Werner Fenz
Biographic Data
| ID | 2455089 |
|---|---|
| NAME | Werner Fenz |
| GIVEN NAMES | Werner |
| FAMILY NAME | Fenz |
| SIGNATURE | FENZ W |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 2 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1989 |
| LATEST PUBLICATION YEAR | 1989 |
| H-INDEX | 0 |
"Protocols of the Exhibition "Points of Reference 38/88
Points of Reference considers as a catalyst for the present, not as a systematic coming-to-terms with the past, but as a look back from the perspective of modern consciousness, because history does not repeat itself. Therefore, interest in the subject matter determines the work's form. Aesthetic qualities are not set beforehand, but result from intellectual abilities which emerge in a very specific context. Points of Reference would like to avoid…
The Monument Is Invisible, the Sign Visible
Robert Musil's remark that a monument is immune to attention, thus invisible, is an old and hackneyed phrase.' But as it bears on the issue of in space, the remark gets to the core of the matter, even when taken out of its historical context. His remark is even more apt when the issue is considered within the broader framework of visual cultural production in general of the past two decades. Recent open air exhibitions, such as portions of Docume…
No prominent works on this page.
"Protocols of the Exhibition "Points of Reference 38/88
Points of Reference considers as a catalyst for the present, not as a systematic coming-to-terms with the past, but as a look back from the perspective of modern consciousness, because history does not repeat itself. Therefore, interest in the subject matter determines the work's form. Aesthetic qualities are not set beforehand, but result from intellectual abilities which emerge in a very specific context. Points of Reference would like to avoid…
The Monument Is Invisible, the Sign Visible
Robert Musil's remark that a monument is immune to attention, thus invisible, is an old and hackneyed phrase.' But as it bears on the issue of in space, the remark gets to the core of the matter, even when taken out of its historical context. His remark is even more apt when the issue is considered within the broader framework of visual cultural production in general of the past two decades. Recent open air exhibitions, such as portions of Docume…
Art (2 works) · Art, Politics, and Modernism (1 works) · Computer Science (1 works) · Diverse academic and cultural studies (1 works) · Exhibition (1 works) · Italian Fascism and Post-war Society (1 works) · Literature and Cultural Memory (1 works) · Mathematical analysis (1 works) · Mathematics (1 works) · Sign (mathematics (1 works)