Skip to main content

ETHNOS_APP

Home • Search • Journals • List 0

Keir Keightley

Biographic Data

ID2380955
NAMEKeir Keightley
GIVEN NAMESKeir
FAMILY NAMEKeightley
SIGNATUREKEIGHTLEY K
AFFILIATIONSWestern University
VERIFIEDNo
TOTAL WORKS9
TOTAL CITATIONS41
AUTHOR COUNT9
EDITOR COUNT0
FIRST PUBLICATION YEAR1996
LATEST PUBLICATION YEAR2011
H-INDEX2
  • The Historical Consciousness of Sunshine Pop

    Open Access•Keir Keightley•ARTICLE•Journal of Popular Music Studies•2011

  • Taking Popular Music (and Tin Pan Alley and Jazz) Seriously

    Open Access•Keir Keightley•ARTICLE•Journal of Popular Music Studies•2010

  • Music for Middlebrows

    Open Access•Keir Keightley•ARTICLE•American Music•2008

    This DOI is not currently attached to any metadata records. DOIs can’t actually ever be deleted (they’re persistent), but sometimes our members create DOIs in error. We do have a process to approximate deletion which we follow only in rare cases where the DOI has been genuinely created in error, and most crucially, if the DOI has never been published anywhere online or in print and never otherwise distributed to or communicated with anyone (autho…

  • Long Play

    Open Access•Keir Keightley•ARTICLE•Media Culture & Society•2004•Cited by: 5•References: 7

    While the historiography of post-war popular music has tended to emphasize radical musical stylistic breaks and cultural ruptures, industrial continuities between the adult-oriented popular music of the 1950s and the youth-oriented music of the rock era ( c. 1967 on) have been overlooked or under-analysed. The article examines the rise of the ‘long-play’ (LP) album as the core commodity of the US sound recording industry, which occurred curing th…

  • Reconsidering rock

    Open Access•Keir Keightley•CHAPTER•Cambridge companion to pop and rock•2001

    ‘L’enfance est plus authentique’ ‘cybele’s reverie’, stereolab, 1995 ‘Rock’ is a term that is instantly evocative and frustratingly vague. Rock may mean rebellion in musical form, distorted guitars, aggressive drumming, and bad attitude. But rock has also stood for much more than a single style of musical performance. Very diverse sounds and stars, including country blues, early Bob Dylan, Motown, Otis Redding, Kraftwerk, P-Funk, salsa, Run-DMC, …

  • You Keep Coming Back Like A Song

    Open Access•Keir Keightley•ARTICLE•Journal of Popular Music Studies•2001

  • You Keep Coming Back Like A Song

    Open Access•Keir Keightley•ARTICLE•Journal of Popular Music Studies•2001

  • Sinatra! The Song Is You

    Keir Keightley, Will Friedwald et al.•ARTICLE•American Music•1997

  • Turn it down!' she shrieked

    Open Access•Keir Keightley•ARTICLE•Popular Music•1996•Cited by: 36•References: 6

    This is the space age. Not just for sputniks and moonshots but also for hi-fi. We have 'space' conveyed through stereo sound - if we can find space for that extra stereo speaker. The theory that space is limited is nothing new to the average housewife. (HiFi Review, April 1959, p. 49

  • Turn it down!' she shrieked

    Open Access•Keir Keightley•ARTICLE•Popular Music•1996•Cited by: 36•References: 6

    This is the space age. Not just for sputniks and moonshots but also for hi-fi. We have 'space' conveyed through stereo sound - if we can find space for that extra stereo speaker. The theory that space is limited is nothing new to the average housewife. (HiFi Review, April 1959, p. 49

  • Long Play

    Open Access•Keir Keightley•ARTICLE•Media Culture & Society•2004•Cited by: 5•References: 7

    While the historiography of post-war popular music has tended to emphasize radical musical stylistic breaks and cultural ruptures, industrial continuities between the adult-oriented popular music of the 1950s and the youth-oriented music of the rock era ( c. 1967 on) have been overlooked or under-analysed. The article examines the rise of the ‘long-play’ (LP) album as the core commodity of the US sound recording industry, which occurred curing th…

  • Turn it down!' she shrieked

    Open Access•Keir Keightley•ARTICLE•Popular Music•1996•Cited by: 36•References: 6

    This is the space age. Not just for sputniks and moonshots but also for hi-fi. We have 'space' conveyed through stereo sound - if we can find space for that extra stereo speaker. The theory that space is limited is nothing new to the average housewife. (HiFi Review, April 1959, p. 49

  • Sinatra! The Song Is You

    Keir Keightley, Will Friedwald et al.•ARTICLE•American Music•1997

  • Reconsidering rock

    Open Access•Keir Keightley•CHAPTER•Cambridge companion to pop and rock•2001

    ‘L’enfance est plus authentique’ ‘cybele’s reverie’, stereolab, 1995 ‘Rock’ is a term that is instantly evocative and frustratingly vague. Rock may mean rebellion in musical form, distorted guitars, aggressive drumming, and bad attitude. But rock has also stood for much more than a single style of musical performance. Very diverse sounds and stars, including country blues, early Bob Dylan, Motown, Otis Redding, Kraftwerk, P-Funk, salsa, Run-DMC, …

  • You Keep Coming Back Like A Song

    Open Access•Keir Keightley•ARTICLE•Journal of Popular Music Studies•2001

  • You Keep Coming Back Like A Song

    Open Access•Keir Keightley•ARTICLE•Journal of Popular Music Studies•2001

  • Long Play

    Open Access•Keir Keightley•ARTICLE•Media Culture & Society•2004•Cited by: 5•References: 7

    While the historiography of post-war popular music has tended to emphasize radical musical stylistic breaks and cultural ruptures, industrial continuities between the adult-oriented popular music of the 1950s and the youth-oriented music of the rock era ( c. 1967 on) have been overlooked or under-analysed. The article examines the rise of the ‘long-play’ (LP) album as the core commodity of the US sound recording industry, which occurred curing th…

  • Music for Middlebrows

    Open Access•Keir Keightley•ARTICLE•American Music•2008

    This DOI is not currently attached to any metadata records. DOIs can’t actually ever be deleted (they’re persistent), but sometimes our members create DOIs in error. We do have a process to approximate deletion which we follow only in rare cases where the DOI has been genuinely created in error, and most crucially, if the DOI has never been published anywhere online or in print and never otherwise distributed to or communicated with anyone (autho…

  • Taking Popular Music (and Tin Pan Alley and Jazz) Seriously

    Open Access•Keir Keightley•ARTICLE•Journal of Popular Music Studies•2010

  • The Historical Consciousness of Sunshine Pop

    Open Access•Keir Keightley•ARTICLE•Journal of Popular Music Studies•2011

History (8 works) · Art (7 works) · Music History and Culture (6 works) · Aesthetics (5 works) · Literature (4 works) · Theater, Performance, and Music History (4 works) · Visual arts (4 works) · Archaeology (3 works) · Art history (3 works) · Communication (3 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae