Cathy Schwichtenberg
Biographic Data
| ID | 2444654 |
|---|---|
| NAME | Cathy Schwichtenberg |
| GIVEN NAMES | Cathy |
| FAMILY NAME | Schwichtenberg |
| SIGNATURE | SCHWICHTENBERG C |
| AFFILIATIONS | Communication Studies University of Iowa |
| VERIFIED | No |
| TOTAL WORKS | 5 |
| TOTAL CITATIONS | 3 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 1 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 1 |
The Madonna Connection
Gender studies and communication
(1989). Gender studies and communication. Critical Studies in Mass Communication: Vol. 6, No. 2, pp. 202-208
Sensual Surfaces and Stylistic Excess
The Love Boat
The Love Boat: An empty structure inflated with banality According to many critics, The Love Boat is a situation-comedy that should have failed. For instance, Karl E Meyer of the Saturday Review calls the show ‘a cruise ship afloat on pink lemonade and chartered in candyland ’ with ’capsule plots... as in a paint-by-number set ’ (Meyer, 1978: 30); while Newsweek’s television reviewer, Harry F. Waters, states that ’if intelligence and taste ruled …
Erotica
paradigm of the Lilith text which (as we will see) speaks critically of a sexual ideology based on God-the-Father's mistake. Indeed, in the Lilith text this mistake has a cruel purpose. This content downloaded from 157.55.39.58 on Thu, 25 Aug 2016 05:35:53 UTC All use subject to http://about.jstor.org/terms 32 Cathy Schwichtenberg
The Love Boat
The Love Boat: An empty structure inflated with banality According to many critics, The Love Boat is a situation-comedy that should have failed. For instance, Karl E Meyer of the Saturday Review calls the show ‘a cruise ship afloat on pink lemonade and chartered in candyland ’ with ’capsule plots... as in a paint-by-number set ’ (Meyer, 1978: 30); while Newsweek’s television reviewer, Harry F. Waters, states that ’if intelligence and taste ruled …
Sensual Surfaces and Stylistic Excess
Erotica
paradigm of the Lilith text which (as we will see) speaks critically of a sexual ideology based on God-the-Father's mistake. Indeed, in the Lilith text this mistake has a cruel purpose. This content downloaded from 157.55.39.58 on Thu, 25 Aug 2016 05:35:53 UTC All use subject to http://about.jstor.org/terms 32 Cathy Schwichtenberg
The Love Boat
The Love Boat: An empty structure inflated with banality According to many critics, The Love Boat is a situation-comedy that should have failed. For instance, Karl E Meyer of the Saturday Review calls the show ‘a cruise ship afloat on pink lemonade and chartered in candyland ’ with ’capsule plots... as in a paint-by-number set ’ (Meyer, 1978: 30); while Newsweek’s television reviewer, Harry F. Waters, states that ’if intelligence and taste ruled …
Sensual Surfaces and Stylistic Excess
Gender studies and communication
(1989). Gender studies and communication. Critical Studies in Mass Communication: Vol. 6, No. 2, pp. 202-208
The Madonna Connection
Art (3 works) · Media, Gender, and Advertising (3 works) · Psychology (3 works) · Gender, Feminism, and Media (2 works) · Advertising (1 work) · Aesthetics (1 work) · Business (1 work) · Connection (principal bundle) (1 work) · Geometry (1 work) · Globalization and Cultural Identity (1 work)