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B Jules-Rosette

Dados Biográficos

ID24590
NOMEB Jules-Rosette
PRENOMESB
SOBRENOMEJules-Rosette
ASSINATURAJULES-ROSETTE B
AFILIAÇÕESUniversity of California San Diego
ORCID0000-0002-0649-7359
VERIFICADOSim
TOTAL DE OBRAS83
TOTAL DE CITAÇÕES234
TOTAL COMO AUTOR83
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1975
ANO MAIS RECENTE DE PUBLICAÇÃO2025
ÍNDICE H8
  • Ce que nous faisions, c’était un cri

    B Jules-Rosette, Clare Finburgh Delijani•ARTICLE•Théâtre/Public•2025

  • Museum Trajectories and Problems of Evidence in Public Discourse

    Open Access•B Jules-Rosette, J R Osborn•ARTICLE•Museum Anthropology•2020•Citada por: 1•Referências: 7

    As conservators of heritage and protectors of patrimony, museums are key players in public discourse about national identity and collective memory. The cultural roles and meanings of the museum as an institution are changing in relationship to local and global currents. Factors include the adoption of digital technologies, the repatriation of cultural artifacts, and the opening of new blockbuster museums. This special issue ofMuseum Anthropologyb…

  • Curatorial Networks and Museum Culture

    Open Access•B Jules-Rosette•ARTICLE•Museum Anthropology•2020•Citada por: 1•Referências: 14

    The valuation and display of African art in museum contexts entails contrasting strategies of objectification. In this process, objects may be used as material evidence for larger cultural trends and new movements. This essay examines the role of curatorial networks in creating discourses about African art objects that reframe their cultural significance and economic value. These curatorial networks are treated as a habitus for the art and a disc…

  • AfAA Student Paper Awards

    Open Access•B Jules-Rosette, Bennetta Jules‐rosette et al.•ARTICLE•Anthropology News•2019

  • Afterword

    B Jules-Rosette•ARTICLE•Journal of Southern African Studies•2018

  • Unpacking Ethnographic Film and African Cinema

    B Jules-Rosette•ARTICLE•Critical Interventions•2015•Citada por: 2•Referências: 10

    Do invisible gods, in effect, merely have a "double," or are they themselves a "double"? (Rouch, 1978, p. 3)Ethnographic film provides a prototype for visual border crossings in anthropological res

  • Josephine Baker and the Rainbow Tribe

    B Jules-Rosette•ARTICLE•Journal of American History•2014•Citada por: 1

    Journal Article Josephine Baker and the Rainbow Tribe Get access Matthew Pratt Guterl. (Cambridge: Belknap, 2014. 250 pp. $28.95.) Journal of American History, Volume 101, Issue 3, December 2014, Pages 992–993, https://doi.org/10.1093/jahist/jau596 Published: 01 December 2014

  • Le Musée d'Art au Hasard

    B Jules-Rosette, Erica Fontana•ARTICLE•African and Black Diaspora An…•2009•Citada por: 2•Referências: 7

    During the colonial period, Black Paris began to respond to French museum culture. From the 1930s to the 1970s, Joséphine Baker maintained a close association with French museum culture. Other voices from Black Paris surfaced surrounding the Présence Africaine journal in 1947 and the turbulent debates of the 1950s. In the 1980s, the rediscovery of contemporary and popular arts led to a virtual explosion in French gallery and museum spaces. From t…

  • Association for Africanist Anthropology

    Open Access•Jennifer E Coffman, B Jules-Rosette et al.•ARTICLE•Anthropology News•2007

  • Jean-Paul Sartre and the philosophy of négritude

    Open Access•B Jules-Rosette•ARTICLE•Theory and Society•2007•Citada por: 1•Referências: 6

  • Association for Africanist Anthropology

    Open Access•Jennifer E Coffman, B Jules-Rosette•ARTICLE•Anthropology News•2005

  • Nkosi Sikelel' iAfrikaand the Liberation of the Spirit of South Africa1

    David B Coplan, B Jules-Rosette•ARTICLE•African Studies•2005•Citada por: 2•Referências: 23

    Footprints of cultural artefacts travel across borderlands and boundaries of multiple inscription, from villages to towns and back again, between territories of the imagination and fetishised, arme

