Katerina Korola
Biographic Data
| ID | 2515123 |
|---|---|
| NAME | Katerina Korola |
| GIVEN NAMES | Katerina |
| FAMILY NAME | Korola |
| SIGNATURE | KOROLA K |
| AFFILIATIONS | Centre d’histoire sociale des mondes contemporains |
| ORCID | 0000-0002-3042-2330 |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 4 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2025 |
| H-INDEX | 0 |
The New Woman as Ethnographer
In 1926, the German zoologist, photographer, and filmmaker Lola Kreutzberg toured the Indonesian archipelago, gathering material for her now lost film Bali, das Wunderland (Bali, the Isle of Wonders, 1927). Promoted as the “first expedition film directed by a German woman,” the film offered viewers a glimpse of the flora, fauna, and peoples of the celebrated island, then on its way to becoming a tourist destination. This article follows the trace…
« Mondes du calicot »
Cet article examine le rôle majeur qu’a joué la photographie de plateau dans la méthode adoptée par l’Universum Film AG (Ufa) pour présenter au grand public ce que Siegfried Kracauer appelle le « monde du calicot » du studio de cinéma. L’Ufa ne se limite pas à une simple présentation, mais transforme méticuleusement la photographie de plateau en un outil promotionnel destiné à faire du travail de réalisation d’un film un spectacle à part entière.…
The Air of Objectivity
Focusing on Albert Renger-Patzsch's photographs of the Zollverein colliery, this essay investigates the tension between the clarity of Renger-Patzsch's aesthetic and the physical reality of the industrial environment in which he worked. In doing so, it offers an account of New Objectivity photography that is attentive to both the environment from which it emerged and the way in which photography, in turn, acted upon this environment. Placing part…
Blue like the Mediterranean
In the prologue to Walid Raad’s Hostage: The Bachar Tapes (2001), the speaker asks that his words appear against a grey background. Or, he continues after a pause, ‘use a blue background . . . blue just like the Mediterranean’. Beginning with this colourful riddle, this article investigates the work of the monochrome in the Atlas Group Archive. With this attention to the monochrome as a format, the author’s goal is to move away from the categorie…
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Blue like the Mediterranean
In the prologue to Walid Raad’s Hostage: The Bachar Tapes (2001), the speaker asks that his words appear against a grey background. Or, he continues after a pause, ‘use a blue background . . . blue just like the Mediterranean’. Beginning with this colourful riddle, this article investigates the work of the monochrome in the Atlas Group Archive. With this attention to the monochrome as a format, the author’s goal is to move away from the categorie…
The Air of Objectivity
Focusing on Albert Renger-Patzsch's photographs of the Zollverein colliery, this essay investigates the tension between the clarity of Renger-Patzsch's aesthetic and the physical reality of the industrial environment in which he worked. In doing so, it offers an account of New Objectivity photography that is attentive to both the environment from which it emerged and the way in which photography, in turn, acted upon this environment. Placing part…
« Mondes du calicot »
Cet article examine le rôle majeur qu’a joué la photographie de plateau dans la méthode adoptée par l’Universum Film AG (Ufa) pour présenter au grand public ce que Siegfried Kracauer appelle le « monde du calicot » du studio de cinéma. L’Ufa ne se limite pas à une simple présentation, mais transforme méticuleusement la photographie de plateau en un outil promotionnel destiné à faire du travail de réalisation d’un film un spectacle à part entière.…
The New Woman as Ethnographer
In 1926, the German zoologist, photographer, and filmmaker Lola Kreutzberg toured the Indonesian archipelago, gathering material for her now lost film Bali, das Wunderland (Bali, the Isle of Wonders, 1927). Promoted as the “first expedition film directed by a German woman,” the film offered viewers a glimpse of the flora, fauna, and peoples of the celebrated island, then on its way to becoming a tourist destination. This article follows the trace…
Art (4 works) · Photography and Visual Culture (2 works) · Sociology (2 works) · Visual arts (2 works) · Visual Culture and Art Theory (2 works) · Aesthetics (1 work) · Anthropology (1 work) · Art history (1 work) · Artificial Intelligence (1 work) · CLARITY (1 work)