotiating Sexual Idioms•2008

  • Blood and Tears in the Mirror of Memory

    Open Access•Marie–luise Kohlke•ARTICLE•Feminist Review•2007•References: 7

    Liana Badr's The Eye of the Mirror explores the historical trauma of the 1975-6 siege of the Palestinian refugee camp Tal el-Zaatar in Beirut and the massacre of thousands of its inhabitants by Christian militias. Analogous to Holocaust writing, Badr's fictionalized history, grounded in actual survivor testimonies, enacts a complex politics of cultural memory, but does so from a specifically female perspective. Collapsing the personal and politic…

  • Into history through the back door

    Marie–luise Kohlke, M-L Kohlke•ARTICLE•Women a Cultural Review•2004•Cited by: 4•References: 1

    Historical fiction offers women writers and their female protagonists a way into history through the back door, into that masculinized history traditionally characterized, in the words of Angela Ca

  • Into history through the back door

    Marie–luise Kohlke, M-L Kohlke•ARTICLE•Women a Cultural Review•2004•Cited by: 4•References: 1

    Historical fiction offers women writers and their female protagonists a way into history through the back door, into that masculinized history traditionally characterized, in the words of Angela Ca

  • The Neo-Victorian Doctor and Resurrected Gothic Masculinities

    Open Access•Marie–luise Kohlke•ARTICLE•Victoriographies•2015•Cited by: 2

    Both neo-Victorian fiction and popular discourse repeatedly reprise the nineteenth-century Gothic doctor figure to represent a crisis of post-Enlightenment masculinity, as well as problematising the past's continuing influence over our own time. From parodic to sinister re-imaginings of transgressive medical men, the trope constitutes a significant schema through which the nineteenth century is filtered, formatted, and reactivated in and for the …

  • Into history through the back door

    Marie–luise Kohlke, M-L Kohlke•ARTICLE•Women a Cultural Review•2004•Cited by: 4•References: 1

    Historical fiction offers women writers and their female protagonists a way into history through the back door, into that masculinized history traditionally characterized, in the words of Angela Ca

  • Blood and Tears in the Mirror of Memory

    Open Access•Marie–luise Kohlke•ARTICLE•Feminist Review•2007•References: 7

    Liana Badr's The Eye of the Mirror explores the historical trauma of the 1975-6 siege of the Palestinian refugee camp Tal el-Zaatar in Beirut and the massacre of thousands of its inhabitants by Christian militias. Analogous to Holocaust writing, Badr's fictionalized history, grounded in actual survivor testimonies, enacts a complex politics of cultural memory, but does so from a specifically female perspective. Collapsing the personal and politic…

  • Negotiating Sexual Idioms

    Marie–luise Kohlke, Luisa Orza et al.•BOOK•Negotiating Sexual Idioms•2008

  • Neo-Victorian Gothic

    Marie–luise Kohlke, Marie-Luise Kohlke et al.•BOOK•Neo-Victorian Gothic•2012

    This volume, the third in Rodopi’s Neo-Victorian Series, reassesses neo-Victorianism as a quintessentially Gothic movement. Through their revival of bygone spectres, their obsession with forgotten skeletons in the cupboard, and their exploration of nineteenth-century extremities, neo-Victorian works not only reflect our contemporary Gothic culture but also reactivate it and even enrich it with new variations such as postcolonial, eco or steampunk…

  • The Neo-Victorian Doctor and Resurrected Gothic Masculinities

    Open Access•Marie–luise Kohlke•ARTICLE•Victoriographies•2015•Cited by: 2

    Both neo-Victorian fiction and popular discourse repeatedly reprise the nineteenth-century Gothic doctor figure to represent a crisis of post-Enlightenment masculinity, as well as problematising the past's continuing influence over our own time. From parodic to sinister re-imaginings of transgressive medical men, the trope constitutes a significant schema through which the nineteenth century is filtered, formatted, and reactivated in and for the …

  • The lures of neo‐Victorianism presentism (with a feminist case study of Penny Dreadful )

    Open Access•Marie–luise Kohlke•ARTICLE•Literature Compass•2018•References: 4

    Commonly credited with a distinctly presentist agenda, neo‐Victorian works invite readers/viewers to infer seeming parallels and continuities between the 19th century and postmodernity. The discernment of presentism's exact operations, however, presupposes an informed audience with a comparatively high level of historical knowledge and sophistication, which cannot be assumed by works targeting a diverse mass market, as in the case of televisual p…

  • Heterotopic Proliferation in E. S. Thomson’s Jem Flockhart Series

    Open Access•Marie–luise Kohlke, Marie-Luise Kohlke•ARTICLE•Humanities•2022

    This article explores the convergence, inversion, and collapse of heterotopic spaces in E. S. Thomson’s neo-Victorian Jem Flockhart series about a cross-dressing female apothecary in mid-nineteenth-century London. The eponymous first-person narrator becomes embroiled in the detection of horrific murder cases, with the action traversing a wide range of Michel Foucault’s exemplary Other spaces, including hospitals, graveyards, brothels, prisons, as…

  • Heterotopic and Neo-Victorian Affinities

    Open Access•Marie–luise Kohlke, Marie-Luise Kohlke et al.•ARTICLE•Humanities•2022

    The introduction to this special issue on Neo-Victorian Heterotopias investigates the affinities between the spaces designated by Michel Foucault’s ambivalent and protean concept of ‘heterotopia’ and the similarly equivocal, shifting, and adaptable cultural phenomenon of ‘neo-Victorianism’. In both cases, cultural spaces and/or artefacts prove deeply intertwined with chronicity, at once juxtaposing and blending different temporal moments, past an…

Art (7 works) · Sociology (7 works) · Gender Studies (6 works) · History (6 works) · Law (6 works) · Political science (6 works) · Politics (6 works) · Aesthetics (5 works) · Literature (5 works) · Philosophy (5 works)

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