Ana Llorens
Biographic Data
| ID | 2408252 |
|---|---|
| NAME | Ana Llorens |
| GIVEN NAMES | Ana |
| FAMILY NAME | Llorens |
| SIGNATURE | LLORENS A |
| AFFILIATIONS | Universidad Complutense de Madrid |
| ORCID | 0000-0001-7290-9617 |
| VERIFIED | Yes |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 3 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 1 |
Construyendo opera seria en las cortes de la península ibérica
La excepcional acogida de las obras de Pietro Metastasio en el siglo XVIII, en Europa y en la península ibérica en particular, está ampliamente documentada. Debido a este éxito sin parangón, es posible afirmar que España y Portugal participaron de los gustos y redes artísticas internacionales del momento. Sin embargo, esta internacionalización ha de ser matizada, ya que el repertorio escrito específicamente para la península muestra que las audie…
The Recorded Brahms Corpus (RBC)
This report describes the open-source Recorded Brahms Corpus (RBC) dataset, as well as the methods employed to extract and process the data. The dataset contains (micro)timing and dynamic data from 21 recordings of Brahms's Cello Sonatas, Opp. 38 and 99, focusing on note and beat onsets and duration, tempo fluctuations, and dynamic variations. Consistent manual annotation of the corpus in Sonic Visualiser was necessary prior to automatic extracti…
Brahmsian Articulation
The analysis of the structural repercussions of musicians' strategies has traditionally focused on their handling of timing and dynamics, not only because of the correlation found in performances between hierarchical phrase structure and coordinated decreases in both parameters-usually referred to as phrase arching (".fn_cite($gabrielsson_1988).") or phrase-final lengthening (".fn_cite($todd_1985
Brahmsian Articulation
The analysis of the structural repercussions of musicians' strategies has traditionally focused on their handling of timing and dynamics, not only because of the correlation found in performances between hierarchical phrase structure and coordinated decreases in both parameters-usually referred to as phrase arching (".fn_cite($gabrielsson_1988).") or phrase-final lengthening (".fn_cite($todd_1985
Construyendo opera seria en las cortes de la península ibérica
La excepcional acogida de las obras de Pietro Metastasio en el siglo XVIII, en Europa y en la península ibérica en particular, está ampliamente documentada. Debido a este éxito sin parangón, es posible afirmar que España y Portugal participaron de los gustos y redes artísticas internacionales del momento. Sin embargo, esta internacionalización ha de ser matizada, ya que el repertorio escrito específicamente para la península muestra que las audie…
The Recorded Brahms Corpus (RBC)
This report describes the open-source Recorded Brahms Corpus (RBC) dataset, as well as the methods employed to extract and process the data. The dataset contains (micro)timing and dynamic data from 21 recordings of Brahms's Cello Sonatas, Opp. 38 and 99, focusing on note and beat onsets and duration, tempo fluctuations, and dynamic variations. Consistent manual annotation of the corpus in Sonic Visualiser was necessary prior to automatic extracti…
Brahmsian Articulation
The analysis of the structural repercussions of musicians' strategies has traditionally focused on their handling of timing and dynamics, not only because of the correlation found in performances between hierarchical phrase structure and coordinated decreases in both parameters-usually referred to as phrase arching (".fn_cite($gabrielsson_1988).") or phrase-final lengthening (".fn_cite($todd_1985
Computer Science (2 works) · Music Technology and Sound Studies (2 works) · Natural language processing (2 works) · Speech recognition (2 works) · Art (1 work) · Art history (1 work) · Artificial Intelligence (1 work) · Diverse Musicological Studies (1 work) · Early Modern Spanish Literature (1 work) · Historical Influence and Diplomacy (1 work)