Gina Saraceni
Biographic Data
| ID | 2415469 |
|---|---|
| NAME | Gina Saraceni |
| GIVEN NAMES | Gina |
| FAMILY NAME | Saraceni |
| SIGNATURE | SARACENI G |
| AFFILIATIONS | Pontificia Universidad Javeriana |
| ORCID | 0000-0003-4505-6940 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2020 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Petropoetry as Edaphology
This article reviews Venezuelan poetry from the early twentieth to the twenty-first century, with a specific focus on instances where oil serves as a central reference. By analyzing the works of various Venezuelan poets, this article aims to interpret Venezuelan poetry through the lens of edaphology, identifying how poetry conceptualizes and references oil and subsoil materials. It posits the subsoil as a semiotic entity whose subterranean positi…
Wayward in Manhattan
And we, who always think of happinessrising, would feel the emotionthat almost confounds uswhen a happy thing falls.—Rainer Maria Rilke, translated by Edward Snow And the embraceof an orangutan
Orphan in My Own Blood
Fallas en la máquina de habitar. Arquitectura, botánica, afecto en Las horas claras de Jacqueline Goldberg
The purpose of this article is to read Las horas claras (2013) by Jacqueline Goldberg as a means to reveal the ways that this novel, through its “trans-gender” condition, intervenes in official history and proposes a poetics of non-belonging based on the gesture of cracking the topos of the house as a common space of human dwelling. This is also perceived as a form of intervening in literary dwelling by decentering its limits towards other experi…
No prominent works on this page.
Fallas en la máquina de habitar. Arquitectura, botánica, afecto en Las horas claras de Jacqueline Goldberg
The purpose of this article is to read Las horas claras (2013) by Jacqueline Goldberg as a means to reveal the ways that this novel, through its “trans-gender” condition, intervenes in official history and proposes a poetics of non-belonging based on the gesture of cracking the topos of the house as a common space of human dwelling. This is also perceived as a form of intervening in literary dwelling by decentering its limits towards other experi…
Wayward in Manhattan
And we, who always think of happinessrising, would feel the emotionthat almost confounds uswhen a happy thing falls.—Rainer Maria Rilke, translated by Edward Snow And the embraceof an orangutan
Orphan in My Own Blood
Petropoetry as Edaphology
This article reviews Venezuelan poetry from the early twentieth to the twenty-first century, with a specific focus on instances where oil serves as a central reference. By analyzing the works of various Venezuelan poets, this article aims to interpret Venezuelan poetry through the lens of edaphology, identifying how poetry conceptualizes and references oil and subsoil materials. It posits the subsoil as a semiotic entity whose subterranean positi…
History (2 works) · Art (1 works) · Asian Culture and Media Studies (1 works) · Comparative Literary Analysis and Criticism (1 works) · Geographies of human-animal interactions (1 works) · History (1 works) · Humanities (1 works) · Media, Gender, and Advertising (1 works) · Migration, Ethnicity, and Economy (1 works) · Philosophy, Science, and History (1 works)