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Gizem Tongo

Biographic Data

ID2425991
NAMEGizem Tongo
GIVEN NAMESGizem
FAMILY NAMETongo
SIGNATURETONGO G
AFFILIATIONSBogaziçi University
ORCID0000-0003-2223-6332
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS6
AUTHOR COUNT5
EDITOR COUNT0
FIRST PUBLICATION YEAR2021
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Curating and Teaching Occupation: Displaying Post-Armistice Istanbul

    Daniel-Joseph Macarthur-Seal, Gizem Tongo•ARTICLE•Journal of the Ottoman and…•2025

    This article examines how exhibitions can function as pedagogical and historiographical interventions through a case study of Occupied City: Politics and Daily Life in Istanbul, 1918–1923 . It argues that curatorial practices—object selection, visual design, and multilingual, multivocal sourcing—can foreground the social and cultural dimensions of occupation often marginalized in nationalist narratives. By reflecting on exhibition-making as a mod…

  • Islamic art and visualities of war from the Ottoman Empire to the Turkish Republic

    Open Access•Gizem Tongo, Irvin Cemil Schick•ARTICLE•New Perspectives on Turkey•2024•Cited by: 4•References: 25

    This article explores how Islamic art was produced and used in Turkey within the context of modern warfare during World War I, the War of Independence, and the nascent Republic – a subject still relatively understudied in Turkish history, as well as in international cultural histories of modern warfare and histories of modern art in the Middle East. Drawing on previously overlooked visual and textual sources such as calligraphic panels, miniature…

  • Mini dossier: War, occupation, and culture: arts, heritage, and İstanbul, 1918–1923

    Open Access•Gizem Tongo•ARTICLE•New Perspectives on Turkey•2024•Cited by: 1•References: 33

  • Representing Occupied Istanbul: Documents, Objects, and Memory

    Daniel-Joseph Macarthur-Seal, Gizem Tongo•ARTICLE•Yıllık: Annual of Istanbul studies•2022•Cited by: 1

    In lieu of an abstract: Few of the belligerent nations’ capitals could escape the destruction and turmoil of World War I, but Istanbul alone endured a lengthy post-war occupation. Though the Mudros Armistice of October 30, 1918, officially ended Ottomans’ participation in the war, it was a brief respite. Two weeks later a convoy of British, French, Italian and Greek warships reached Istanbul (fig. 1), while succeeding conflicts continued to affli…

  • The Long Shadow of a Decade in Turkish Memory: A Centenary of War (1912–1923)

    Gizem Tongo•ARTICLE•Archiv orientální•2021

  • Islamic art and visualities of war from the Ottoman Empire to the Turkish Republic

    Open Access•Gizem Tongo, Irvin Cemil Schick•ARTICLE•New Perspectives on Turkey•2024•Cited by: 4•References: 25

    This article explores how Islamic art was produced and used in Turkey within the context of modern warfare during World War I, the War of Independence, and the nascent Republic – a subject still relatively understudied in Turkish history, as well as in international cultural histories of modern warfare and histories of modern art in the Middle East. Drawing on previously overlooked visual and textual sources such as calligraphic panels, miniature…

  • Mini dossier: War, occupation, and culture: arts, heritage, and İstanbul, 1918–1923

    Open Access•Gizem Tongo•ARTICLE•New Perspectives on Turkey•2024•Cited by: 1•References: 33

  • Representing Occupied Istanbul: Documents, Objects, and Memory

    Daniel-Joseph Macarthur-Seal, Gizem Tongo•ARTICLE•Yıllık: Annual of Istanbul studies•2022•Cited by: 1

    In lieu of an abstract: Few of the belligerent nations’ capitals could escape the destruction and turmoil of World War I, but Istanbul alone endured a lengthy post-war occupation. Though the Mudros Armistice of October 30, 1918, officially ended Ottomans’ participation in the war, it was a brief respite. Two weeks later a convoy of British, French, Italian and Greek warships reached Istanbul (fig. 1), while succeeding conflicts continued to affli…

  • The Long Shadow of a Decade in Turkish Memory: A Centenary of War (1912–1923)

    Gizem Tongo•ARTICLE•Archiv orientální•2021

  • Representing Occupied Istanbul: Documents, Objects, and Memory

    Daniel-Joseph Macarthur-Seal, Gizem Tongo•ARTICLE•Yıllık: Annual of Istanbul studies•2022•Cited by: 1

    In lieu of an abstract: Few of the belligerent nations’ capitals could escape the destruction and turmoil of World War I, but Istanbul alone endured a lengthy post-war occupation. Though the Mudros Armistice of October 30, 1918, officially ended Ottomans’ participation in the war, it was a brief respite. Two weeks later a convoy of British, French, Italian and Greek warships reached Istanbul (fig. 1), while succeeding conflicts continued to affli…

  • Islamic art and visualities of war from the Ottoman Empire to the Turkish Republic

    Open Access•Gizem Tongo, Irvin Cemil Schick•ARTICLE•New Perspectives on Turkey•2024•Cited by: 4•References: 25

    This article explores how Islamic art was produced and used in Turkey within the context of modern warfare during World War I, the War of Independence, and the nascent Republic – a subject still relatively understudied in Turkish history, as well as in international cultural histories of modern warfare and histories of modern art in the Middle East. Drawing on previously overlooked visual and textual sources such as calligraphic panels, miniature…

  • Mini dossier: War, occupation, and culture: arts, heritage, and İstanbul, 1918–1923

    Open Access•Gizem Tongo•ARTICLE•New Perspectives on Turkey•2024•Cited by: 1•References: 33

  • Curating and Teaching Occupation: Displaying Post-Armistice Istanbul

    Daniel-Joseph Macarthur-Seal, Gizem Tongo•ARTICLE•Journal of the Ottoman and…•2025

    This article examines how exhibitions can function as pedagogical and historiographical interventions through a case study of Occupied City: Politics and Daily Life in Istanbul, 1918–1923 . It argues that curatorial practices—object selection, visual design, and multilingual, multivocal sourcing—can foreground the social and cultural dimensions of occupation often marginalized in nationalist narratives. By reflecting on exhibition-making as a mod…

Turkey's Politics and Society (4 works) · Historical Turkish Studies (3 works) · History (3 works) · Ancient history (2 works) · Art (2 works) · History (2 works) · Nationalism (2 works) · Political science (2 works) · Politics (2 works) · Turkish (2 works)

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