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James Littlejohn

Biographic Data

ID246278
NAMEJames Littlejohn
GIVEN NAMESJames
FAMILY NAMELittlejohn
SIGNATURELITTLEJOHN J
AFFILIATIONSRandolph–Macon College
ORCID0000-0002-3628-8523
VERIFIEDYes
TOTAL WORKS27
TOTAL CITATIONS56
AUTHOR COUNT27
EDITOR COUNT0
FIRST PUBLICATION YEAR1961
LATEST PUBLICATION YEAR2026
H-INDEX4
  • Thrillers, Chillers, and Killers

    James Littlejohn, John Littlejohn•ARTICLE•Historical Journal Of Film Radio…•2026

    With Thrillers, Chillers, and Killers, Frank Krutnik delves into the criminally underexplored world of radio noir. He successfully drags it out of the shadows and demonstrates that it was not a les

  • Slavery, Ancient and Modern

    James Littlejohn•CHAPTER•Social Stratification•2022

  • Social Stratification

    James Littlejohn•BOOK•Social Stratification•2021

    Originally published in 1972, this book aimed to provide the student with a basic understanding of the main theories of social stratification and to acquaint them with current methods of research, with the results from modern research (with emphasis on British research), and with current issues in this field. The first two chapters are concerned with theory and are followed by chapters on slavery and the caste system. These are intended to illust…

  • Sgt. Pepper and the White Album

    James Littlejohn•ARTICLE•Interdisciplinary Literary Studies•2020

    Critics and fans already regarded Sgt. Pepper's Lonely Hearts Club Band as the apotheosis of the album form by the time the Beatles recorded their follow-up LP, the White Album. Always artistically restless, the band were no longer interested in creating the same type of cohesive, thematically unified album as Sgt. Pepper; they had already accomplished that feat and moved on. With the White Album, the Beatles positively shattered any sense of tex…

  • Mad dogs & Englishness

    James Littlejohn, John Littlejohn•ARTICLE•Popular Music & Society•2019

    Mad dogs & Englishness: popular music and English identities." Popular Music and Society, 42(3), pp. 385–386

  • Counting Down the Beatles

    James Littlejohn•ARTICLE•Rock Music Studies•2018

  • Early Blues

    James Littlejohn, John Littlejohn•ARTICLE•Popular Music & Society•2018

    Not only do many blues recordings from the 1920s and early 1930s retain their power and beauty nearly a century later, but they also reveal much about the state of music and the record business at

  • Experiencing the Beatles

    James Littlejohn, John Littlejohn•ARTICLE•Popular Music & Society•2018

    Rowman & Littlefield’s A Listener’s Companion series has released a wide variety of books since its debut in 2013, with dozens of volumes on topics ranging from film music to Bessie Smith to Carl M

  • In Tune

    James Littlejohn, John Littlejohn•ARTICLE•Popular Music & Society•2018

  • Rock, Counterculture and the Avant-Garde, 1966-1970

    James Littlejohn•ARTICLE•Rock Music Studies•2017

    "Rock, Counterculture and the Avant-Garde, 1966-1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era." Rock Music Studies, 4(1), pp. 72–73

  • The Beatles, Sgt. Pepper, and the Summer of Love

    James Littlejohn, John Littlejohn•ARTICLE•Popular Music & Society•2017

    The fiftieth anniversary of Sgt. Pepper’s Lonely Hearts Club Band has led to several mediocre publications taking advantage of this occasion for sales purposes. The Beatles, Sgt. Pepper, and the Su

  • Wenn eine Band lange Zeit lebt

    James Littlejohn, John Littlejohn•ARTICLE•German Politics & Society•2017

    This article examines the rise of the East German rock band the Puhdys, focusing primarily on the songs collected in their eponymous first album. Such an examination provides a long overdue reappraisal of the Puhdys' early years, establishing not only that they benefitted from fortuitous timing, but also that their early music and lyrics conveyed sophisticated multivalent messages that helped them reach a youthful rock audience without running af…

  • Definitely Maybe

    James Littlejohn•ARTICLE•Rock Music Studies•2016

  • Forging a New Link

    Open Access•James Littlejohn, John Littlejohn•ARTICLE•German Life and Letters•2012

