Brian Torode
Biographic Data
| ID | 247368 |
|---|---|
| NAME | Brian Torode |
| GIVEN NAMES | Brian |
| FAMILY NAME | Torode |
| SIGNATURE | TORODE B |
| AFFILIATIONS | Trinity College Dublin |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 8 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1981 |
| LATEST PUBLICATION YEAR | 2006 |
| H-INDEX | 2 |
Conversation Analysis and Discourse Analysis
Narrative Analysis Using Code-a-Text
Text and Talk as Social Practice
Pity Peggy Sue
The sociologist Simon Frith identifies rock and roll as a hybrid music, which emerged in the American South of the mid-1950s as a grafting of puritanical 'white' country and western lyrics on to sexually explicit 'black' blues rhythms. While acknowledging cross-fertilisation between black and white music 'since at least the middle of the nineteenth century', he states that since the Second World War,It is as dance music that black music has devel…
Shorter Notices
The Material World
The Material Word
I Introduction: the language of mastery 1. Interrupting the 'I' 2. Language and ideology in Althuser II The limits of language 3. Wittgenstein's two languages 4. Kafka: the poet of black and white III Language and thought 5. Husserl's two phenomenolgies 6. Heidegger: from letters to being, or from being to letters? IV LAnguage and society 7. The essentialism of ethnomethodology 8. Codes in conversation: the speech of Bernstein and Labdov V The pr…
Language as Ideology
Subculture
The Material Word
The Material Word
I Introduction: the language of mastery 1. Interrupting the 'I' 2. Language and ideology in Althuser II The limits of language 3. Wittgenstein's two languages 4. Kafka: the poet of black and white III Language and thought 5. Husserl's two phenomenolgies 6. Heidegger: from letters to being, or from being to letters? IV LAnguage and society 7. The essentialism of ethnomethodology 8. Codes in conversation: the speech of Bernstein and Labdov V The pr…
Pity Peggy Sue
The sociologist Simon Frith identifies rock and roll as a hybrid music, which emerged in the American South of the mid-1950s as a grafting of puritanical 'white' country and western lyrics on to sexually explicit 'black' blues rhythms. While acknowledging cross-fertilisation between black and white music 'since at least the middle of the nineteenth century', he states that since the Second World War,It is as dance music that black music has devel…
The Material Word
I Introduction: the language of mastery 1. Interrupting the 'I' 2. Language and ideology in Althuser II The limits of language 3. Wittgenstein's two languages 4. Kafka: the poet of black and white III Language and thought 5. Husserl's two phenomenolgies 6. Heidegger: from letters to being, or from being to letters? IV LAnguage and society 7. The essentialism of ethnomethodology 8. Codes in conversation: the speech of Bernstein and Labdov V The pr…
Language as Ideology
Subculture
The Material Word
The Material World
Shorter Notices
Pity Peggy Sue
The sociologist Simon Frith identifies rock and roll as a hybrid music, which emerged in the American South of the mid-1950s as a grafting of puritanical 'white' country and western lyrics on to sexually explicit 'black' blues rhythms. While acknowledging cross-fertilisation between black and white music 'since at least the middle of the nineteenth century', he states that since the Second World War,It is as dance music that black music has devel…
Text and Talk as Social Practice
Narrative Analysis Using Code-a-Text
Conversation Analysis and Discourse Analysis
Philosophy (9 works) · Sociology (8 works) · Linguistics (7 works) · Philosophy (5 works) · Epistemology (4 works) · Psychology (4 works) · Language, Discourse, Communication Strategies (3 works) · Art (2 works) · Computer Science (2 works) · Discourse Analysis in Language Studies (2 works)