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Sylvie Pflieger

Biographic Data

ID2468123
NAMESylvie Pflieger
GIVEN NAMESSylvie
FAMILY NAMEPflieger
SIGNATUREPFLIEGER S
AFFILIATIONSMinistère de la Culture
VERIFIEDNo
TOTAL WORKS6
TOTAL CITATIONS8
WORKS AS AUTHOR6
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1988
LATEST PUBLICATION YEAR2021
H-INDEX1
  • Le spectacle vivant à l’aune de la privation culturelle

    Sylvie Pflieger, Yanita Andonova•ARTICLE•L Observatoire•2021

    International audience

  • The future of the museum in the twenty-first century

    Xavier Greffe, Anne Krebs et al.•ARTICLE•Museum Management and Curatorship•2017•Cited by: 7•References: 4

    The vast majority of public funded museums are suffering severe and continuous declining resources. But we can wonder whether the economic crisis explanation is the sole credible culprit or if the current situation reveals a more fundamental disequilibrium. The traditional tripartite basis of the museum – the collection itself, its educational function, and the professionalisation of competences – is increasingly destabilised, and an increasing n…

  • Financing the Arts in France 1

    Open Access•Sylvie Pflieger•ARTICLE•European Journal of Cultural…•2013

    France is known as being the country of cultural interventionism. This paper tries to detail sources of funding for the arts and heritage in France coming from the State, local authorities but also companies and households, showing that the part of the State is not the largest one. Nonetheless, it is vital for cultural institutions to rely on this public funding as it can be considered as a lever for other funding. And despite the official reassu…

  • Augustin Girard (1926-2009)

    Sylvie Pflieger•ARTICLE•Hermès•2010•Cited by: 1

  • Culture and Local Development

    Sylvie Pflieger, OECD OECD et al.•BOOK•Local Economic And Employment…•2005

    This publication highlights the impact of culture on local economies and the methodological issues related to its identification. In particular, the book demonstrates that the contemporary contribution of culture to economic development is not only limited to attracting tourists, but that it increasingly acts as a catalyst for other activities to further develop through territorial clusters. It also demonstrates the power of culture as a tool f…

  • Crise et mutation du monde musical

    Danielle Grignon-Goasguen, Alain Le Diberder et al.•ARTICLE•Revue de musicologie•1988

  • The future of the museum in the twenty-first century

    Xavier Greffe, Anne Krebs et al.•ARTICLE•Museum Management and Curatorship•2017•Cited by: 7•References: 4

    The vast majority of public funded museums are suffering severe and continuous declining resources. But we can wonder whether the economic crisis explanation is the sole credible culprit or if the current situation reveals a more fundamental disequilibrium. The traditional tripartite basis of the museum – the collection itself, its educational function, and the professionalisation of competences – is increasingly destabilised, and an increasing n…

  • Augustin Girard (1926-2009)

    Sylvie Pflieger•ARTICLE•Hermès•2010•Cited by: 1

  • Crise et mutation du monde musical

    Danielle Grignon-Goasguen, Alain Le Diberder et al.•ARTICLE•Revue de musicologie•1988

  • Culture and Local Development

    Sylvie Pflieger, OECD OECD et al.•BOOK•Local Economic And Employment…•2005

    This publication highlights the impact of culture on local economies and the methodological issues related to its identification. In particular, the book demonstrates that the contemporary contribution of culture to economic development is not only limited to attracting tourists, but that it increasingly acts as a catalyst for other activities to further develop through territorial clusters. It also demonstrates the power of culture as a tool f…

  • Augustin Girard (1926-2009)

    Sylvie Pflieger•ARTICLE•Hermès•2010•Cited by: 1

  • Financing the Arts in France 1

    Open Access•Sylvie Pflieger•ARTICLE•European Journal of Cultural…•2013

    France is known as being the country of cultural interventionism. This paper tries to detail sources of funding for the arts and heritage in France coming from the State, local authorities but also companies and households, showing that the part of the State is not the largest one. Nonetheless, it is vital for cultural institutions to rely on this public funding as it can be considered as a lever for other funding. And despite the official reassu…

  • The future of the museum in the twenty-first century

    Xavier Greffe, Anne Krebs et al.•ARTICLE•Museum Management and Curatorship•2017•Cited by: 7•References: 4

    The vast majority of public funded museums are suffering severe and continuous declining resources. But we can wonder whether the economic crisis explanation is the sole credible culprit or if the current situation reveals a more fundamental disequilibrium. The traditional tripartite basis of the museum – the collection itself, its educational function, and the professionalisation of competences – is increasingly destabilised, and an increasing n…

  • Le spectacle vivant à l’aune de la privation culturelle

    Sylvie Pflieger, Yanita Andonova•ARTICLE•L Observatoire•2021

    International audience

Art (3 works) · Cultural Industries and Urban Development (3 works) · Political science (3 works) · Sociology (3 works) · Cultural heritage (2 works) · Cultural Identity and Heritage (2 works) · Law (2 works) · Visual arts (2 works) · Art History and Market Analysis (1 work) · Augustinian Studies and Theology (1 work)

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