Gonzalez
Biographic Data
| ID | 24161 |
|---|---|
| NAME | Gonzalez |
| FAMILY NAME | Gonzalez |
| SIGNATURE | GONZALEZ |
| AFFILIATIONS | Independent Researcher, London SW5 0QF, UK |
| ORCID | 0000-0001-8259-900X |
| VERIFIED | Yes |
| TOTAL WORKS | 13 |
| TOTAL CITATIONS | 16 |
| WORKS AS AUTHOR | 13 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 2 |
Questioning Global Modernist Art Studies Through Their Latest Output
This essay argues that Holiday Powers’ s Moroccan Modernism (2025) offers a compelling case study for rethinking global modernist art from a decolonial perspective, highlighting Morocco’s unique creative, esthetic, and philosophical forces. The questions and issues this book raises, and this essay addresses, revolve around the problematic of non-European modernism as both a phenomenon of decolonial politics of esthetics, in the Jacques Rancière s…
Phenomenology of Quranic Corporeality and Affect
It is a matter to ponder that, among the three Abrahamic monotheisms, Islam places the greatest ontotheological distance between the human and the divine. While God is the ground of being Muslim, Islam excludes theophany and prohibits any tangible association between the divine and anything in the material world. God's mode of manifesting Himself to His creatures has consisted of the most fleeting and discorporate of all means of communication, n…
The Religious Plot in Museums or the Lack Thereof
During the last decade, the curation of Islamic art and artifacts has been crossed by tensions at both the theoretical and practical level. Not only has it been continuously grappling with the Orientalist legacy, but it has also been operating in a global contemporaneity affected by multiple conflicts engendering a misperception of Muslims and Islam by non-Muslims. With this heavy background, this curation has been pursuing three main objectives:…
Aporia in Umayyad Art or the Degree Zero of the Visual Forms’ Meaning in Early Islam
This article re-examines the established findings about Umayyad art as a transitional production essentially anchored in the Western and Eastern Late Antique traditions that have inspired it. It argues instead that the Umayyads brought about an aesthetic revolution laying out the foundations of what has become known as “Islamic ornament,” a predominantly aniconic art form. An epistemological shift from art history to critical inquiry allows us to…
Lateinamerika / Latin America
Formless and Void
Video games created specifically for religious audiences comprise a small but analytically significant minority of video games at large; a few thousand titles among the millions of total video games produced. Across the first decade of religious video gaming (1982–1991), 17 religious games rendered biblical lands as playable landscapes. We examine the ways these games recreate Bible lands through the application of a technique we call “region mar…
"Valerie Gonzalez. Review of "Building the Caliphate
Anne-Sylvie Boisliveau, Le Coran par lui-même. Vocabulaire et argumentation du discours coranique autoréférentiel, Leiden-Boston
Le domaine des études islamiques se trouve enrichi avec cet excellent ouvrage d’Anne-Sylvie Boisliveau qui aborde le sujet du Coran sous l’angle d’un de ses principaux caractères littéraires : l’autoréférentialité, ou réflexivité. Cette étude, tirée de la thèse de doctorat de l’auteure, s’appuie sur l’ensemble des précédents scientifiques qui ont établi les paramètres de connaissances et les idées de fond nécessaires à une telle entreprise. Parmi…
Conceptualizing Native Identity with a Multidimensional Model
Milstein Rachel, La Bible dans l’art islamique, Paris, PUF, 2005, 155 p
Inépuisable et fascinant sujet d’étude, l’art du livre dans les pays musulmans ne laisse pas de susciter de nouvelles approches, méthodes d’analyse et procédures de classification. L’un des aspects scientifiques essentiels de ce domaine reste évidement l’iconologie, laquelle constitue le cadre de travail de Rachel Milstein dans son dernier ouvrage, La Bible dans l’art islamique. L’auteure y expose l’ensemble des manuscrits enluminés islamiques de…
The Comares Hall in the Alhambra and James Turrell’s Space That Sees
the comares hall in the alhambra and james turrell’s SPACE THAT SEES 253 And He is the Mighty, the Forgiving Who hath created seven Heavens one above another: No defect canst thou see in the creation of the God of Mercy: Repeat the gaze: seest thou a single flaw? Then twice more repeat the gaze: thy gaze shall return to thee dulled and weary. Qur}an 67: 3–5 1 Irrelevant or fanciful though it may at first seem, comparing an example of medieval Isl…
The Origin of the Canary Island Aborigines and Their Contribution to the Modern Population
La relación lenguaje objeto-metalenguaje
The Origin of the Canary Island Aborigines and Their Contribution to the Modern Population
The Religious Plot in Museums or the Lack Thereof
During the last decade, the curation of Islamic art and artifacts has been crossed by tensions at both the theoretical and practical level. Not only has it been continuously grappling with the Orientalist legacy, but it has also been operating in a global contemporaneity affected by multiple conflicts engendering a misperception of Muslims and Islam by non-Muslims. With this heavy background, this curation has been pursuing three main objectives:…
