Chikako Nagayama
Biographic Data
| ID | 247933 |
|---|---|
| NAME | Chikako Nagayama |
| GIVEN NAMES | Chikako |
| FAMILY NAME | Nagayama |
| SIGNATURE | NAGAYAMA C |
| AFFILIATIONS | Nagoya University |
| ORCID | 0009-0007-0356-2446 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2009 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
Go Panda Go
This article examines the invention and exhibitions of the panda circus to explore the political, economic, and cultural influence of the giant panda on China–Japan diplomacy and the transnational cultural economy. Using oral history interviews and archival materials, the authors explain how, in 1981, a giant panda named Wei Wei became China’s first panda entertainer in Japan, embarking on a cross-country tour supported by friendship-city agreeme…
Women's Desire, Heterosexual Norms and Transnational Feminism
Japanese mainstream media have stereotyped Japanese Hallyu fans as "middle-aged," asexual and unhappy women. A right-wing backlash since 2012 further made them targets of xenophobic as well as sexist attacks. After socio-historically contextualizing this constructed fan image, this article probes Kitahara Minori's Good-bye Hallyu to ask, "if Hallyu has empowered the audience, how has it done so
Race as technology and blurred national boundaries in Japanese imperialism
This article critically engages with the politics of the gaze and the melodramatic mode in Nessa no chikai/Vow in the Desert (Watanabe, 1940). Staged in the Chinese mainland during the Seco
The Flux of Domesticity and the Exotic in a Wartime Melodrama
No prominent works on this page.
The Flux of Domesticity and the Exotic in a Wartime Melodrama
Race as technology and blurred national boundaries in Japanese imperialism
This article critically engages with the politics of the gaze and the melodramatic mode in Nessa no chikai/Vow in the Desert (Watanabe, 1940). Staged in the Chinese mainland during the Seco
Women's Desire, Heterosexual Norms and Transnational Feminism
Japanese mainstream media have stereotyped Japanese Hallyu fans as "middle-aged," asexual and unhappy women. A right-wing backlash since 2012 further made them targets of xenophobic as well as sexist attacks. After socio-historically contextualizing this constructed fan image, this article probes Kitahara Minori's Good-bye Hallyu to ask, "if Hallyu has empowered the audience, how has it done so
Go Panda Go
This article examines the invention and exhibitions of the panda circus to explore the political, economic, and cultural influence of the giant panda on China–Japan diplomacy and the transnational cultural economy. Using oral history interviews and archival materials, the authors explain how, in 1981, a giant panda named Wei Wei became China’s first panda entertainer in Japan, embarking on a cross-country tour supported by friendship-city agreeme…
Japanese History and Culture (4 works) · Art (3 works) · Asian Culture and Media Studies (3 works) · Gender Studies (3 works) · Political science (3 works) · Sociology (3 works) · Hong Kong and Taiwan Politics (2 works) · Law (2 works) · Agency (philosophy) (1 works) · Anime (1 works)