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Kamran Ahmadgoli

Biographic Data

ID2436285
NAMEKamran Ahmadgoli
GIVEN NAMESKamran
FAMILY NAMEAhmadgoli
SIGNATUREAHMADGOLI K
AFFILIATIONSKharazmi University
ORCID0000-0001-7720-3410
VERIFIEDYes
TOTAL WORKS4
TOTAL CITATIONS1
AUTHOR COUNT4
EDITOR COUNT0
FIRST PUBLICATION YEAR2019
LATEST PUBLICATION YEAR2021
H-INDEX1
  • An American Mystic in the East

    Open Access•Fazel Asadi Amjad, Kamran Ahmadgoli et al.•ARTICLE•Theory and Practice in Language…•2021

    The American poet Robert Bly is among the most important literary figures in the second half of the 20th century. He worked in various capacities as a poet, translator, teacher and workshop organizer among other things, so much so that he is sometimes compared to Ezra Pound on account of the variety of his interests and the extent of his influence. Like Pound, Bly developed an interest in Asian poetic traditions, including that of Iran, and in do…

  • Representing the Zeitgeist

    Open Access•Fazel Asadi Amjad, Kamran Ahmadgoli et al.•ARTICLE•International Journal of…•2020

    This study is an attempt at reading Jack Kerouac’s “The Subterraneans” in the light of the theory of Michel Foucault. “The Subterraneans”, written in 1958, grapples with the life of Leo, the alter ego of Jack Kerouac himself. The actions and interactions of its main characters, Leo Percepied and Mardou Fox, are observed and analyzed, focusing on the political philosophy of Foucault, specifically his conceptions of power, power relations, institut…

  • The Thousand-faced Salesman

    Kamran Ahmadgoli, Morteza Yazdanjoo•ARTICLE•Comparative American Studies An…•2020•References: 4

    Arthur Miller’s Death of a Salesman (1949) is one of the most adapted and adaptable American plays, spawning numerous appropriations in cinema, television, and other products of popular culture. The salesman concept travels through generations and cultures by adapting itself to new sociocultural environments. This article examines the adaptive and appropriative features in Asghar Farhadi’s The Salesman (2016) that, as a cinematic discourse, stret…

  • Multimodal representation of social discourses in Asghar Farhadi’s A Separation

    Kamran Ahmadgoli, Morteza Yazdanjoo•ARTICLE•Social Semiotics•2019•Cited by: 1•References: 5

    The directorial oeuvre of Asghar Farhadi thrives on incorporating a wide range of semiotic resources to feature fractured interpersonal relationships, socially indoctrinated gender roles, and class division(s) within the contemporary society of Iran. Farhadi utilizes the cinema as a medium to reflect on latent social contradictions and how personal identity is conditioned by patriarchal forces. A Separation (2011), his magnum opus, cultivates an …

  • Multimodal representation of social discourses in Asghar Farhadi’s A Separation

    Kamran Ahmadgoli, Morteza Yazdanjoo•ARTICLE•Social Semiotics•2019•Cited by: 1•References: 5

    The directorial oeuvre of Asghar Farhadi thrives on incorporating a wide range of semiotic resources to feature fractured interpersonal relationships, socially indoctrinated gender roles, and class division(s) within the contemporary society of Iran. Farhadi utilizes the cinema as a medium to reflect on latent social contradictions and how personal identity is conditioned by patriarchal forces. A Separation (2011), his magnum opus, cultivates an …

  • Multimodal representation of social discourses in Asghar Farhadi’s A Separation

    Kamran Ahmadgoli, Morteza Yazdanjoo•ARTICLE•Social Semiotics•2019•Cited by: 1•References: 5

    The directorial oeuvre of Asghar Farhadi thrives on incorporating a wide range of semiotic resources to feature fractured interpersonal relationships, socially indoctrinated gender roles, and class division(s) within the contemporary society of Iran. Farhadi utilizes the cinema as a medium to reflect on latent social contradictions and how personal identity is conditioned by patriarchal forces. A Separation (2011), his magnum opus, cultivates an …

  • Representing the Zeitgeist

    Open Access•Fazel Asadi Amjad, Kamran Ahmadgoli et al.•ARTICLE•International Journal of…•2020

    This study is an attempt at reading Jack Kerouac’s “The Subterraneans” in the light of the theory of Michel Foucault. “The Subterraneans”, written in 1958, grapples with the life of Leo, the alter ego of Jack Kerouac himself. The actions and interactions of its main characters, Leo Percepied and Mardou Fox, are observed and analyzed, focusing on the political philosophy of Foucault, specifically his conceptions of power, power relations, institut…

  • The Thousand-faced Salesman

    Kamran Ahmadgoli, Morteza Yazdanjoo•ARTICLE•Comparative American Studies An…•2020•References: 4

    Arthur Miller’s Death of a Salesman (1949) is one of the most adapted and adaptable American plays, spawning numerous appropriations in cinema, television, and other products of popular culture. The salesman concept travels through generations and cultures by adapting itself to new sociocultural environments. This article examines the adaptive and appropriative features in Asghar Farhadi’s The Salesman (2016) that, as a cinematic discourse, stret…

  • An American Mystic in the East

    Open Access•Fazel Asadi Amjad, Kamran Ahmadgoli et al.•ARTICLE•Theory and Practice in Language…•2021

    The American poet Robert Bly is among the most important literary figures in the second half of the 20th century. He worked in various capacities as a poet, translator, teacher and workshop organizer among other things, so much so that he is sometimes compared to Ezra Pound on account of the variety of his interests and the extent of his influence. Like Pound, Bly developed an interest in Asian poetic traditions, including that of Iran, and in do…

Art (3 works) · Law (3 works) · Linguistics (3 works) · Literature (3 works) · Philosophy (3 works) · Political science (3 works) · Aesthetics (2 works) · Epistemology (2 works) · Politics (2 works) · Sociology (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae