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Elizabeth A Wheeler

Biographic Data

ID2431294
NAMEElizabeth A Wheeler
GIVEN NAMESElizabeth A
FAMILY NAMEWheeler
SIGNATUREWHEELER E A
AFFILIATIONSUniversity of Oregon
VERIFIEDNo
TOTAL WORKS4
TOTAL CITATIONS7
WORKS AS AUTHOR4
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1991
LATEST PUBLICATION YEAR2024
H-INDEX1
  • The Joker’s Shifting Face

    Elizabeth A Wheeler•ARTICLE•Journal of Literary & Cultural…•2024

    That “grim jester with a twisted brain,” Batman supervillain the Joker reflects shifting social constructions of mental difference in the US across eight decades. The article reads Batman serial comics, graphic novels, and film against four key moments in Mad History: eugenics, psychiatric survivor activism in the 1960s and 1970s, the trauma discourses of 1980s popular culture, and the criminalization of mental difference in the twenty-first cent…

  • Moving Together Side by Side

    Elizabeth A Wheeler•CHAPTER•Disability Studies and the…•2017

  • Bulldozing the Subject

    Open Access•Elizabeth A Wheeler•ARTICLE•Postmodern Culture•1991

    Postmodern Culture - Volume 1, Number 3, May 1991

  • Most of My Heroes Don't Appear on No Stamps

    Elizabeth A Wheeler•ARTICLE•Black Music Research Journal•1991•Cited by: 7

    Ready to perform, the DJ stands behind his mixer and turntables. Silence, then Jimi Hendrix's guitar wails the seventh and eighth phrases of 'The Star-Spangled Banner. The DJ moves swiftly between turntables, switching records. He piles ironic layers on top of Hendrix's already ironic version. Over the guitar, a voice shouts, Hard as hell! while a drum machine sputters disco beats and a heavy metal riff from another record drowns out Hell! The DJ…

  • Most of My Heroes Don't Appear on No Stamps

    Elizabeth A Wheeler•ARTICLE•Black Music Research Journal•1991•Cited by: 7

    Ready to perform, the DJ stands behind his mixer and turntables. Silence, then Jimi Hendrix's guitar wails the seventh and eighth phrases of 'The Star-Spangled Banner. The DJ moves swiftly between turntables, switching records. He piles ironic layers on top of Hendrix's already ironic version. Over the guitar, a voice shouts, Hard as hell! while a drum machine sputters disco beats and a heavy metal riff from another record drowns out Hell! The DJ…

  • Bulldozing the Subject

    Open Access•Elizabeth A Wheeler•ARTICLE•Postmodern Culture•1991

    Postmodern Culture - Volume 1, Number 3, May 1991

  • Most of My Heroes Don't Appear on No Stamps

    Elizabeth A Wheeler•ARTICLE•Black Music Research Journal•1991•Cited by: 7

    Ready to perform, the DJ stands behind his mixer and turntables. Silence, then Jimi Hendrix's guitar wails the seventh and eighth phrases of 'The Star-Spangled Banner. The DJ moves swiftly between turntables, switching records. He piles ironic layers on top of Hendrix's already ironic version. Over the guitar, a voice shouts, Hard as hell! while a drum machine sputters disco beats and a heavy metal riff from another record drowns out Hell! The DJ…

  • Moving Together Side by Side

    Elizabeth A Wheeler•CHAPTER•Disability Studies and the…•2017

  • The Joker’s Shifting Face

    Elizabeth A Wheeler•ARTICLE•Journal of Literary & Cultural…•2024

    That “grim jester with a twisted brain,” Batman supervillain the Joker reflects shifting social constructions of mental difference in the US across eight decades. The article reads Batman serial comics, graphic novels, and film against four key moments in Mad History: eugenics, psychiatric survivor activism in the 1960s and 1970s, the trauma discourses of 1980s popular culture, and the criminalization of mental difference in the twenty-first cent…

Art (2 works) · Art history (2 works) · Literature (2 works) · Sociology (2 works) · Aesthetics (1 work) · Apartment (1 work) · Architecture (1 work) · Art, Politics, and Modernism (1 work) · Christian Theology and Mission (1 work) · Civil engineering (1 work)

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