Caroline Joan Picart
Biographic Data
| ID | 242319 |
|---|---|
| NAME | Caroline Joan Picart |
| GIVEN NAMES | Caroline Joan |
| FAMILY NAME | Picart |
| SIGNATURE | PICART C J |
| AFFILIATIONS | Florida State University |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 39 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1997 |
| LATEST PUBLICATION YEAR | 2017 |
| H-INDEX | 3 |
Monster Anthropology
Monster Anthropology: In Australasia and Beyond enters into the ‘mushrooming ... cornucopia’ (1) of interdisciplinary monster studies or teratologies by bringing to the fore what is unique to ethnogr
Jihad Cool/Jihad Chic”
The internet provides the means through which a “self-activating terrorist” may first self-radicalize through some imaginary or sympathetic connection with an organized terrorist network. Additionally, the internet allows such a self-activating terrorist to move into the stage of radical violent action. The internet serves both functions by providing the lone wolf with not only a rhetorical medium for self-justification and communication through …
Speaking of Monsters
Draculas, Vampires, and Other Undead Forms
Since the publication of Dracula in 1897, Bram Stoker's original creation has been a source of inspiration for artists, writers, and filmmakers. From Universal's early black-and-white films and Hammer's Technicolor representations that followed, iterations of Dracula have been cemented in mainstream cinema. This anthology investigates and explores the far larger body of work coming from sources beyond mainstream cinema reinventing Dracula. Dracul…
Beyond Good and Evil
Media star and monster
A metaphysics of the transcendent through a phenomenology of film
2004). A metaphysics of the transcendent through a phenomenology of film: Choosing metaphysics over politics. Review of Communication: Vol. 4, No. 3-4, pp. 316-320
Rhetorically Reconfiguring Victimhood and Agency
In this article I examine the rhetorical dimensions of feminist lawmaking on rape and battering, as instantiated in Violence Against Women Act, and ask why this controversial act, and in particular its civil rights remedy, resulted in ambiguous gains. Current popular and legal interpretations of "agency" (labeled the "reasonable man" standard) and of "victimhood" leave battered women in a double bind
Remaking the Frankenstein myth on film
Dancing Through Different Worlds
This article explores the nature of gendered and embodied interaction in American-style ballroom dance. Issues of femininity/masculinity, being subject-objects of the aesthetic gaze, and freedom and constraint are paramount to the exploration of what it means to do ballroom as both a competitive event and an art form. One of the aims of this piece is to use frame grabs from a dance video, as well as a streamed online version, to highlight the exp…
Blurring Boundaries
While there are some valuable insights in the interpretation by Fadlon and Lewin-Epstein of the 'Ghostly Imprint' controversy,l I believe that much of their analysis is built upon a misunderstanding of my usage of Collins and Pinch's framework in an attempt to describe and understand, and not simply categorize, the events that led to the onset, progression and closure of the Benveniste-Maddox counter-trials
Rhetorically Reconfiguring Victimhood and Agency
In this article I examine the rhetorical dimensions of feminist lawmaking on rape and battering, as instantiated in Violence Against Women Act, and ask why this controversial act, and in particular its civil rights remedy, resulted in ambiguous gains. Current popular and legal interpretations of "agency" (labeled the "reasonable man" standard) and of "victimhood" leave battered women in a double bind
Dancing Through Different Worlds
This article explores the nature of gendered and embodied interaction in American-style ballroom dance. Issues of femininity/masculinity, being subject-objects of the aesthetic gaze, and freedom and constraint are paramount to the exploration of what it means to do ballroom as both a competitive event and an art form. One of the aims of this piece is to use frame grabs from a dance video, as well as a streamed online version, to highlight the exp…
Jihad Cool/Jihad Chic”
The internet provides the means through which a “self-activating terrorist” may first self-radicalize through some imaginary or sympathetic connection with an organized terrorist network. Additionally, the internet allows such a self-activating terrorist to move into the stage of radical violent action. The internet serves both functions by providing the lone wolf with not only a rhetorical medium for self-justification and communication through …
Blurring Boundaries
While there are some valuable insights in the interpretation by Fadlon and Lewin-Epstein of the 'Ghostly Imprint' controversy,l I believe that much of their analysis is built upon a misunderstanding of my usage of Collins and Pinch's framework in an attempt to describe and understand, and not simply categorize, the events that led to the onset, progression and closure of the Benveniste-Maddox counter-trials
Dancing Through Different Worlds
This article explores the nature of gendered and embodied interaction in American-style ballroom dance. Issues of femininity/masculinity, being subject-objects of the aesthetic gaze, and freedom and constraint are paramount to the exploration of what it means to do ballroom as both a competitive event and an art form. One of the aims of this piece is to use frame grabs from a dance video, as well as a streamed online version, to highlight the exp…
Rhetorically Reconfiguring Victimhood and Agency
In this article I examine the rhetorical dimensions of feminist lawmaking on rape and battering, as instantiated in Violence Against Women Act, and ask why this controversial act, and in particular its civil rights remedy, resulted in ambiguous gains. Current popular and legal interpretations of "agency" (labeled the "reasonable man" standard) and of "victimhood" leave battered women in a double bind
Remaking the Frankenstein myth on film
A metaphysics of the transcendent through a phenomenology of film
2004). A metaphysics of the transcendent through a phenomenology of film: Choosing metaphysics over politics. Review of Communication: Vol. 4, No. 3-4, pp. 316-320
Media star and monster
Beyond Good and Evil
Draculas, Vampires, and Other Undead Forms
Since the publication of Dracula in 1897, Bram Stoker's original creation has been a source of inspiration for artists, writers, and filmmakers. From Universal's early black-and-white films and Hammer's Technicolor representations that followed, iterations of Dracula have been cemented in mainstream cinema. This anthology investigates and explores the far larger body of work coming from sources beyond mainstream cinema reinventing Dracula. Dracul…
Speaking of Monsters
Jihad Cool/Jihad Chic”
The internet provides the means through which a “self-activating terrorist” may first self-radicalize through some imaginary or sympathetic connection with an organized terrorist network. Additionally, the internet allows such a self-activating terrorist to move into the stage of radical violent action. The internet serves both functions by providing the lone wolf with not only a rhetorical medium for self-justification and communication through …
Monster Anthropology
Monster Anthropology: In Australasia and Beyond enters into the ‘mushrooming ... cornucopia’ (1) of interdisciplinary monster studies or teratologies by bringing to the fore what is unique to ethnogr
Political science (6 works) · Sociology (6 works) · Law (5 works) · Law (5 works) · Art (4 works) · Epistemology (4 works) · Philosophy (4 works) · History and criticism (3 works) · History and criticism (3 works) · Monster (3 works)