  • Ferro, Marc (dir.). – Le livre noir du colonialisme. xvie-xxie siècle

    Open Access•B Jules-Rosette•ARTICLE•Cahiers d études africaines•2004

    Laudable, ambitious in scope, and voluminous, Marc Ferro’s Le livre noir du colonialisme is an impressive contribution to current debates on worldwide violence, terrorism, and exploitation. Modeled on Le livre noir du communisme, by Stéphane Courtois, Ferro’s project similarly documents the intended and latent consequences of an ideological enterprise. Prominent international scholars, including Ferro himself, Elikia M’Bokolo, Pierre Brocheux, Ca…

  • Nkosi Sikelel' iAfrika

    Open Access•B Jules-Rosette, David B Coplan•ARTICLE•Cahiers d études africaines•2004•Referências: 12

    « Nkosi Sikelel’ iAfrika ». De l’esprit indépendant à la mobilisation politique. – « Nkosi Sikelel’ iAfrika » (Que Dieu bénisse l’Afrique), connu comme l’hymne africain, est un signifiant puissant pour le deuil, la rédemption et la célébration. Les tonalités méthodistes et les paroles du chant puisent leurs racines dans les contacts culturels avec les missionnaires. Ce chant occupe aussi une place importante dans le répertoire cérémonial de nombr…

  • Musée Dapper

    B Jules-Rosette•ARTICLE•African Arts•2002•Citada por: 2

    Suite a l'ouverture du nouveau musee Dapper a Paris, l'A. propose quelques reflexions a propos de l'orientation museologique du musee, situant notamment sa politique museale et de la representation dans le contexte socioculturel et ideologique de l'art africain en France et de la configuration museale des musees d'ethnographie parisiens. D'une part, l'adoption d'une mise en exposition qui s'eloigne des modes (coloniaux) de representation des muse…

  • Response to Bettelheim

    B Jules-Rosette•ARTICLE•African Arts•2002

  • Afro-Pessimism's Many Guises

    B Jules-Rosette•ARTICLE•Public Culture•2002•Citada por: 4

    Public Culture - Volume 14, Number 3, Fall 2002

  • Performance Ethnography

    Open Access•B Jules-Rosette, Cristin Mcvey et al.•ARTICLE•CAM•2002•Citada por: 3•Referências: 17

    This article explores the use of dual tracking, or digital video overlay, in performance ethnography. It proposes a reflexive approach to ethnographic filmmaking in which the ethnographic subject and videomakers work collaboratively to uncover the interior realities motivating the performance. The authors review previous approaches to ethnographic filmmaking and then suggest digital video overlay as a method of presenting the actual performances …

  • Identity Discourses and Diasporic Aesthetics in Black Paris

    B Jules-Rosette•ARTICLE•Diaspora A Journal of Transnational…•2000

    Diaspora 9:1 2000 Identity Discourses and Diasporic Aesthetics in Black Paris: Community Formation and the Translation of Culture Bennetta Jules-Rosette University of California, San Diego Looming over the heads of all of its creators is the too precarious genius ofart nègre. Perhaps in order to liberate themselves totally, they should accomplish the sacrilegious act, patricide, by burning what their parents, grandparents, and great-grandparents …

  • Black Paris

    Katharina Stadtler, B Jules-Rosette•ARTICLE•The International Journal of…•1999•Citada por: 25

    Documents the struggles and successes of three generations of African writers as they strive to establish their artistic, literary, and cultural identities in France

  • Black Paris

    Cilas Kemedjio, B Jules-Rosette•ARTICLE•Canadian Journal of African…•1999

  • Enigma Variations

    B Jules-Rosette, Richard Price et al.•ARTICLE•African Arts•1997

  • At the Threshold of the Millennium

    B Jules-Rosette•ARTICLE•Archives de sciences sociales des…•1997•Citada por: 2

    Many of the prophetic movements and independent Churches that started in the 1930s and 1940s in the central and southern African regions have now moved from a charismatic to a more institutionalized phase. Groups such as the Zionists, the African Apostolic Church, the Kimbanguist Church, and others have played significant roles in African liberation movements and new governments. It is impossible to separate the theological tenets and political c…

