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Linda B Arthur

Biographic Data

ID245615
NAMELinda B Arthur
GIVEN NAMESLinda B
FAMILY NAMEArthur
SIGNATUREARTHUR L B
AFFILIATIONSUniversity of Hawaiʻi at Mānoa
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS3
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1998
LATEST PUBLICATION YEAR2006
H-INDEX1
  • The Aloha Shirt and Ethnicity in Hawai'i

    Linda B Arthur•ARTICLE•TEXTILE•2006

    Hawaii's aloha shirt features brightly colored textiles; this article presents the design evolution of these textiles used in the aloha shirt for each decade from its origin in the 1930s to 2000. Based on a study of over 1,000 shirts and textiles, this study shows that Hawaiian prints and the aloha shirt developed as a result of contributions from several, ethnic groups in multiethnic Hawai'i where there is no ethnic majority. Throughout the deca…

  • Undressing Religion

    Graeme Lang, Elisha P Renne et al.•BOOK•Undressing Religion•2000

    From Islam to Confucianism to Voodoo, dress plays a pivotal role in religious expression. This book investigates how dress symbolically evidences both religious and social systems across a wide range of cultures - from Africa and South America to Asia, Indonesia, Malaysia and the Caribbean. In some of these cultures, dress is part of a system of social control. Gender issues feature prominently since the control of female sexuality is often of gr…

  • About Face

    Open Access•Linda B Arthur, Linda Arthur•ARTICLE•American Ethnologist•2000

    About Face: Performing Race in Fashion and Theater. Dorinne Kondo. New York: Routledge, 1997. xiii. 277 pp., figures, references, index.Consuming Fashion: Adorning the Transnational Body. Anne Brydon and Sandra Niessen. eds. London: Berg, 1998. xvii. 196 pp., illustrations, contributor index, index

  • Religion, Dress and the Body

    Linda B Arthur•BOOK•Religion, Dress and the Body•1999

    Religions constrain the bodies of their members through dress. In many cases, dress immediately identifies a member of the community to the outside world and separates them from a society that members believe is threatened by evil forces. Dress identifies the wearer's community to other groups and communities, and may also reflect one's status. Most interestingly, perhaps, dress is a measure of one's level of commitment to the community. While co…

  • Religion, Dress and the Body

    Linda B Arthur•BOOK•Religion, Dress and the Body•1999

  • Deviance, Agency, and the Social Control of Women's Bodies in a Mennonite Community

    Linda B Arthur•ARTICLE•NWSA Journal•1998

    Based on ethnographic fieldwork conducted over eight years, this article uses the metaphor of dress to describe the social control of women's bodies in a conservative Holdeman Mennonite community.' The body was controlled both internally and externally, in terms of emotional expression, diet, sexuality, and especially by dress. As a symbolic marker of group belonging, adherence to a strict dress code was considered a sign of religiosity and was r…

  • Hawaiian Women and Dress

    Linda B Arthur•ARTICLE•Fashion Theory•1998•Cited by: 3•References: 2

    (1998). Hawaiian Women and Dress: The Holokū as an Expression of Ethnicity. Fashion Theory: Vol. 2, No. 3, pp. 269-286

  • Hawaiian Women and Dress

    Linda B Arthur•ARTICLE•Fashion Theory•1998•Cited by: 3•References: 2

    (1998). Hawaiian Women and Dress: The Holokū as an Expression of Ethnicity. Fashion Theory: Vol. 2, No. 3, pp. 269-286

  • Deviance, Agency, and the Social Control of Women's Bodies in a Mennonite Community

    Linda B Arthur•ARTICLE•NWSA Journal•1998

    Based on ethnographic fieldwork conducted over eight years, this article uses the metaphor of dress to describe the social control of women's bodies in a conservative Holdeman Mennonite community.' The body was controlled both internally and externally, in terms of emotional expression, diet, sexuality, and especially by dress. As a symbolic marker of group belonging, adherence to a strict dress code was considered a sign of religiosity and was r…

  • Hawaiian Women and Dress

    Linda B Arthur•ARTICLE•Fashion Theory•1998•Cited by: 3•References: 2

    (1998). Hawaiian Women and Dress: The Holokū as an Expression of Ethnicity. Fashion Theory: Vol. 2, No. 3, pp. 269-286

  • Religion, Dress and the Body

    Linda B Arthur•BOOK•Religion, Dress and the Body•1999

    Religions constrain the bodies of their members through dress. In many cases, dress immediately identifies a member of the community to the outside world and separates them from a society that members believe is threatened by evil forces. Dress identifies the wearer's community to other groups and communities, and may also reflect one's status. Most interestingly, perhaps, dress is a measure of one's level of commitment to the community. While co…

  • Religion, Dress and the Body

    Linda B Arthur•BOOK•Religion, Dress and the Body•1999

  • Undressing Religion

    Graeme Lang, Elisha P Renne et al.•BOOK•Undressing Religion•2000

    From Islam to Confucianism to Voodoo, dress plays a pivotal role in religious expression. This book investigates how dress symbolically evidences both religious and social systems across a wide range of cultures - from Africa and South America to Asia, Indonesia, Malaysia and the Caribbean. In some of these cultures, dress is part of a system of social control. Gender issues feature prominently since the control of female sexuality is often of gr…

  • About Face

    Open Access•Linda B Arthur, Linda Arthur•ARTICLE•American Ethnologist•2000

    About Face: Performing Race in Fashion and Theater. Dorinne Kondo. New York: Routledge, 1997. xiii. 277 pp., figures, references, index.Consuming Fashion: Adorning the Transnational Body. Anne Brydon and Sandra Niessen. eds. London: Berg, 1998. xvii. 196 pp., illustrations, contributor index, index

  • The Aloha Shirt and Ethnicity in Hawai'i

    Linda B Arthur•ARTICLE•TEXTILE•2006

    Hawaii's aloha shirt features brightly colored textiles; this article presents the design evolution of these textiles used in the aloha shirt for each decade from its origin in the 1930s to 2000. Based on a study of over 1,000 shirts and textiles, this study shows that Hawaiian prints and the aloha shirt developed as a result of contributions from several, ethnic groups in multiethnic Hawai'i where there is no ethnic majority. Throughout the deca…

Fashion and Cultural Textiles (6 works) · Gender Studies (6 works) · Sociology (6 works) · Art (5 works) · Anthropology (4 works) · Computer Science (4 works) · Aesthetics (3 works) · Gender Studies (3 works) · History (3 works) · Ethnic group (2 works)

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