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María José Gámez Fuentes

Biographic Data

ID2377402
NAMEMaría José Gámez Fuentes
GIVEN NAMESMaría José Gámez
FAMILY NAMEFuentes
SIGNATUREFUENTES M J G
AFFILIATIONSUniversitat Jaume I
ORCID0000-0001-5870-7277
VERIFIEDYes
TOTAL WORKS14
TOTAL CITATIONS29
AUTHOR COUNT13
EDITOR COUNT1
FIRST PUBLICATION YEAR2001
LATEST PUBLICATION YEAR2023
H-INDEX3
  • Odos de habitar la rabia contra la misoginia en Vis a Vis (2015-2020)

    Open Access•Emma Gómez Nicolau, Rebeca Maseda García et al.•ARTICLE•ex aequo - Revista da Associação…•2023•Cited by: 1•References: 3

    This study examines the TV series Vis a Vis through the operationalization of the concept of anger competence (Chemaly 2018), which refers to the subject’s ability to express anger. But we put it into dialogue with Lorde’s (1981) consideration of anger as “productive” only when it transforms conditions of violence and/or injustice. In that sense, we contend that the narrative approach of the series does not reproduce the usual stigmatization of w…

  • Mujeres y resistencias en tiempos de manadas

    Open Access•Emma Gómez Nicolau, Maria Medina-Vicent et al.•BOOK•Mujeres y resistencias en tiempos…•2021

    Si bien resulta evidente que se han producido avances en cuanto a la institucionalizacin de la igualdad de gnero en nuestras sociedades, la creciente visibilidad de los movimientos feministas y sus reivindicaciones demuestra la preeminencia de la desigualdad de gnero, los discursos misginos y la violencia contra las mujeres. Una muestra del peligro constante en el que se encuentra dicho grupo son tambin las reacciones antifeministas que parecen r…

  • Breaking the logic of neoliberal victimhood: Vulnerability, interdependence and memory in Captain Marvel (Anna Boden and Ryan Fleck, 2019)

    Open Access•María José Gámez Fuentes•ARTICLE•European Journal of Cultural…•2021•Cited by: 3•References: 3

    The contemporary visibility of women’s accomplishments and popular outcry in the face of injustice and/or violence might suggest that women have achieved their aim of putting long-fought feminist principles in the spotlight and have finally earned equality. However, let us not forget that, in the face of violence, the hegemonic matrix of intelligibility has also historically defined women victims by their ‘injurability’, so, intrinsically vulnera…

  • Nostalgia and the Dialectics of Contemporary Feminisms in The Handmaid's Tale

    María José Gámez Fuentes, Rebeca Maseda García•ARTICLE•Science Fiction Studies•2021

    In this article, we turn our gaze to the television series The Handmaid's Tale to examine different critical aspects of nostalgia in relation to contemporary and previous feminist debates. Our purpose is to analyze not only the series' different approaches to nostalgia but also to question the type of feminism the female dystopia attempts to recuperate. We enquire into the political capacity of the show's nostalgia to advance the complex debate o…

  • Re-writing Women as Victims: From Theory to Practice

    Ma José Gámez Fuentes, María José Gámez Fuentes et al.•BOOK•Re-Writing Women As Victims•2019

    This volume critically analyses political strategies, civil society initiatives and modes of representation that challenge the conventional narratives of women in contexts of violence. It deepens into the concepts of victimhood and agency that inform the current debate on women as victims.\nThe volume opens the scope to explore initiatives that transcend the pair abuser–victim and explore the complex relations between gender and violence, and ind…

  • Spanish feminism, popular misogyny and the place of the victim

    Sonia Núñez Puente, María José Gámez Fuentes•ARTICLE•Feminist Media Studies•2017•Cited by: 2

    During the last days of February and the first of March, 2017, Spanish citizens were brought to witness a debate that attracted widespread attention both nationally and internationally. An orange b

  • Women and violence in contemporary Spanish cinema: La vida secreta de las palabras (2005), Mataharis (2007) and Elisa K. (2010)

    María José Gámez Fuentes•ARTICLE•International Journal of Iberian…•2015

    Within the framework of the debate on violence against women in Spain, this article aims to analyse three Spanish films that constitute a turning point in the media and political configuration of the issue. The specialist literature agrees that, despite good intentions, the attention paid to the matter since the 1990s has reinforced rather than dismantled the cultural imaginary that sustains violence against women by placing them in the eternal p…

  • Feminisms and the 15M Movement in Spain: Between Frames of Recognition and Contexts of Action

    María José Gámez Fuentes•ARTICLE•Social movement studies•2015•Cited by: 17•References: 4

