Maya Deren
Biographic Data
| ID | 243412 |
|---|---|
| NAME | Maya Deren |
| GIVEN NAMES | Maya |
| FAMILY NAME | Deren |
| SIGNATURE | DEREN M |
| VERIFIED | No |
| TOTAL WORKS | 3 |
| TOTAL CITATIONS | 1 |
| AUTHOR COUNT | 3 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1980 |
| LATEST PUBLICATION YEAR | 1983 |
| H-INDEX | 1 |
Divine horsemen: The living gods of Haiti
From the Notebook of Maya Deren, 1947
The immediate physical contact with the film, the nearness of the image, the automatic muscular control of its speed-the fact that as I wound, my impulses and reactions towards the film translated themselves into muscular impulses and so to the film directly, with no machine-buttons, switches, etc. -between me and the film. All this seemed for me very important, especially in relation to a film which was not mine. This physical contact creates a …
An Exchange of Letters between Maya Deren and Gregory Bateson
Dear Gregory Bateson: I have just finished reading your article on the South Seas exhibit (I hope I may keep it), and I regret enormously that I had not read it before our discussion Saturday night, for it clarifies in my own mind the pattern which is basic to this projected film and provides me also with an objective point of reference, which I could have so well made use of in trying to make myself clear the other evening. For what is to me, at…
From the Notebook of Maya Deren, 1947
The immediate physical contact with the film, the nearness of the image, the automatic muscular control of its speed-the fact that as I wound, my impulses and reactions towards the film translated themselves into muscular impulses and so to the film directly, with no machine-buttons, switches, etc. -between me and the film. All this seemed for me very important, especially in relation to a film which was not mine. This physical contact creates a …
An Exchange of Letters between Maya Deren and Gregory Bateson
Dear Gregory Bateson: I have just finished reading your article on the South Seas exhibit (I hope I may keep it), and I regret enormously that I had not read it before our discussion Saturday night, for it clarifies in my own mind the pattern which is basic to this projected film and provides me also with an objective point of reference, which I could have so well made use of in trying to make myself clear the other evening. For what is to me, at…
Divine horsemen: The living gods of Haiti
Aesthetics (1 works) · American Environmental and Regional History (1 works) · Art (1 works) · Aside (1 works) · Cinema and Media Studies (1 works) · Computer Science (1 works) · Ethnology (1 works) · Film (1 works) · Film in Education and Therapy (1 works) · Folklore (1 works)