  • Remembering the Present

    Open Access•B Jules-Rosette•ARTICLE•American Anthropologist•1997

  • Remembering the Present

    Open Access•B Jules-Rosette, Bennetta Jules‐rosette•ARTICLE•American Anthropologist•1997•Citada por: 1

    Remembering the Present: Painting and Popular History in Zaire. Johannes Fabian. Narrative and paintings by Tshibumba Kanda Matulu. Berkeley and Los Angeles: University of California Press, 1996. 348 pp

Próximo
  • The Veil of Objectivity

    Open Access•B Jules-Rosette, Bennetta Jules‐rosette•ARTICLE•American Anthropologist•1978•Citada por: 32•Referências: 36

    It is possible for folk inquiry to become a source for the modification of anthropological thought. This paper discusses two alternative knowledge systems: traditional divination and syncretic prophecy in Central Africa. The processes of scientific discovery, causal reasoning, and the evaluation of evidence are compared with oracular reasoning and prophetic prediction. The oracular aspects of scientific reasoning are delineated along with the pro…

  • Black Paris

    Katharina Stadtler, B Jules-Rosette•ARTICLE•The International Journal of…•1999•Citada por: 25

    Documents the struggles and successes of three generations of African writers as they strive to establish their artistic, literary, and cultural identities in France

  • The Message of Tourist Art, an African Semiotic System in Comparative Perspective

    Simon Battestini, B Jules-Rosette•ARTICLE•African Studies Review•1987•Citada por: 19

    1. Image Creators and Image Consumers.- 2. Art Markets, Images, and Commercialization.- 3. Cottage Industries in Tourist Art.- 4. Working with Clay.- 5. Handmade in Kenya.- 6. The New Figuratism.- 7. Processual Variation in Tourist Art.- 8. The Consumer Connection.- 9. The Messages of Tourist Art.- References

  • The New Religions of Africa

    Barrie Sharpe, B Jules-Rosette•ARTICLE•Man•1979•Citada por: 19

  • The Conversion Experience

    B Jules-Rosette•ARTICLE•Journal of Religion in Africa•1975•Citada por: 18

  • A Paradigm for Looking

    Allen D Grimshaw, Beryl L Bellman et al.•ARTICLE•Social Forces•1978•Citada por: 15

    Based on research in two African communities, this volume presents a new methodology for examining visual media--one that suggests a phenomenology of filmmaking and an ethnography of mediated communication. Comprehensively developed and discusses, this methodology can be used for analysis of any informant-made visual communication

  • Symbols of Change

    Karen Tranberg Hansen, B Jules-Rosette•ARTICLE•Journal for the Scientific Study…•1982•Citada por: 13

    Based on a four-year longitudinal study of urban adaptation in Lusaka, Zambia, this book offers both a theoretical analysis and a case study of African urbanization as a social process. The author's unique approach to this topic lies in her exploration of city-life adjustment through the subjective perception of the new urbanites themselves. The book contains the original interview material and numerous photos of the extensive fieldwork

  • Aesthetics and Market Demand

    B Jules-Rosette•ARTICLE•African Studies Review•1986•Citada por: 9•Referências: 6

    The concept of aesthetics is a “red herring” in the study of contemporary art. Often aesthetics is equated with technique (cf. Henri, 1960: 88) or with adherence to the dominant themes of a particular school of art. In the case of “tourist” and “folk” art, the concept of aesthetics is generally salvaged by introducing the notion that artistic preferences are culturally relative and are influenced by the conditions under which the particular art f…

  • Changing Aspects of Women's Initiation in Southern Africa

    B Jules-Rosette•ARTICLE•Canadian Journal of African…•1980•Citada por: 8

    L'impact de l'initiation féminine a visiblement diminué dans les villes de l'Afrique du Sud. Mes récentes recherches à Lusaka (Zambie) ont cependant montré que ce déclin est apparent. Il masque la modification symbolique des rites et assure leur adaptation au milieu urbain. Le chisungu, rite bemba initiant les jeunes femmes aux responsabilités de mariage et de vie adulte, a été abrégé de trois ans à trois jours. Actuellement, il précède directeme…