    The purpose of this profile is to address the Spanish 15M movement from a gender perspective, focusing, on the one hand, on the role played by feminist demands within it and, on the other, on how feminism may have contributed to the 15M, its internal debate and its further developments unfolding in the current Spanish political context. In order to do that, we first explore how feminist demands were initially received in the camps and the reactio…

  • Las mujeres en el cine y TV movies españoles (2000-2012): Representaciones, sujetos y contextos

    Open Access•María José Gámez Fuentes•ARTICLE•Historia y Comunicación Social•2014•Cited by: 1

    This paper aims at analysing the representation and participation of women in Spanish films and TV movies according to the following parameters: how do audiences validate inherited gender roles through box office results, how do films relate women’s experiences during democracy with social imaginaries constructed upon long shared narratives, how does the industry articulate women’s contribution

  • Re-Framing the Subject(s) of Gender Violence

    Open Access•María José Gámez Fuentes•ARTICLE•Peace Review•2013•Cited by: 1•References: 4

    The concern to eradicate violence against women is not new in the global agenda. In the \n\t\t\t\t search and struggle for a more equitable and peaceful world, the feminist movement has \n\t\t\t\t undoubtedly been the main driving force behind the changes produced. From diverse \n\t\t\t\t grassroots women’s movements against any kind of violence towards women (rape, \n\t\t\t\t battering, war or poverty, among others) to institutionalized feminist…

  • Comunicación para la igualdad en el nuevo Eees: Fundamentación crítica para el cambio social

    Open Access•María José Gámez Fuentes, Eloísa Nos Aldás•ARTICLE•Estudios sobre el Mensaje…•2012•Cited by: 4•References: 1

    This paper analyzes and supports a pedagogical proposal addressed to including teaching on equality in the degrees of Communication Sciences in the framework of the new EHEA. This research reviews the primary and secondary sources that define the guidelines for teaching equality in this new education arena and discusses them, on the one hand, from the focus of the most recent proposals on critical theory and critical pedagogy from Cultural Studie…

  • Representing Disability in 90's Spain: The Case of Once1

    María José Gámez Fuentes, Ma José Gámez Fuentes•ARTICLE•Journal of Spanish Cultural Studies•2005•References: 4

  • Maternidad y Ausencia en Cría cuervos de Carlos Saura

    María José Gámez Fuentes•ARTICLE•Hispanic Research Journal•2001

  • Maternidad y Ausencia en Cría cuervos de Carlos Saura

    María José Gámez Fuentes•ARTICLE•Hispanic Research Journal•2001

    The figure of the absent mother is an element that has been pointed out in many studies on women's literature and cinema in Spain. This paper aims at analysing that absence in the framework provided by the film Raise Ravens in order to explore the different historical and subjective factors at work. It is my contention that the maternal absence articulates an illusory subject position offered to women by the dictatorship. At the same time this ab…

  • Feminisms and the 15M Movement in Spain: Between Frames of Recognition and Contexts of Action

    María José Gámez Fuentes•ARTICLE•Social movement studies•2015•Cited by: 17•References: 4

    The purpose of this profile is to address the Spanish 15M movement from a gender perspective, focusing, on the one hand, on the role played by feminist demands within it and, on the other, on how feminism may have contributed to the 15M, its internal debate and its further developments unfolding in the current Spanish political context. In order to do that, we first explore how feminist demands were initially received in the camps and the reactio…

  • Comunicación para la igualdad en el nuevo Eees: Fundamentación crítica para el cambio social

    Open Access•María José Gámez Fuentes, Eloísa Nos Aldás•ARTICLE•Estudios sobre el Mensaje…•2012•Cited by: 4•References: 1

    This paper analyzes and supports a pedagogical proposal addressed to including teaching on equality in the degrees of Communication Sciences in the framework of the new EHEA. This research reviews the primary and secondary sources that define the guidelines for teaching equality in this new education arena and discusses them, on the one hand, from the focus of the most recent proposals on critical theory and critical pedagogy from Cultural Studie…

  • Breaking the logic of neoliberal victimhood: Vulnerability, interdependence and memory in Captain Marvel (Anna Boden and Ryan Fleck, 2019)

    Open Access•María José Gámez Fuentes•ARTICLE•European Journal of Cultural…•2021•Cited by: 3•References: 3

    The contemporary visibility of women’s accomplishments and popular outcry in the face of injustice and/or violence might suggest that women have achieved their aim of putting long-fought feminist principles in the spotlight and have finally earned equality. However, let us not forget that, in the face of violence, the hegemonic matrix of intelligibility has also historically defined women victims by their ‘injurability’, so, intrinsically vulnera…

