François Hugonnier
Biographic Data
| ID | 2512364 |
|---|---|
| NAME | François Hugonnier |
| GIVEN NAMES | François |
| FAMILY NAME | Hugonnier |
| SIGNATURE | HUGONNIER F |
| AFFILIATIONS | American College of Financial Services |
| VERIFIED | No |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2013 |
| LATEST PUBLICATION YEAR | 2026 |
| H-INDEX | 0 |
“We have to be open to the future”
Cet essai évoque les œuvres autobiographiques d’Auster, en particulier Report from the Interior, et propose de lire ce dernier comme un précurseur du long roman 4 3 2 1 paru récemment. Je propose ainsi de voir chez Auster un modèle d’auteur juif américain différent de ceux qui l’ont précédé et explique en quoi cette différence complique sa place dans la littérature américaine contemporaine
“The Most Important Sentence in a Book is the First Sentence”
International audience
“According to Family Legend”
Le sens naît dans la musique des mots, et la première phrase donne le ton. Paul Auster parlait de son ouvrage tardif 4 3 2 1 (2017) comme d’une composition musicale, c’est pourquoi cet essai est dédié à son ouverture magistrale. Ce livre gigantesque équivaut à quatre romans en un. Il relate quatre vies possibles d’un seul personnage, Archie Ferguson ; cependant, ce quadruple récit contient de nombreux épisodes plus courts. Cet article se concentr…
Réception et traduction de l’œuvre de Paul Auster en France
Cet essai évoque les œuvres autobiographiques d’Auster, en particulier Report from the Interior, et propose de lire ce dernier comme un précurseur du long roman 4 3 2 1 paru récemment. Je propose ainsi de voir chez Auster un modèle d’auteur juif américain différent de ceux qui l’ont précédé et explique en quoi cette différence complique sa place dans la littérature américaine contemporaine
Stefanie Weymann-Teschke
Interview with Paul Auster
Paul Auster kindly agreed to comment on some of the perspectives offered in the essays included in the issue of LISA e-journal during an interview conducted by I. B. Siegumfeldt and François Hugonnier at his home in Brooklyn on 14th November 2019. • I. B. SIEGUMFELDT: When you had finished 4 3 2 1, you said to me that you felt freer writing this massive narrative than ever before, that you had liberated yourself from a certain type of sentence an…
New Avenues in Paul Auster’s Twenty-First Century Work
Paul Auster has been a prolific writer of poetry, memoir, essays and novels since the 1970s. The Invention of Solitude (1982) bears traits of all four modes of writing and marks the transition to a composite universe of narrative prose which has mesmerized and challenged ever increasing numbers of readers across the world. In 1985, he made his mark on the international literary scene with The New York Trilogy, an innovative work of art drawing on…
Paul Auster’s Post-9/11 Writing
Paul Auster’s writing testifies to the events of 9/11 in unexpected ways, through silence, repetition and obliqueness. This essay sets out to explore Paul Auster’s various responses to the terrorist attacks, found in his works of fiction and nonfiction, in order to unveil their complex connections with world history and representation. This discussion encompasses Auster’s 21st century writing as well as his early work as a poet and essayist in or…
Reassessing Modernisms in Light of Jerome Rothenberg's Work
More than moments in history, the complex terms “modernism” and “modernity” need reassessing. Therefore, by using Rothenberg’s work as a point of departure for a wider reassessment of modernisms, this paper aims at revisiting not only 1914-1945 avant-garde American poetry, but also earlier and later international outputs (including performance, magic, ritual, oral, and outsider poetry). Embracing folklore and turning away from epic poetry, Rothen…
Vat am I doink here ? »
L'artiste faussaire et la création du réel
Since his debut as a poet, Paul Auster has pursued his metaphysical investigations in a semiotic world where signs are everywhere to be read, where doubts about authenticity and forgery are ubiquitous. In The Brooklyn Follies (2005), the multiplicity of originals and facsimiles, the silence/speech duality and the architectural metaphors lead to the final vision of the attacks on the World Trade Center. As the reminiscences of the confusio linguar…
No prominent works on this page.