    Lola rennt ranks high on any list of famous post‐Reunification German films. Several scholars and journalists have noted the great number of references Lola rennt makes to earlier cinema, for instance the works of Wenders or Hitchcock. The present article examines the film's allusions to the cinema of Krzysztof Kieślowski, Jean‐Luc Godard and Fritz Lang. This examination uncovers a chain of references between these three directors whose centrepoi…

  • Rammstein and Ostalgie

    James Littlejohn, John T Littlejohn et al.•ARTICLE•Popular Music & Society•2010•Cited by: 3•References: 1

    Ostalgie, former East Germans' desire for the time before German reunification, has played a growing part in the lives of citizens of the former German Democratic Republic (GDR). This article examines whether and to what extent this theme is present in the works of Rammstein, the world-famous German band whose members all grew up in the GDR. Our analysis reveals the thematic prominence of Ostalgie in this band's works, and further that this theme…

  • Kraftwerk

    James Littlejohn, John T Littlejohn•ARTICLE•Popular Music & Society•2009•Cited by: 1•References: 3

    This article examines lyrics and language(s) in the music of the German electronic band Kraftwerk. This group started out in the Krautrock wave of the early 1970s and proceeded to produce some of the most influential music of the late 20th century. An examination of this material uncovers surprising depths in many of Kraftwerk's lyrics, while it further reveals that the group significantly altered its art in an attempt to retain the international…

  • National Socialism with Fler? German Hip Hop from the Right

    Michael T Putnam, James Littlejohn et al.•ARTICLE•Popular Music & Society•2007•Cited by: 4

    This article examines the recent rise of right‐wing terminology in mainstream German hip‐hop lyrics and the reaction of the German media to these songs. We argue that the inclusion of these controversial lyrics was a deliberate effort on the part of the individual artists to titillate their audiences and ultimately produce revenue. The media soon “took the bait” and became unwilling collaborators in this effort. Here we expose potential reasons f…

  • Maurice Merleau-Ponty

    James Littlejohn, J Schmidt et al.•ARTICLE•Man•1988

  • Allegories of the Wilderness

    James Littlejohn, Michael Jackson et al.•ARTICLE•Man•1985•Cited by: 19

  • Social Stratification

    Robert Chester, James Littlejohn•ARTICLE•British Journal of Sociology•1974

  • Social Stratification

    D Duane Braun, James Littlejohn•ARTICLE•Contemporary Sociology A Journal…•1973

  • Twins, birds, etc

    Open Access•James Littlejohn•ARTICLE•Bijdragen tot de taal- land- en…•1970•Cited by: 2•References: 2

  • Samples from English Cultures

    James Littlejohn, Josephine Klein•ARTICLE•Man•1967•Cited by: 2

  • Westrigg

    W M Williams, James Littlejohn•ARTICLE•British Journal of Sociology•1964•Cited by: 3

  • Westrigg

    Emrys Jones, James Littlejohn•ARTICLE•Geographical Journal•1964•Cited by: 18

Next
  • Allegories of the Wilderness

    James Littlejohn, Michael Jackson et al.•ARTICLE•Man•1985•Cited by: 19

  • Westrigg

    Emrys Jones, James Littlejohn•ARTICLE•Geographical Journal•1964•Cited by: 18

  • National Socialism with Fler? German Hip Hop from the Right

    Michael T Putnam, James Littlejohn et al.•ARTICLE•Popular Music & Society•2007•Cited by: 4

    This article examines the recent rise of right‐wing terminology in mainstream German hip‐hop lyrics and the reaction of the German media to these songs. We argue that the inclusion of these controversial lyrics was a deliberate effort on the part of the individual artists to titillate their audiences and ultimately produce revenue. The media soon “took the bait” and became unwilling collaborators in this effort. Here we expose potential reasons f…

  • Westrigg

    Harold F Kaufman, James Littlejohn•ARTICLE•American Sociological Review•1964•Cited by: 4

  • Rammstein and Ostalgie

    James Littlejohn, John T Littlejohn et al.•ARTICLE•Popular Music & Society•2010•Cited by: 3•References: 1