  • Song and spirit

    Open Access•B Jules-Rosette•ARTICLE•Africa•1975•Citada por: 7•Referências: 5

    Opening ParagraphThe Apostolic Church of John Maranke (Vapostori or Bapostolo), an indigenous Christian church founded in Umtali, Rhodesia, now has congregations across Central Africa. For the Church's central ritual event, the Sabbath kerek, and other occasions of worship, singing constitutes the core of ritual practice and is used to invoke the presence of the Holy Spirit. These songs combine traditional Bantu rhythmic patterns with a unique Ap…

  • Talcott Parsons and the phenomenological tradition in sociology

    Open Access•B Jules-Rosette•ARTICLE•Human Studies•1980•Citada por: 6•Referências: 27

  • Black Paris

    Open Access•B Jules-Rosette•ARTICLE•Annals of Tourism Research•1994•Citada por: 5•Referências: 8

  • Decentering Ethnography

    B Jules-Rosette•ARTICLE•Journal of Religion in Africa•1994•Citada por: 5•Referências: 9

    DECENTERING ETHNOGRAPHY: VICTOR TURNER'S VISION OF ANTHROPOLOGY BY BENNETTA JULES-ROSETTE (University of California, San Diego) Introduction During the past decade, the works of Victor Turner have been reread and reinterpreted in many ways. His contributions to the analysis of social process, ritual symbols, play, and performance stand as landmarks in the fields of anthropology and humanistic studies. The unfolding of Turner's theories involves a…

  • Afro-Pessimism's Many Guises

    B Jules-Rosette•ARTICLE•Public Culture•2002•Citada por: 4

    Public Culture - Volume 14, Number 3, Fall 2002

  • Rethinking the Popular Arts in Africa

    B Jules-Rosette•ARTICLE•African Studies Review•1987•Citada por: 4

    Popular arts are an effervescent and protean aspect of contemporary culture in Africa. Karin Barber's overview captures the styles, flavor, and general sociological significance of these art forms for both artists and consumers. Noting a lack of theoretical synthesis in the field, the author begins with a critique of the tripartite “European model” of folk, popular, and elite art. She aptly remarks that this model obscures analysis by relegating …

  • Performance Ethnography

    Open Access•B Jules-Rosette, Cristin Mcvey et al.•ARTICLE•CAM•2002•Citada por: 3•Referências: 17

    This article explores the use of dual tracking, or digital video overlay, in performance ethnography. It proposes a reflexive approach to ethnographic filmmaking in which the ethnographic subject and videomakers work collaboratively to uncover the interior realities motivating the performance. The authors review previous approaches to ethnographic filmmaking and then suggest digital video overlay as a method of presenting the actual performances …

  • Tourism as process

    Open Access•B Jules-Rosette, Edward M Bruner•ARTICLE•Annals of Tourism Research•1994•Citada por: 3

  • Ceremonial Trance Behavior in an African Church

    B Jules-Rosette•ARTICLE•Journal for the Scientific Study…•1980•Citada por: 3

    Ceremonial trance behavior is a private religious experience that occurs in a public setting. Sociologists have long concerned themselves with the distinction between individual reactions to external stimuli and social behavior. While trance states may be individual responses, they also involve subtle forms of social interaction and are dependent upon the context in which they occur. The repetitive format of ritual activities can trigger and help…

  • Technological Innovation in Popular African Art

    Open Access•B Jules-Rosette, Bennetta Jules‐rosette•ARTICLE•The Journal of Popular Culture•1979•Citada por: 3

  • The Potters and the Painters

    Open Access•B Jules-Rosette•ARTICLE•Studies in the Anthropology of…•1977•Citada por: 3•Referências: 3

  • Marrapodi

    B Jules-Rosette•ARTICLE•African Studies Review•1975•Citada por: 3

  • Unpacking Ethnographic Film and African Cinema

    B Jules-Rosette•ARTICLE•Critical Interventions•2015•Citada por: 2•Referências: 10

    Do invisible gods, in effect, merely have a "double," or are they themselves a "double"? (Rouch, 1978, p. 3)Ethnographic film provides a prototype for visual border crossings in anthropological res

  • Le Musée d'Art au Hasard

    B Jules-Rosette, Erica Fontana•ARTICLE•African and Black Diaspora An…•2009•Citada por: 2•Referências: 7