Phenomenology of Quranic Corporeality and Affect
It is a matter to ponder that, among the three Abrahamic monotheisms, Islam places the greatest ontotheological distance between the human and the divine. While God is the ground of being Muslim, Islam excludes theophany and prohibits any tangible association between the divine and anything in the material world. God's mode of manifesting Himself to His creatures has consisted of the most fleeting and discorporate of all means of communication, n…
Lateinamerika / Latin America
La relación lenguaje objeto-metalenguaje
The Origin of the Canary Island Aborigines and Their Contribution to the Modern Population
The Comares Hall in the Alhambra and James Turrell’s Space That Sees
the comares hall in the alhambra and james turrell’s SPACE THAT SEES 253 And He is the Mighty, the Forgiving Who hath created seven Heavens one above another: No defect canst thou see in the creation of the God of Mercy: Repeat the gaze: seest thou a single flaw? Then twice more repeat the gaze: thy gaze shall return to thee dulled and weary. Qur}an 67: 3–5 1 Irrelevant or fanciful though it may at first seem, comparing an example of medieval Isl…
Milstein Rachel, La Bible dans l’art islamique, Paris, PUF, 2005, 155 p
Inépuisable et fascinant sujet d’étude, l’art du livre dans les pays musulmans ne laisse pas de susciter de nouvelles approches, méthodes d’analyse et procédures de classification. L’un des aspects scientifiques essentiels de ce domaine reste évidement l’iconologie, laquelle constitue le cadre de travail de Rachel Milstein dans son dernier ouvrage, La Bible dans l’art islamique. L’auteure y expose l’ensemble des manuscrits enluminés islamiques de…
Conceptualizing Native Identity with a Multidimensional Model
Anne-Sylvie Boisliveau, Le Coran par lui-même. Vocabulaire et argumentation du discours coranique autoréférentiel, Leiden-Boston
Le domaine des études islamiques se trouve enrichi avec cet excellent ouvrage d’Anne-Sylvie Boisliveau qui aborde le sujet du Coran sous l’angle d’un de ses principaux caractères littéraires : l’autoréférentialité, ou réflexivité. Cette étude, tirée de la thèse de doctorat de l’auteure, s’appuie sur l’ensemble des précédents scientifiques qui ont établi les paramètres de connaissances et les idées de fond nécessaires à une telle entreprise. Parmi…
"Valerie Gonzalez. Review of "Building the Caliphate
Aporia in Umayyad Art or the Degree Zero of the Visual Forms’ Meaning in Early Islam
This article re-examines the established findings about Umayyad art as a transitional production essentially anchored in the Western and Eastern Late Antique traditions that have inspired it. It argues instead that the Umayyads brought about an aesthetic revolution laying out the foundations of what has become known as “Islamic ornament,” a predominantly aniconic art form. An epistemological shift from art history to critical inquiry allows us to…
Lateinamerika / Latin America
Formless and Void
Video games created specifically for religious audiences comprise a small but analytically significant minority of video games at large; a few thousand titles among the millions of total video games produced. Across the first decade of religious video gaming (1982–1991), 17 religious games rendered biblical lands as playable landscapes. We examine the ways these games recreate Bible lands through the application of a technique we call “region mar…
The Religious Plot in Museums or the Lack Thereof
During the last decade, the curation of Islamic art and artifacts has been crossed by tensions at both the theoretical and practical level. Not only has it been continuously grappling with the Orientalist legacy, but it has also been operating in a global contemporaneity affected by multiple conflicts engendering a misperception of Muslims and Islam by non-Muslims. With this heavy background, this curation has been pursuing three main objectives:…
Phenomenology of Quranic Corporeality and Affect
It is a matter to ponder that, among the three Abrahamic monotheisms, Islam places the greatest ontotheological distance between the human and the divine. While God is the ground of being Muslim, Islam excludes theophany and prohibits any tangible association between the divine and anything in the material world. God's mode of manifesting Himself to His creatures has consisted of the most fleeting and discorporate of all means of communication, n…
Questioning Global Modernist Art Studies Through Their Latest Output
This essay argues that Holiday Powers’ s Moroccan Modernism (2025) offers a compelling case study for rethinking global modernist art from a decolonial perspective, highlighting Morocco’s unique creative, esthetic, and philosophical forces. The questions and issues this book raises, and this essay addresses, revolve around the problematic of non-European modernism as both a phenomenon of decolonial politics of esthetics, in the Jacques Rancière s…
Art (10 works) · History (7 works) · Philosophy (7 works) · Aesthetics (5 works) · Islam (5 works) · Epistemology (4 works) · Islamic Studies and History (4 works) · Sociology (4 works) · Archaeology and Historical Studies (3 works) · Philosophy (3 works)