  • Spanish feminism, popular misogyny and the place of the victim

    Sonia Núñez Puente, María José Gámez Fuentes•ARTICLE•Feminist Media Studies•2017•Cited by: 2

    During the last days of February and the first of March, 2017, Spanish citizens were brought to witness a debate that attracted widespread attention both nationally and internationally. An orange b

  • Odos de habitar la rabia contra la misoginia en Vis a Vis (2015-2020)

    Open Access•Emma Gómez Nicolau, Rebeca Maseda García et al.•ARTICLE•ex aequo - Revista da Associação…•2023•Cited by: 1•References: 3

    This study examines the TV series Vis a Vis through the operationalization of the concept of anger competence (Chemaly 2018), which refers to the subject’s ability to express anger. But we put it into dialogue with Lorde’s (1981) consideration of anger as “productive” only when it transforms conditions of violence and/or injustice. In that sense, we contend that the narrative approach of the series does not reproduce the usual stigmatization of w…

  • Las mujeres en el cine y TV movies españoles (2000-2012): Representaciones, sujetos y contextos

    Open Access•María José Gámez Fuentes•ARTICLE•Historia y Comunicación Social•2014•Cited by: 1

    This paper aims at analysing the representation and participation of women in Spanish films and TV movies according to the following parameters: how do audiences validate inherited gender roles through box office results, how do films relate women’s experiences during democracy with social imaginaries constructed upon long shared narratives, how does the industry articulate women’s contribution

  • Re-Framing the Subject(s) of Gender Violence

    Open Access•María José Gámez Fuentes•ARTICLE•Peace Review•2013•Cited by: 1•References: 4

    The concern to eradicate violence against women is not new in the global agenda. In the \n\t\t\t\t search and struggle for a more equitable and peaceful world, the feminist movement has \n\t\t\t\t undoubtedly been the main driving force behind the changes produced. From diverse \n\t\t\t\t grassroots women’s movements against any kind of violence towards women (rape, \n\t\t\t\t battering, war or poverty, among others) to institutionalized feminist…

  • Maternidad y Ausencia en Cría cuervos de Carlos Saura

    María José Gámez Fuentes•ARTICLE•Hispanic Research Journal•2001

  • Maternidad y Ausencia en Cría cuervos de Carlos Saura

    María José Gámez Fuentes•ARTICLE•Hispanic Research Journal•2001

    The figure of the absent mother is an element that has been pointed out in many studies on women's literature and cinema in Spain. This paper aims at analysing that absence in the framework provided by the film Raise Ravens in order to explore the different historical and subjective factors at work. It is my contention that the maternal absence articulates an illusory subject position offered to women by the dictatorship. At the same time this ab…

  • Representing Disability in 90's Spain: The Case of Once1

    María José Gámez Fuentes, Ma José Gámez Fuentes•ARTICLE•Journal of Spanish Cultural Studies•2005•References: 4

  • Comunicación para la igualdad en el nuevo Eees: Fundamentación crítica para el cambio social

    Open Access•María José Gámez Fuentes, Eloísa Nos Aldás•ARTICLE•Estudios sobre el Mensaje…•2012•Cited by: 4•References: 1

    This paper analyzes and supports a pedagogical proposal addressed to including teaching on equality in the degrees of Communication Sciences in the framework of the new EHEA. This research reviews the primary and secondary sources that define the guidelines for teaching equality in this new education arena and discusses them, on the one hand, from the focus of the most recent proposals on critical theory and critical pedagogy from Cultural Studie…

  • Re-Framing the Subject(s) of Gender Violence

    Open Access•María José Gámez Fuentes•ARTICLE•Peace Review•2013•Cited by: 1•References: 4

    The concern to eradicate violence against women is not new in the global agenda. In the \n\t\t\t\t search and struggle for a more equitable and peaceful world, the feminist movement has \n\t\t\t\t undoubtedly been the main driving force behind the changes produced. From diverse \n\t\t\t\t grassroots women’s movements against any kind of violence towards women (rape, \n\t\t\t\t battering, war or poverty, among others) to institutionalized feminist…

  • Las mujeres en el cine y TV movies españoles (2000-2012): Representaciones, sujetos y contextos

    Open Access•María José Gámez Fuentes•ARTICLE•Historia y Comunicación Social•2014•Cited by: 1

    This paper aims at analysing the representation and participation of women in Spanish films and TV movies according to the following parameters: how do audiences validate inherited gender roles through box office results, how do films relate women’s experiences during democracy with social imaginaries constructed upon long shared narratives, how does the industry articulate women’s contribution