    During the colonial period, Black Paris began to respond to French museum culture. From the 1930s to the 1970s, Joséphine Baker maintained a close association with French museum culture. Other voices from Black Paris surfaced surrounding the Présence Africaine journal in 1947 and the turbulent debates of the 1950s. In the 1980s, the rediscovery of contemporary and popular arts led to a virtual explosion in French gallery and museum spaces. From t…

  • Nkosi Sikelel' iAfrikaand the Liberation of the Spirit of South Africa1

    David B Coplan, B Jules-Rosette•ARTICLE•African Studies•2005•Citada por: 2•Referências: 23

    Footprints of cultural artefacts travel across borderlands and boundaries of multiple inscription, from villages to towns and back again, between territories of the imagination and fetishised, arme

  • Musée Dapper

    B Jules-Rosette•ARTICLE•African Arts•2002•Citada por: 2

    Suite a l'ouverture du nouveau musee Dapper a Paris, l'A. propose quelques reflexions a propos de l'orientation museologique du musee, situant notamment sa politique museale et de la representation dans le contexte socioculturel et ideologique de l'art africain en France et de la configuration museale des musees d'ethnographie parisiens. D'une part, l'adoption d'une mise en exposition qui s'eloigne des modes (coloniaux) de representation des muse…

  • Nonverbal Communication

    B Jules-Rosette, Shirley Weitz•ARTICLE•Contemporary Sociology A Journal…•1975

  • Bapostolo Ritual

    B Jules-Rosette•ARTICLE•Canadian Journal of African…•1975•Citada por: 1

    Les églises indépendantes africaines sont une des sources principales de transformation culturelle. Dans ces églises, les rituels coutumiers et les croyances chrétiennes se mêlent. Cependant, beaucoup de chercheurs n'ont pas décrit ces rituels ou bien les ont considérés dans des termes uniquement occidentaux. À force d'examiner le kerek ou le sabbat « apostolique », les buts et l'organisation des rituels des Bapostolo (l'Église apostolique de Joh…

  • The Conversion Experience

    B Jules-Rosette•ARTICLE•Journal of Religion in Africa•1975•Citada por: 18

  • Marrapodi

    B Jules-Rosette•ARTICLE•African Studies Review•1975•Citada por: 3

  • Song and spirit

    Open Access•B Jules-Rosette•ARTICLE•Africa•1975•Citada por: 7•Referências: 5

    Opening ParagraphThe Apostolic Church of John Maranke (Vapostori or Bapostolo), an indigenous Christian church founded in Umtali, Rhodesia, now has congregations across Central Africa. For the Church's central ritual event, the Sabbath kerek, and other occasions of worship, singing constitutes the core of ritual practice and is used to invoke the presence of the Holy Spirit. These songs combine traditional Bantu rhythmic patterns with a unique Ap…

  • Urbanization as a Social Process

    B Jules-Rosette, K Little•ARTICLE•Contemporary Sociology A Journal…•1976

    Urbanization is probably the most important process taking place in African countries. This book provides a lucid and informative study of the significance of urbanization for social change in sub-Saharan Africa, which has vital implications for all developing regions. Originally published in 1974

  • Charisma

    Johannes Fabian, Bryan Wilson et al.•ARTICLE•ASA Review of Books•1977

  • African Apostles

    Daniel J Crowley, B Jules-Rosette•ARTICLE•Contemporary Sociology A Journal…•1977

  • Spirits of Protest

    B Jules-Rosette, Peter Fry•ARTICLE•Contemporary Sociology A Journal…•1977

  • Implicit Meanings

    B Jules-Rosette, Mary Douglas•REVIEW•Contemporary Sociology A Journal…•1977•Citada por: 1

    Why do people want to become a psychotherapist? How do they translate this desire into reality? On Becoming a Psychotherapist explores these and related questions. Ten leading therapists write about their profession and their careers, examining how and why they became pyschotherapists. The contributors, representing a wide cross-section of their profession, come from both Britian and America, from different theoretical backgrounds, and are at dif…

  • The Potters and the Painters

    Open Access•B Jules-Rosette•ARTICLE•Studies in the Anthropology of…•1977•Citada por: 3•Referências: 3