L'artiste faussaire et la création du réel
Since his debut as a poet, Paul Auster has pursued his metaphysical investigations in a semiotic world where signs are everywhere to be read, where doubts about authenticity and forgery are ubiquitous. In The Brooklyn Follies (2005), the multiplicity of originals and facsimiles, the silence/speech duality and the architectural metaphors lead to the final vision of the attacks on the World Trade Center. As the reminiscences of the confusio linguar…
Vat am I doink here ? »
Reassessing Modernisms in Light of Jerome Rothenberg's Work
More than moments in history, the complex terms “modernism” and “modernity” need reassessing. Therefore, by using Rothenberg’s work as a point of departure for a wider reassessment of modernisms, this paper aims at revisiting not only 1914-1945 avant-garde American poetry, but also earlier and later international outputs (including performance, magic, ritual, oral, and outsider poetry). Embracing folklore and turning away from epic poetry, Rothen…
Interview with Paul Auster
Paul Auster kindly agreed to comment on some of the perspectives offered in the essays included in the issue of LISA e-journal during an interview conducted by I. B. Siegumfeldt and François Hugonnier at his home in Brooklyn on 14th November 2019. • I. B. SIEGUMFELDT: When you had finished 4 3 2 1, you said to me that you felt freer writing this massive narrative than ever before, that you had liberated yourself from a certain type of sentence an…
New Avenues in Paul Auster’s Twenty-First Century Work
Paul Auster has been a prolific writer of poetry, memoir, essays and novels since the 1970s. The Invention of Solitude (1982) bears traits of all four modes of writing and marks the transition to a composite universe of narrative prose which has mesmerized and challenged ever increasing numbers of readers across the world. In 1985, he made his mark on the international literary scene with The New York Trilogy, an innovative work of art drawing on…
Paul Auster’s Post-9/11 Writing
Paul Auster’s writing testifies to the events of 9/11 in unexpected ways, through silence, repetition and obliqueness. This essay sets out to explore Paul Auster’s various responses to the terrorist attacks, found in his works of fiction and nonfiction, in order to unveil their complex connections with world history and representation. This discussion encompasses Auster’s 21st century writing as well as his early work as a poet and essayist in or…
Stefanie Weymann-Teschke
“We have to be open to the future”
Cet essai évoque les œuvres autobiographiques d’Auster, en particulier Report from the Interior, et propose de lire ce dernier comme un précurseur du long roman 4 3 2 1 paru récemment. Je propose ainsi de voir chez Auster un modèle d’auteur juif américain différent de ceux qui l’ont précédé et explique en quoi cette différence complique sa place dans la littérature américaine contemporaine
“The Most Important Sentence in a Book is the First Sentence”
International audience
“According to Family Legend”
Le sens naît dans la musique des mots, et la première phrase donne le ton. Paul Auster parlait de son ouvrage tardif 4 3 2 1 (2017) comme d’une composition musicale, c’est pourquoi cet essai est dédié à son ouverture magistrale. Ce livre gigantesque équivaut à quatre romans en un. Il relate quatre vies possibles d’un seul personnage, Archie Ferguson ; cependant, ce quadruple récit contient de nombreux épisodes plus courts. Cet article se concentr…
Réception et traduction de l’œuvre de Paul Auster en France
Cet essai évoque les œuvres autobiographiques d’Auster, en particulier Report from the Interior, et propose de lire ce dernier comme un précurseur du long roman 4 3 2 1 paru récemment. Je propose ainsi de voir chez Auster un modèle d’auteur juif américain différent de ceux qui l’ont précédé et explique en quoi cette différence complique sa place dans la littérature américaine contemporaine
Art (5 works) · Literature (4 works) · Narrative (4 works) · Philosophy (4 works) · Art history (3 works) · History (3 works) · Philosophy (3 works) · Aesthetics (2 works) · Linguistics (2 works) · Linguistics and Discourse Analysis (2 works)