  • Women and violence in contemporary Spanish cinema: La vida secreta de las palabras (2005), Mataharis (2007) and Elisa K. (2010)

    María José Gámez Fuentes•ARTICLE•International Journal of Iberian…•2015

    Within the framework of the debate on violence against women in Spain, this article aims to analyse three Spanish films that constitute a turning point in the media and political configuration of the issue. The specialist literature agrees that, despite good intentions, the attention paid to the matter since the 1990s has reinforced rather than dismantled the cultural imaginary that sustains violence against women by placing them in the eternal p…

  • Feminisms and the 15M Movement in Spain: Between Frames of Recognition and Contexts of Action

    María José Gámez Fuentes•ARTICLE•Social movement studies•2015•Cited by: 17•References: 4

    The purpose of this profile is to address the Spanish 15M movement from a gender perspective, focusing, on the one hand, on the role played by feminist demands within it and, on the other, on how feminism may have contributed to the 15M, its internal debate and its further developments unfolding in the current Spanish political context. In order to do that, we first explore how feminist demands were initially received in the camps and the reactio…

  • Spanish feminism, popular misogyny and the place of the victim

    Sonia Núñez Puente, María José Gámez Fuentes•ARTICLE•Feminist Media Studies•2017•Cited by: 2

    During the last days of February and the first of March, 2017, Spanish citizens were brought to witness a debate that attracted widespread attention both nationally and internationally. An orange b

  • Re-writing Women as Victims: From Theory to Practice

    Ma José Gámez Fuentes, María José Gámez Fuentes et al.•BOOK•Re-Writing Women As Victims•2019

    This volume critically analyses political strategies, civil society initiatives and modes of representation that challenge the conventional narratives of women in contexts of violence. It deepens into the concepts of victimhood and agency that inform the current debate on women as victims.\nThe volume opens the scope to explore initiatives that transcend the pair abuser–victim and explore the complex relations between gender and violence, and ind…

  • Mujeres y resistencias en tiempos de manadas

    Open Access•Emma Gómez Nicolau, Maria Medina-Vicent et al.•BOOK•Mujeres y resistencias en tiempos…•2021

    Si bien resulta evidente que se han producido avances en cuanto a la institucionalizacin de la igualdad de gnero en nuestras sociedades, la creciente visibilidad de los movimientos feministas y sus reivindicaciones demuestra la preeminencia de la desigualdad de gnero, los discursos misginos y la violencia contra las mujeres. Una muestra del peligro constante en el que se encuentra dicho grupo son tambin las reacciones antifeministas que parecen r…

  • Breaking the logic of neoliberal victimhood: Vulnerability, interdependence and memory in Captain Marvel (Anna Boden and Ryan Fleck, 2019)

    Open Access•María José Gámez Fuentes•ARTICLE•European Journal of Cultural…•2021•Cited by: 3•References: 3

    The contemporary visibility of women’s accomplishments and popular outcry in the face of injustice and/or violence might suggest that women have achieved their aim of putting long-fought feminist principles in the spotlight and have finally earned equality. However, let us not forget that, in the face of violence, the hegemonic matrix of intelligibility has also historically defined women victims by their ‘injurability’, so, intrinsically vulnera…

  • Nostalgia and the Dialectics of Contemporary Feminisms in The Handmaid's Tale

    María José Gámez Fuentes, Rebeca Maseda García•ARTICLE•Science Fiction Studies•2021

    In this article, we turn our gaze to the television series The Handmaid's Tale to examine different critical aspects of nostalgia in relation to contemporary and previous feminist debates. Our purpose is to analyze not only the series' different approaches to nostalgia but also to question the type of feminism the female dystopia attempts to recuperate. We enquire into the political capacity of the show's nostalgia to advance the complex debate o…

  • Odos de habitar la rabia contra la misoginia en Vis a Vis (2015-2020)

    Open Access•Emma Gómez Nicolau, Rebeca Maseda García et al.•ARTICLE•ex aequo - Revista da Associação…•2023•Cited by: 1•References: 3

    This study examines the TV series Vis a Vis through the operationalization of the concept of anger competence (Chemaly 2018), which refers to the subject’s ability to express anger. But we put it into dialogue with Lorde’s (1981) consideration of anger as “productive” only when it transforms conditions of violence and/or injustice. In that sense, we contend that the narrative approach of the series does not reproduce the usual stigmatization of w…

Political science (10 works) · Sociology (9 works) · Art (8 works) · Gender Studies (6 works) · Law (6 works) · Gender Studies (5 works) · Humanities (5 works) · Law (5 works) · Politics (5 works) · Spanish Culture and Identity (5 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae