Patricia Vinnicombe
Biographic Data
| ID | 240951 |
|---|---|
| NAME | Patricia Vinnicombe |
| GIVEN NAMES | Patricia |
| FAMILY NAME | Vinnicombe |
| SIGNATURE | VINNICOMBE P |
| AFFILIATIONS | Western Australian Museum |
| VERIFIED | No |
| TOTAL WORKS | 20 |
| TOTAL CITATIONS | 78 |
| AUTHOR COUNT | 20 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1960 |
| LATEST PUBLICATION YEAR | 1996 |
| H-INDEX | 4 |
On Cultural Exchange and the Interpretation of Rock Art in Southern Africa
Sehonghong. The Middle and Later Stone Age Sequence at a Lesotho Rock Shelter
Repainting of images on rock in Australia and the maintenance of Aboriginal culture
Sandra Bowdler reported in the last issue of ANTIQUITY (62: 517-23) on the controversy surrounding the recent repainting of Wandjina figures on the rocks of the western Kimberley, northwest Australia. Here is an Aboriginal Australian's view of the repainting project and its significance, along with an explication and further discussion of implications
Salvage Archaeology of the Burrup Peninsula
The projection of land now known as the Burrup Peninsula in the Pilbara Region of Western Australia was formerly known as Dampier Island. It is the largest island of the Dampier Archipelago which comprises some 42 islands, islets and rock lying off the northwest coast, about 1650 km north of Perth. The Burrup Peninsula is now connected to the mainland by an artificial causeway which spans formerly tidal mudflats. The small town of Dampier, with a…
Art on the Rocks of Southern Africa
Rock Art of Africa
People of the Eland
Flora of Lesotho
Motivation in African rock art
A very wide field of African rock art, both paintings and engravings, is covered in Burchard Brentjes: African rock art, with special reference to South Africa, Rhodesia, the Sahara, North Africa and Egypt. Because of the general nature of the book, there is little attempt to be comprehensive or conclusive, the aim being more to foster an appreciation and awareness of the art than to solve problems or place it in an archaeological context
Myth, Motive, and Selection in Southern African Rock Art
Opening ParagraphRecent publications on the rock art of Africa have again focused attention on the tremendous wealth of painted and engraved sites in that continent (Brentjes, 1969; Cooke, 1969; Lee and Woodhouse, 1970; Rudner, 1970). At the same time, however, it is made all too clear that the collection of data is largely unsystematic and subjective and, because of the incomplete nature of the evidence, valid analysis or comparison is difficult…
Rock Art of Southern Africa
The Hunter and His Art
Domestic Animals, Rock Art and Dating
Rock-Painting Analysis
Domestic Animals, Rock-Art and Dating
Reproducing Rock Art
Proposed Scheme for Standard Representation of Colour in Black-and-White Illustrations for Publication
Patricia Vinnicombe, Proposed Scheme for Standard Representation of Colour in Black-and-White Illustrations for Publication, The South African Archaeological Bulletin, Vol. 18, No. 70 (Jul., 1963), pp. 49-51
A Painting of a Fish-Trap on Bamboo Mountain, Underberg District, Southern Natal
A Fishing-Scene from the Tsoelike River, South-Eastern Basutoland
General Notes on Bushman Riders and the Bushmen's Use of the Assegai
Myth, Motive, and Selection in Southern African Rock Art
Opening ParagraphRecent publications on the rock art of Africa have again focused attention on the tremendous wealth of painted and engraved sites in that continent (Brentjes, 1969; Cooke, 1969; Lee and Woodhouse, 1970; Rudner, 1970). At the same time, however, it is made all too clear that the collection of data is largely unsystematic and subjective and, because of the incomplete nature of the evidence, valid analysis or comparison is difficult…
Repainting of images on rock in Australia and the maintenance of Aboriginal culture
Sandra Bowdler reported in the last issue of ANTIQUITY (62: 517-23) on the controversy surrounding the recent repainting of Wandjina figures on the rocks of the western Kimberley, northwest Australia. Here is an Aboriginal Australian's view of the repainting project and its significance, along with an explication and further discussion of implications
Rock-Painting Analysis
Motivation in African rock art
A very wide field of African rock art, both paintings and engravings, is covered in Burchard Brentjes: African rock art, with special reference to South Africa, Rhodesia, the Sahara, North Africa and Egypt. Because of the general nature of the book, there is little attempt to be comprehensive or conclusive, the aim being more to foster an appreciation and awareness of the art than to solve problems or place it in an archaeological context
Salvage Archaeology of the Burrup Peninsula
The projection of land now known as the Burrup Peninsula in the Pilbara Region of Western Australia was formerly known as Dampier Island. It is the largest island of the Dampier Archipelago which comprises some 42 islands, islets and rock lying off the northwest coast, about 1650 km north of Perth. The Burrup Peninsula is now connected to the mainland by an artificial causeway which spans formerly tidal mudflats. The small town of Dampier, with a…
Domestic Animals, Rock-Art and Dating
A Fishing-Scene from the Tsoelike River, South-Eastern Basutoland
People of the Eland
Proposed Scheme for Standard Representation of Colour in Black-and-White Illustrations for Publication
Patricia Vinnicombe, Proposed Scheme for Standard Representation of Colour in Black-and-White Illustrations for Publication, The South African Archaeological Bulletin, Vol. 18, No. 70 (Jul., 1963), pp. 49-51
A Fishing-Scene from the Tsoelike River, South-Eastern Basutoland
General Notes on Bushman Riders and the Bushmen's Use of the Assegai
A Painting of a Fish-Trap on Bamboo Mountain, Underberg District, Southern Natal
Proposed Scheme for Standard Representation of Colour in Black-and-White Illustrations for Publication
Patricia Vinnicombe, Proposed Scheme for Standard Representation of Colour in Black-and-White Illustrations for Publication, The South African Archaeological Bulletin, Vol. 18, No. 70 (Jul., 1963), pp. 49-51
Reproducing Rock Art
Rock-Painting Analysis
Domestic Animals, Rock-Art and Dating
Domestic Animals, Rock Art and Dating
Rock Art of Southern Africa
The Hunter and His Art
Motivation in African rock art
A very wide field of African rock art, both paintings and engravings, is covered in Burchard Brentjes: African rock art, with special reference to South Africa, Rhodesia, the Sahara, North Africa and Egypt. Because of the general nature of the book, there is little attempt to be comprehensive or conclusive, the aim being more to foster an appreciation and awareness of the art than to solve problems or place it in an archaeological context
Myth, Motive, and Selection in Southern African Rock Art
Opening ParagraphRecent publications on the rock art of Africa have again focused attention on the tremendous wealth of painted and engraved sites in that continent (Brentjes, 1969; Cooke, 1969; Lee and Woodhouse, 1970; Rudner, 1970). At the same time, however, it is made all too clear that the collection of data is largely unsystematic and subjective and, because of the incomplete nature of the evidence, valid analysis or comparison is difficult…
Flora of Lesotho
People of the Eland
Art on the Rocks of Southern Africa
Rock Art of Africa
Salvage Archaeology of the Burrup Peninsula
The projection of land now known as the Burrup Peninsula in the Pilbara Region of Western Australia was formerly known as Dampier Island. It is the largest island of the Dampier Archipelago which comprises some 42 islands, islets and rock lying off the northwest coast, about 1650 km north of Perth. The Burrup Peninsula is now connected to the mainland by an artificial causeway which spans formerly tidal mudflats. The small town of Dampier, with a…
Repainting of images on rock in Australia and the maintenance of Aboriginal culture
Sandra Bowdler reported in the last issue of ANTIQUITY (62: 517-23) on the controversy surrounding the recent repainting of Wandjina figures on the rocks of the western Kimberley, northwest Australia. Here is an Aboriginal Australian's view of the repainting project and its significance, along with an explication and further discussion of implications
Sehonghong. The Middle and Later Stone Age Sequence at a Lesotho Rock Shelter
On Cultural Exchange and the Interpretation of Rock Art in Southern Africa
Archaeology (17 works) · Geography (17 works) · Archaeology and Rock Art Studies (14 works) · Pleistocene-Era Hominins and Archaeology (11 works) · Rock art (10 works) · Art (7 works) · History (7 works) · Archaeology and ancient environmental studies (6 works) · Biology (5 works) · Geology (5 works)