Mariano Mestman
Biographic Data
| ID | 239499 |
|---|---|
| NAME | Mariano Mestman |
| GIVEN NAMES | Mariano |
| FAMILY NAME | Mestman |
| SIGNATURE | MESTMAN M |
| AFFILIATIONS | Universidad de Buenos Aires |
| ORCID | 0000-0002-4398-7736 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 7 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2008 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 2 |
Testimonios Subalternos Entre El Documental Y La Ficción
Between Political Film and Militant Video
Montreal, June 2–8, 1974: Over 200 representatives of political cinema from 25 countries gathered at the Rencontres Internationales pour un Nouveau Cinéma. Among the participants were militant filmmakers, members of 1968 film groups, producers, distributors, film critics, and historians, as well as film institute delegates from Europe, Latin America, Africa, and North America. Even though this was one of the most important worldwide events in the…
Introduction
Key words: Movies, Motion picture industry, Political debate, Film criticism, Film festivals, Meetings, Third World, Solidarity, Film theory, Instructional materials
The worker's voice in post-1968 Argentine political documentary
In the late 1960s, the political cinema of Latin America gave relevance and a prominent place to the voices of the people. In the case of Argentina, the worker's voice increased its presence in the films during a period of militant cinema that began in 1968 with the legendary La hora de los hornos [The Hour of the Furnaces]. Later films also incorporated the voice of the workers who played a central part in the largest popular uprising of the per…
Third Cinema/Militant Cinema
The manifesto 'Toward a Third Cinema' is the best known document of the group Cine Liberación; in it Fernando Solanas and Octavio Getino introduced their concept of three types of cinema and of 'cine‐acción' (film event). However, because of its early appearance in October 1969, this manifesto did not fully take into account the experience of the screening of political cinema. A later document, 'Militant Cinema: An Internal Category of Third Cine…
The last Sacred Image of the Latin American Revolution
Mundo del trabajo, representación gremial e identidad obrera en Los traidores (1973)
The paper analyze the film The traitors (1973), the most important political film of the argentinian filmaker Raymundo Gleyzer and the Cine de la Base group, about a peronist trade unionist corrupted by his rise to power. In the first place, we study the narrative strategies of the film in relationship to the Raymond Williams reflections on cinema and socialism, and his notion of structure of feeling. In the second place, our analysis deals with …
Third Cinema/Militant Cinema
The manifesto 'Toward a Third Cinema' is the best known document of the group Cine Liberación; in it Fernando Solanas and Octavio Getino introduced their concept of three types of cinema and of 'cine‐acción' (film event). However, because of its early appearance in October 1969, this manifesto did not fully take into account the experience of the screening of political cinema. A later document, 'Militant Cinema: An Internal Category of Third Cine…
The last Sacred Image of the Latin American Revolution
The worker's voice in post-1968 Argentine political documentary
In the late 1960s, the political cinema of Latin America gave relevance and a prominent place to the voices of the people. In the case of Argentina, the worker's voice increased its presence in the films during a period of militant cinema that began in 1968 with the legendary La hora de los hornos [The Hour of the Furnaces]. Later films also incorporated the voice of the workers who played a central part in the largest popular uprising of the per…
Mundo del trabajo, representación gremial e identidad obrera en Los traidores (1973)
The paper analyze the film The traitors (1973), the most important political film of the argentinian filmaker Raymundo Gleyzer and the Cine de la Base group, about a peronist trade unionist corrupted by his rise to power. In the first place, we study the narrative strategies of the film in relationship to the Raymond Williams reflections on cinema and socialism, and his notion of structure of feeling. In the second place, our analysis deals with …
The last Sacred Image of the Latin American Revolution
Third Cinema/Militant Cinema
The manifesto 'Toward a Third Cinema' is the best known document of the group Cine Liberación; in it Fernando Solanas and Octavio Getino introduced their concept of three types of cinema and of 'cine‐acción' (film event). However, because of its early appearance in October 1969, this manifesto did not fully take into account the experience of the screening of political cinema. A later document, 'Militant Cinema: An Internal Category of Third Cine…
The worker's voice in post-1968 Argentine political documentary
In the late 1960s, the political cinema of Latin America gave relevance and a prominent place to the voices of the people. In the case of Argentina, the worker's voice increased its presence in the films during a period of militant cinema that began in 1968 with the legendary La hora de los hornos [The Hour of the Furnaces]. Later films also incorporated the voice of the workers who played a central part in the largest popular uprising of the per…
Introduction
Key words: Movies, Motion picture industry, Political debate, Film criticism, Film festivals, Meetings, Third World, Solidarity, Film theory, Instructional materials
Between Political Film and Militant Video
Montreal, June 2–8, 1974: Over 200 representatives of political cinema from 25 countries gathered at the Rencontres Internationales pour un Nouveau Cinéma. Among the participants were militant filmmakers, members of 1968 film groups, producers, distributors, film critics, and historians, as well as film institute delegates from Europe, Latin America, Africa, and North America. Even though this was one of the most important worldwide events in the…
Testimonios Subalternos Entre El Documental Y La Ficción
Art (6 works) · Law (6 works) · Political science (6 works) · Art history (5 works) · Movie theater (5 works) · Politics (5 works) · Cinema History and Criticism (4 works) · History (4 works) · Law (4 works) · Media studies (4 works)