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Danielle Sofer

Biographic Data

ID2432426
NAMEDanielle Sofer
GIVEN NAMESDanielle
FAMILY NAMESofer
SIGNATURESOFER D
AFFILIATIONSUniversity of Dayton
ORCID0000-0002-1863-4904
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2018
LATEST PUBLICATION YEAR2025
H-INDEX1
  • Queer Community Building, Academic Activism, and the Labour of Care: An Introduction

    Thomas R Hilder, Danielle Sofer et al.•ARTICLE•Contemporary Music Review•2025

    In April 2022, the LGBTQ+ Music Study Group held its fourth symposium at the University of Music and Performing Arts Vienna. After two years of COVID-19 pandemic, countless deaths, multiple lockdow

  • Le sexe comme champ d’investigation1: Réévaluer Les Outils Et Techniques D’analyse De La Musique Contemporaine2

    Open Access•Danielle Sofer, Martine Rhéaume•ARTICLE•Circuit Musiques contemporaines•2021•References: 25

    La musique a souvent servi de vecteur d’expression sexuelle. Mais dans un contexte musical saturé par de nombreux phénomènes sonores, les outils d’analyse musicale peuvent être limités dans leur capacité à mettre en évidence des actes sexuels, le plaisir ou la satisfaction. Centré sur l’expérience et la perception sonore, cet article remet en question le discours commun du théoricien de la musique désincarné et désintéressé. Il est y proposé que,…

  • Categorising Electronic Music

    Danielle Sofer•ARTICLE•Contemporary Music Review•2020•Cited by: 1•References: 37

    When seemingly automated technologies display biases usually defined as discriminatory human behaviours, these tendencies are referred to collectively as ‘sociotechnical bias’. In this article, I explore facets of racial and gendered sociotechnical bias apparent in the musical categorisation strategies of the database Répertoire International de Littérature Musicale Abstracts of Musical Literature (1967–present only)—or RILM. The article shows ho…

  • Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields’s Electronic Opera Apocalypse

    Open Access•Danielle Sofer•ARTICLE•American Music•2018

    Daria Semegen. under the stars outside Semegen's home in Stony brook, long Island, the conversation veered-as it often did-to contemporary u.S. politics. 1 enraged by "bigoted puritanism," Shields and Semegen criticized the recent influx of conservatism, specifically, the increasing volume of antiabortion groups. The composers began improvising playfully in call-and-response on the risqu behavior they supposed had triggered these groups, eventual…

  • Categorising Electronic Music

    Danielle Sofer•ARTICLE•Contemporary Music Review•2020•Cited by: 1•References: 37

    When seemingly automated technologies display biases usually defined as discriminatory human behaviours, these tendencies are referred to collectively as ‘sociotechnical bias’. In this article, I explore facets of racial and gendered sociotechnical bias apparent in the musical categorisation strategies of the database Répertoire International de Littérature Musicale Abstracts of Musical Literature (1967–present only)—or RILM. The article shows ho…

  • Breaking Silence, Breaching Censorship: “Ongoing Interculturality” in Alice Shields’s Electronic Opera Apocalypse

    Open Access•Danielle Sofer•ARTICLE•American Music•2018

    Daria Semegen. under the stars outside Semegen's home in Stony brook, long Island, the conversation veered-as it often did-to contemporary u.S. politics. 1 enraged by "bigoted puritanism," Shields and Semegen criticized the recent influx of conservatism, specifically, the increasing volume of antiabortion groups. The composers began improvising playfully in call-and-response on the risqu behavior they supposed had triggered these groups, eventual…

  • Categorising Electronic Music

    Danielle Sofer•ARTICLE•Contemporary Music Review•2020•Cited by: 1•References: 37

    When seemingly automated technologies display biases usually defined as discriminatory human behaviours, these tendencies are referred to collectively as ‘sociotechnical bias’. In this article, I explore facets of racial and gendered sociotechnical bias apparent in the musical categorisation strategies of the database Répertoire International de Littérature Musicale Abstracts of Musical Literature (1967–present only)—or RILM. The article shows ho…

  • Le sexe comme champ d’investigation1: Réévaluer Les Outils Et Techniques D’analyse De La Musique Contemporaine2

    Open Access•Danielle Sofer, Martine Rhéaume•ARTICLE•Circuit Musiques contemporaines•2021•References: 25

    La musique a souvent servi de vecteur d’expression sexuelle. Mais dans un contexte musical saturé par de nombreux phénomènes sonores, les outils d’analyse musicale peuvent être limités dans leur capacité à mettre en évidence des actes sexuels, le plaisir ou la satisfaction. Centré sur l’expérience et la perception sonore, cet article remet en question le discours commun du théoricien de la musique désincarné et désintéressé. Il est y proposé que,…

  • Queer Community Building, Academic Activism, and the Labour of Care: An Introduction

    Thomas R Hilder, Danielle Sofer et al.•ARTICLE•Contemporary Music Review•2025

    In April 2022, the LGBTQ+ Music Study Group held its fourth symposium at the University of Music and Performing Arts Vienna. After two years of COVID-19 pandemic, countless deaths, multiple lockdow

Art (3 works) · Music History and Culture (3 works) · Musicology and Musical Analysis (2 works) · Aesthetics (1 works) · Art history (1 works) · Censorship (1 works) · Computer Science (1 works) · Diverse Musicological Studies (1 works) · Electronic music (1 works) · Ethnography (1 works)

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