Flávio Luiz Schiavoni
Biographic Data
| ID | 2487520 |
|---|---|
| NAME | Flávio Luiz Schiavoni |
| GIVEN NAMES | Flávio Luiz |
| FAMILY NAME | Schiavoni |
| SIGNATURE | SCHIAVONI F L |
| AFFILIATIONS | Federal University of São João del-Rei |
| ORCID | 0000-0002-0703-3089 |
| VERIFIED | Yes |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 1 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2018 |
| LATEST PUBLICATION YEAR | 2022 |
| H-INDEX | 1 |
A Ação De Atitude Transdisciplinar E De Criatividade Coletiva No Espetáculo Performático Chaos Das 5
A discussão das artes pode atualmente permear outras áreas para além da discussão estética e ser incorporada por exemplo, na sustentabilidade. Esta abertura do campo parte de um conceito revisitado do que significa sustentabilidade e nos leva para uma discussão de transdisciplinaridade como forma de ampliar o espaço das artes e suas relações interartes. É diante deste cenário que apresentamos a obra performática Chaos da 5 que conta com a partici…
Using game theory to support the audience participation in digital performances
Public participation in art performances has been leveraged by the use of technology as a mediating element between the public and artists. However, technological mediation alone may not be enough to ensure effective auditory participation. In this article, we present the performance “ O Chaos das 5 ”, an audiovisual digital performance with a strong technological support that had the support of game theory to achieve a more effective participati…
Ubiquitous music
This special volume features a selection of proposals that prompted positive and extensive discussions within the context of the Ubiquitous Music Workshop held at the Federal University of São João del Rei, MG, Brazil. In its eighth edition and featuring contributions from a host of international participants, this event provided a demonstration of the various approaches that characterise the research and practice of the ubimus field. In addition…
Interaction and collaboration in computer music using computer networks
Networked musical performance, telematic concerts and laptop orchestras are a common sense about how music can be done over computer networks. This type of musical performances using computer networks are valuable and interesting but still strongly attached with western classical music tradition. This article presents another perspective of interaction and collaboration in computer music using networks: the ubimus perspective. Three installations…
Web sonification with synesthesia tools
In this paper, we present an investigation on sonification of web pages involving three media: HTML struc- ture, page text and images. In our approach, HTML pages are read as musical scores; text elements are also read as musical scores following the idea present in notation systems like ABC; and images are read as wave files. We deve- loped a set of tools for website sonification which can be used to explore musical creativity and to create new …
Mosaicode and the visual programming of web application for music and multimedia
The development of audio application demands a high knowledge about this application domain, traditional program- ming logic and programming languages. It is possible to use a Visual Programming Language to ease the application development, including experimentations and creative exploration of the language. In this paper we present a Visual Programming Environment to create Web Audio applications, called Mosaicode. Different from other audio cre…
Orchidea - Os meta-instrumentos da Orquestra de Ideias
A prática musical coletiva por meio de dispositivos computacionais ocorre em grupos de música contemporânea, orquestras de computadores portáteis e também das orquestras de telefones celulares. Tais grupos musicais envolvem tecnologia e criação musical no desenvolvimento de seus meta-instrumentos e também na concepção de suas peças musicais. Este artigo apresenta a criação da Orchidea, uma orquestra de ideias, e a criação de dois conjuntos de ins…
Web sonification with synesthesia tools
In this paper, we present an investigation on sonification of web pages involving three media: HTML struc- ture, page text and images. In our approach, HTML pages are read as musical scores; text elements are also read as musical scores following the idea present in notation systems like ABC; and images are read as wave files. We deve- loped a set of tools for website sonification which can be used to explore musical creativity and to create new …
Web sonification with synesthesia tools
In this paper, we present an investigation on sonification of web pages involving three media: HTML struc- ture, page text and images. In our approach, HTML pages are read as musical scores; text elements are also read as musical scores following the idea present in notation systems like ABC; and images are read as wave files. We deve- loped a set of tools for website sonification which can be used to explore musical creativity and to create new …
Mosaicode and the visual programming of web application for music and multimedia
The development of audio application demands a high knowledge about this application domain, traditional program- ming logic and programming languages. It is possible to use a Visual Programming Language to ease the application development, including experimentations and creative exploration of the language. In this paper we present a Visual Programming Environment to create Web Audio applications, called Mosaicode. Different from other audio cre…
Orchidea - Os meta-instrumentos da Orquestra de Ideias
A prática musical coletiva por meio de dispositivos computacionais ocorre em grupos de música contemporânea, orquestras de computadores portáteis e também das orquestras de telefones celulares. Tais grupos musicais envolvem tecnologia e criação musical no desenvolvimento de seus meta-instrumentos e também na concepção de suas peças musicais. Este artigo apresenta a criação da Orchidea, uma orquestra de ideias, e a criação de dois conjuntos de ins…
Ubiquitous music
This special volume features a selection of proposals that prompted positive and extensive discussions within the context of the Ubiquitous Music Workshop held at the Federal University of São João del Rei, MG, Brazil. In its eighth edition and featuring contributions from a host of international participants, this event provided a demonstration of the various approaches that characterise the research and practice of the ubimus field. In addition…
Interaction and collaboration in computer music using computer networks
Networked musical performance, telematic concerts and laptop orchestras are a common sense about how music can be done over computer networks. This type of musical performances using computer networks are valuable and interesting but still strongly attached with western classical music tradition. This article presents another perspective of interaction and collaboration in computer music using networks: the ubimus perspective. Three installations…
Using game theory to support the audience participation in digital performances
Public participation in art performances has been leveraged by the use of technology as a mediating element between the public and artists. However, technological mediation alone may not be enough to ensure effective auditory participation. In this article, we present the performance “ O Chaos das 5 ”, an audiovisual digital performance with a strong technological support that had the support of game theory to achieve a more effective participati…
A Ação De Atitude Transdisciplinar E De Criatividade Coletiva No Espetáculo Performático Chaos Das 5
A discussão das artes pode atualmente permear outras áreas para além da discussão estética e ser incorporada por exemplo, na sustentabilidade. Esta abertura do campo parte de um conceito revisitado do que significa sustentabilidade e nos leva para uma discussão de transdisciplinaridade como forma de ampliar o espaço das artes e suas relações interartes. É diante deste cenário que apresentamos a obra performática Chaos da 5 que conta com a partici…
Music Technology and Sound Studies (6 works) · Computer Science (5 works) · Interactive and Immersive Displays (4 works) · Multimedia (4 works) · Human–computer interaction (3 works) · Multimedia Communication and Technology (3 works) · Art (2 works) · Innovative Human-Technology Interaction (2 works) · Musical (2 works) · Political science (2 works)