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Francesco Zucconi

Biographic Data

ID240333
NAMEFrancesco Zucconi
GIVEN NAMESFrancesco
FAMILY NAMEZucconi
SIGNATUREZUCCONI F
AFFILIATIONSÉcole des hautes études en sciences sociales
ORCID0000-0001-9580-1000
VERIFIEDYes
TOTAL WORKS6
TOTAL CITATIONS0
AUTHOR COUNT6
EDITOR COUNT0
FIRST PUBLICATION YEAR2017
LATEST PUBLICATION YEAR2025
H-INDEX0
  • Due Aspetti Della Propaganda Mitridatica Alla Luce Di Un Decreto Efesino (I.Ephesos 8)

    Francesco Zucconi•ARTICLE•Studi classici e orientali•2025

  • Gaio Cassio e Quinto Oppio allo scoppio della Prima guerra mitridatica e la provincia di Cilicia nel I secolo a.C

    Francesco Zucconi•ARTICLE•Studi classici e orientali•2024

  • Regarding the Image of the Pain of Others: Caravaggio, Sontag, Leogrande

    Open Access•Francesco Zucconi•ARTICLE•Humanities•2022

    Why were Caravaggio’s Sleeping Cupid (1608) and The Seven Works of Mercy (1607) requested for display at a number of humanitarian public events? And why did Caravaggio’s work inspire a series of photographic and journalistic reportages on contemporary migratory phenomena? This article surveys the main circumstances linking Caravaggio’s pictorial corpus to the so-called European migrant crisis. After critical reflection on the social construction …

  • Sur les potentialités politiques du montage: Godard, Benjamin et l’élaboration d’une « critique de la violence »

    Francesco Zucconi•ARTICLE•Sociétés•2021

    Décrit et étudié comme une réflexion sur l’histoire du XX e siècle, l’art de Jean-Luc Godard se configure comme un atlas géographique, nous forçant à concevoir la pratique du montage comme une juxtaposition incessante de différents lieux et événements historiques. Cet article se concentre sur une séquence des Histoire(s) du cinéma , étudiant les implications politiques d’un montage anachronique et anatopique. Suivre cette voie permet de développe…

  • Displacing Caravaggio: Art, Media, and Humanitarian Visual Culture

    Francesco Zucconi, Zakiya Hanafi•BOOK•Displacing Caravaggio•2018

  • Enjoy Poverty: Humanitarianism and the testimonial function of images

    Nicola Perugini, Francesco Zucconi•ARTICLE•Visual Studies•2017

    The overlap between production of humanitarian images and interventions in contexts of natural and man-made catastrophes is growing on a global scale. An increasingly close relationship exists between image production, news production and humanitarian industry. In this article, we argue that this process is transforming the meaning of the social, political and ethical act of bearing witness. We analyse the epistemic and political implications of …

No prominent works on this page.

  • Enjoy Poverty: Humanitarianism and the testimonial function of images

    Nicola Perugini, Francesco Zucconi•ARTICLE•Visual Studies•2017

    The overlap between production of humanitarian images and interventions in contexts of natural and man-made catastrophes is growing on a global scale. An increasingly close relationship exists between image production, news production and humanitarian industry. In this article, we argue that this process is transforming the meaning of the social, political and ethical act of bearing witness. We analyse the epistemic and political implications of …

  • Displacing Caravaggio: Art, Media, and Humanitarian Visual Culture

    Francesco Zucconi, Zakiya Hanafi•BOOK•Displacing Caravaggio•2018

  • Sur les potentialités politiques du montage: Godard, Benjamin et l’élaboration d’une « critique de la violence »

    Francesco Zucconi•ARTICLE•Sociétés•2021

    Décrit et étudié comme une réflexion sur l’histoire du XX e siècle, l’art de Jean-Luc Godard se configure comme un atlas géographique, nous forçant à concevoir la pratique du montage comme une juxtaposition incessante de différents lieux et événements historiques. Cet article se concentre sur une séquence des Histoire(s) du cinéma , étudiant les implications politiques d’un montage anachronique et anatopique. Suivre cette voie permet de développe…

  • Regarding the Image of the Pain of Others: Caravaggio, Sontag, Leogrande

    Open Access•Francesco Zucconi•ARTICLE•Humanities•2022

    Why were Caravaggio’s Sleeping Cupid (1608) and The Seven Works of Mercy (1607) requested for display at a number of humanitarian public events? And why did Caravaggio’s work inspire a series of photographic and journalistic reportages on contemporary migratory phenomena? This article surveys the main circumstances linking Caravaggio’s pictorial corpus to the so-called European migrant crisis. After critical reflection on the social construction …

  • Gaio Cassio e Quinto Oppio allo scoppio della Prima guerra mitridatica e la provincia di Cilicia nel I secolo a.C

    Francesco Zucconi•ARTICLE•Studi classici e orientali•2024

  • Due Aspetti Della Propaganda Mitridatica Alla Luce Di Un Decreto Efesino (I.Ephesos 8)

    Francesco Zucconi•ARTICLE•Studi classici e orientali•2025

Art (5 works) · Aesthetics (2 works) · Art history (2 works) · Historical, Religious, and Philosophical Studies (2 works) · Humanities (2 works) · Law (2 works) · Philosophy (2 works) · Political science (2 works) · Sociology (2 works) · Visual arts (2 works)

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