    Ostalgie, former East Germans' desire for the time before German reunification, has played a growing part in the lives of citizens of the former German Democratic Republic (GDR). This article examines whether and to what extent this theme is present in the works of Rammstein, the world-famous German band whose members all grew up in the GDR. Our analysis reveals the thematic prominence of Ostalgie in this band's works, and further that this theme…

  • Westrigg

    W M Williams, James Littlejohn•ARTICLE•British Journal of Sociology•1964•Cited by: 3

  • Twins, birds, etc

    Open Access•James Littlejohn•ARTICLE•Bijdragen tot de taal- land- en…•1970•Cited by: 2•References: 2

  • Samples from English Cultures

    James Littlejohn, Josephine Klein•ARTICLE•Man•1967•Cited by: 2

  • Kraftwerk

    James Littlejohn, John T Littlejohn•ARTICLE•Popular Music & Society•2009•Cited by: 1•References: 3

    This article examines lyrics and language(s) in the music of the German electronic band Kraftwerk. This group started out in the Krautrock wave of the early 1970s and proceeded to produce some of the most influential music of the late 20th century. An examination of this material uncovers surprising depths in many of Kraftwerk's lyrics, while it further reveals that the group significantly altered its art in an attempt to retain the international…

  • Industrialization Study in Sierra Leone

    Open Access•James Littlejohn, David Gamble et al.•ARTICLE•Africa•1961

    An abstract is not available for this content so a preview has been provided. As you have access to this content, a full PDF is available via the ‘Save PDF’ action button

  • Westrigg

    W M Williams, James Littlejohn•ARTICLE•British Journal of Sociology•1964•Cited by: 3

  • Westrigg

    Emrys Jones, James Littlejohn•ARTICLE•Geographical Journal•1964•Cited by: 18

  • Westrigg

    Harold F Kaufman, James Littlejohn•ARTICLE•American Sociological Review•1964•Cited by: 4

  • Samples from English Cultures

    James Littlejohn, Josephine Klein•ARTICLE•Man•1967•Cited by: 2

  • Twins, birds, etc

    Open Access•James Littlejohn•ARTICLE•Bijdragen tot de taal- land- en…•1970•Cited by: 2•References: 2

  • Social Stratification

    D Duane Braun, James Littlejohn•ARTICLE•Contemporary Sociology A Journal…•1973

  • Social Stratification

    Robert Chester, James Littlejohn•ARTICLE•British Journal of Sociology•1974

  • Allegories of the Wilderness

    James Littlejohn, Michael Jackson et al.•ARTICLE•Man•1985•Cited by: 19

  • Maurice Merleau-Ponty

    James Littlejohn, J Schmidt et al.•ARTICLE•Man•1988

  • National Socialism with Fler? German Hip Hop from the Right

    Michael T Putnam, James Littlejohn et al.•ARTICLE•Popular Music & Society•2007•Cited by: 4

    This article examines the recent rise of right‐wing terminology in mainstream German hip‐hop lyrics and the reaction of the German media to these songs. We argue that the inclusion of these controversial lyrics was a deliberate effort on the part of the individual artists to titillate their audiences and ultimately produce revenue. The media soon “took the bait” and became unwilling collaborators in this effort. Here we expose potential reasons f…

  • Kraftwerk

    James Littlejohn, John T Littlejohn•ARTICLE•Popular Music & Society•2009•Cited by: 1•References: 3

    This article examines lyrics and language(s) in the music of the German electronic band Kraftwerk. This group started out in the Krautrock wave of the early 1970s and proceeded to produce some of the most influential music of the late 20th century. An examination of this material uncovers surprising depths in many of Kraftwerk's lyrics, while it further reveals that the group significantly altered its art in an attempt to retain the international…

  • Rammstein and Ostalgie

    James Littlejohn, John T Littlejohn et al.•ARTICLE•Popular Music & Society•2010•Cited by: 3•References: 1

    Ostalgie, former East Germans' desire for the time before German reunification, has played a growing part in the lives of citizens of the former German Democratic Republic (GDR). This article examines whether and to what extent this theme is present in the works of Rammstein, the world-famous German band whose members all grew up in the GDR. Our analysis reveals the thematic prominence of Ostalgie in this band's works, and further that this theme…

  • Forging a New Link

    Open Access•James Littlejohn, John Littlejohn•ARTICLE•German Life and Letters•2012

    Lola rennt ranks high on any list of famous post‐Reunification German films. Several scholars and journalists have noted the great number of references Lola rennt makes to earlier cinema, for instance the works of Wenders or Hitchcock. The present article examines the film's allusions to the cinema of Krzysztof Kieślowski, Jean‐Luc Godard and Fritz Lang. This examination uncovers a chain of references between these three directors whose centrepoi…

  • Definitely Maybe

    James Littlejohn•ARTICLE•Rock Music Studies•2016

  • Rock, Counterculture and the Avant-Garde, 1966-1970

    James Littlejohn•ARTICLE•Rock Music Studies•2017

    "Rock, Counterculture and the Avant-Garde, 1966-1970: How the Beatles, Frank Zappa and the Velvet Underground Defined an Era." Rock Music Studies, 4(1), pp. 72–73

  • The Beatles, Sgt. Pepper, and the Summer of Love

    James Littlejohn, John Littlejohn•ARTICLE•Popular Music & Society•2017

    The fiftieth anniversary of Sgt. Pepper’s Lonely Hearts Club Band has led to several mediocre publications taking advantage of this occasion for sales purposes. The Beatles, Sgt. Pepper, and the Su

  • Wenn eine Band lange Zeit lebt

    James Littlejohn, John Littlejohn•ARTICLE•German Politics & Society•2017

    This article examines the rise of the East German rock band the Puhdys, focusing primarily on the songs collected in their eponymous first album. Such an examination provides a long overdue reappraisal of the Puhdys' early years, establishing not only that they benefitted from fortuitous timing, but also that their early music and lyrics conveyed sophisticated multivalent messages that helped them reach a youthful rock audience without running af…

  • Counting Down the Beatles

    James Littlejohn•ARTICLE•Rock Music Studies•2018

  • Early Blues

    James Littlejohn, John Littlejohn•ARTICLE•Popular Music & Society•2018

    Not only do many blues recordings from the 1920s and early 1930s retain their power and beauty nearly a century later, but they also reveal much about the state of music and the record business at

  • Experiencing the Beatles

    James Littlejohn, John Littlejohn•ARTICLE•Popular Music & Society•2018

    Rowman & Littlefield’s A Listener’s Companion series has released a wide variety of books since its debut in 2013, with dozens of volumes on topics ranging from film music to Bessie Smith to Carl M

  • In Tune

    James Littlejohn, John Littlejohn•ARTICLE•Popular Music & Society•2018

  • Mad dogs & Englishness

    James Littlejohn, John Littlejohn•ARTICLE•Popular Music & Society•2019

    Mad dogs & Englishness: popular music and English identities." Popular Music and Society, 42(3), pp. 385–386

  • Sgt. Pepper and the White Album

    James Littlejohn•ARTICLE•Interdisciplinary Literary Studies•2020

    Critics and fans already regarded Sgt. Pepper's Lonely Hearts Club Band as the apotheosis of the album form by the time the Beatles recorded their follow-up LP, the White Album. Always artistically restless, the band were no longer interested in creating the same type of cohesive, thematically unified album as Sgt. Pepper; they had already accomplished that feat and moved on. With the White Album, the Beatles positively shattered any sense of tex…

  • Social Stratification

    James Littlejohn•BOOK•Social Stratification•2021

    Originally published in 1972, this book aimed to provide the student with a basic understanding of the main theories of social stratification and to acquaint them with current methods of research, with the results from modern research (with emphasis on British research), and with current issues in this field. The first two chapters are concerned with theory and are followed by chapters on slavery and the caste system. These are intended to illust…

Art (15 works) · Sociology (12 works) · Music History and Culture (8 works) · Art history (7 works) · Biology (6 works) · History (6 works) · Literature (6 works) · Musicology and Musical Analysis (5 works) · Philosophy (5 works) · Philosophy (5 works)

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