  • African Apostles

    Per Hassing, B Jules-Rosette•ARTICLE•The International Journal of…•1977

  • The politics of paradigms

    Open Access•B Jules-Rosette•ARTICLE•Human Studies•1978•Citada por: 2•Referências: 12

  • A Paradigm for Looking

    Allen D Grimshaw, Beryl L Bellman et al.•ARTICLE•Social Forces•1978•Citada por: 15

    Based on research in two African communities, this volume presents a new methodology for examining visual media--one that suggests a phenomenology of filmmaking and an ethnography of mediated communication. Comprehensively developed and discusses, this methodology can be used for analysis of any informant-made visual communication

  • The Veil of Objectivity

    Open Access•B Jules-Rosette, Bennetta Jules‐rosette•ARTICLE•American Anthropologist•1978•Citada por: 32•Referências: 36

    It is possible for folk inquiry to become a source for the modification of anthropological thought. This paper discusses two alternative knowledge systems: traditional divination and syncretic prophecy in Central Africa. The processes of scientific discovery, causal reasoning, and the evaluation of evidence are compared with oracular reasoning and prophetic prediction. The oracular aspects of scientific reasoning are delineated along with the pro…

  • A Paradigm for Looking

    Philip H Ennis, Beryl L Bellman et al.•ARTICLE•Contemporary Sociology A Journal…•1979

  • Art and Ideology

    Open Access•B Jules-Rosette•ARTICLE•Semiotica•1979

  • Technological Innovation in Popular African Art

    Open Access•B Jules-Rosette, Bennetta Jules‐rosette•ARTICLE•The Journal of Popular Culture•1979•Citada por: 3

  • The New Religions of Africa

    Barrie Sharpe, B Jules-Rosette•ARTICLE•Man•1979•Citada por: 19

  • Alternative Urban Adaptations

    B Jules-Rosette•ARTICLE•Human Organization•1979•Citada por: 1•Referências: 1

    Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn Email Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Bennetta Jules-Rosette; Alternative Urban Adaptations: Zambian Cottage Industries as Sources of Social and Economic Innovation. Human Organization 1 September 1979; 38 (3): 225–238. doi: https://doi.org/10.17730/humo.38.3.q167380729201v34…

  • Neighborhood Networks in An African City

    B Jules-Rosette•ARTICLE•Housing and Society•1980•Referências: 2

  • The New Religions of Africa

    Jack Glazier, B Jules-Rosette•ARTICLE•Contemporary Sociology A Journal…•1980

    This volume is an important and original collection of firsthand field reports and essays on contemporary African cults and churches. Using comprehensive ethnographic information, this volume focuses on the importance of religion as an agent and symbol of social change in emerging African nations, and the changing roles of gender in African society

  • Talcott Parsons and the phenomenological tradition in sociology

    Open Access•B Jules-Rosette•ARTICLE•Human Studies•1980•Citada por: 6•Referências: 27

  • Ceremonial Trance Behavior in an African Church

    B Jules-Rosette•ARTICLE•Journal for the Scientific Study…•1980•Citada por: 3

    Ceremonial trance behavior is a private religious experience that occurs in a public setting. Sociologists have long concerned themselves with the distinction between individual reactions to external stimuli and social behavior. While trance states may be individual responses, they also involve subtle forms of social interaction and are dependent upon the context in which they occur. The repetitive format of ritual activities can trigger and help…

  • Changing Aspects of Women's Initiation in Southern Africa

    B Jules-Rosette•ARTICLE•Canadian Journal of African…•1980•Citada por: 8

    L'impact de l'initiation féminine a visiblement diminué dans les villes de l'Afrique du Sud. Mes récentes recherches à Lusaka (Zambie) ont cependant montré que ce déclin est apparent. Il masque la modification symbolique des rites et assure leur adaptation au milieu urbain. Le chisungu, rite bemba initiant les jeunes femmes aux responsabilités de mariage et de vie adulte, a été abrégé de trois ans à trois jours. Actuellement, il précède directeme…

Sociology (48 obras) · Philosophy (33 obras) · History (32 obras) · Art (31 obras) · Political science (27 obras) · African history and culture studies (19 obras) · Anthropology (19 obras) · Geography (18 obras) · History (16 obras) · Computer Science (14 obras)

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