Lois Ruskai Melina
Datos Biográficos
| ID | 240212 |
|---|---|
| NOMBRE | Lois Ruskai Melina |
| NOMBRES | Lois Ruskai |
| APELLIDO | Melina |
| FIRMA | MELINA L R |
| AFILIACIONES | Gonzaga University, Spokane, Washington |
| VERIFICADO | No |
| TOTAL DE OBRAS | 4 |
| TOTAL DE CITAS | 6 |
| TOTAL COMO AUTOR | 4 |
| TOTAL COMO EDITOR | 0 |
| PRIMER AÑO DE PUBLICACIÓN | 2008 |
| AÑO MÁS RECIENTE DE PUBLICACIÓN | 2016 |
| ÍNDICE H | 1 |
The Value of a Realist Understanding of Causality for Qualitative Research
Being the change
A study of the lived experience of seven protesters who participated in the encampment associated with the Occupy movement in Portland, Oregon in the fall of 2011 revealed that the encampment functioned as both performance intended to engage external audiences in the goals of the movement and as a performative discourse that constituted a caring community that broke down socioeconomic barriers of wealth, class, education, race, and gender. This s…
Heartbeats
One of the ways to participate as change agents in the struggle toward a true participatory global democracy is constructing spaces in which to communicate across race, ethnicity, religion, class, and culture. This collaborative, auto/ethnographic performance text was started during a pre-conference workshop titled "Heartbeats: Writing Performance Texts," I designed and facilitated with the help of my colleague Carolyne J. White. The purpose of t…
Backstage With The Hot Flashes
This autoethnographic account of the author's experience performing rock `n' roll from the 1950s and 1960s as part of a quartet of middle-aged women reveals how performance can interrogate and contest notions of gender, age, and identity. By moving among the layers of experience-on stage, backstage, among the four singers, and between the singers and the audiences-as well as by reflecting on those experiences and interactions, the author takes th…
Backstage With The Hot Flashes
This autoethnographic account of the author's experience performing rock `n' roll from the 1950s and 1960s as part of a quartet of middle-aged women reveals how performance can interrogate and contest notions of gender, age, and identity. By moving among the layers of experience-on stage, backstage, among the four singers, and between the singers and the audiences-as well as by reflecting on those experiences and interactions, the author takes th…
Heartbeats
One of the ways to participate as change agents in the struggle toward a true participatory global democracy is constructing spaces in which to communicate across race, ethnicity, religion, class, and culture. This collaborative, auto/ethnographic performance text was started during a pre-conference workshop titled "Heartbeats: Writing Performance Texts," I designed and facilitated with the help of my colleague Carolyne J. White. The purpose of t…
Backstage With The Hot Flashes
This autoethnographic account of the author's experience performing rock `n' roll from the 1950s and 1960s as part of a quartet of middle-aged women reveals how performance can interrogate and contest notions of gender, age, and identity. By moving among the layers of experience-on stage, backstage, among the four singers, and between the singers and the audiences-as well as by reflecting on those experiences and interactions, the author takes th…
Heartbeats
One of the ways to participate as change agents in the struggle toward a true participatory global democracy is constructing spaces in which to communicate across race, ethnicity, religion, class, and culture. This collaborative, auto/ethnographic performance text was started during a pre-conference workshop titled "Heartbeats: Writing Performance Texts," I designed and facilitated with the help of my colleague Carolyne J. White. The purpose of t…
Being the change
A study of the lived experience of seven protesters who participated in the encampment associated with the Occupy movement in Portland, Oregon in the fall of 2011 revealed that the encampment functioned as both performance intended to engage external audiences in the goals of the movement and as a performative discourse that constituted a caring community that broke down socioeconomic barriers of wealth, class, education, race, and gender. This s…
The Value of a Realist Understanding of Causality for Qualitative Research
Gender Studies (3 obras) · Gender Studies (3 obras) · Media studies (3 obras) · Political science (3 obras) · Psychology (3 obras) · Sociology (3 obras) · Aesthetics (2 obras) · Art (2 obras) · Music History and Culture (2 obras) · Theatre and Performance Studies (2 obras)