Haley L Osborn
Biographic Data
| ID | 2518385 |
|---|---|
| NAME | Haley L Osborn |
| GIVEN NAMES | Haley L |
| FAMILY NAME | Osborn |
| SIGNATURE | OSBORN H L |
| AFFILIATIONS | Eastern Florida State College |
| VERIFIED | No |
| TOTAL WORKS | 2 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 2 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 0 |
When you say nothing at all
This article scrutinizes the use of the silent gaze and its surrounding context in Costa Rican director Hilda Hidalgo’s film adaptation (2009) of Gabriel García Márquez’s Del amor y otros demonios [‘Of Love and Other Demons’] (1994). Despite similarities in plot from novel to film, Hidalgo’s frequent employment of the silent gaze among the female characters draws from the source text’s lack of dialogue and occasional loose details to create a spa…
Getting Some in Paradise
In this essay, I explore how Laurent Cantet’s Vers le sud (2005), the film adaptation of Dany Laferrière’s short stories, “Vers le sud” (Heading South), “Les Garçons magiques” (The Magic Boys), and “Le bar de la plage” (The Bar by the Beach), hints at an evolution of thought within some Haitian communities. I study the way both versions condemn Haiti’s historical dependence on foreign currency, other nations’ refusal to acknowledge the region as …
No prominent works on this page.
Getting Some in Paradise
In this essay, I explore how Laurent Cantet’s Vers le sud (2005), the film adaptation of Dany Laferrière’s short stories, “Vers le sud” (Heading South), “Les Garçons magiques” (The Magic Boys), and “Le bar de la plage” (The Bar by the Beach), hints at an evolution of thought within some Haitian communities. I study the way both versions condemn Haiti’s historical dependence on foreign currency, other nations’ refusal to acknowledge the region as …
When you say nothing at all
This article scrutinizes the use of the silent gaze and its surrounding context in Costa Rican director Hilda Hidalgo’s film adaptation (2009) of Gabriel García Márquez’s Del amor y otros demonios [‘Of Love and Other Demons’] (1994). Despite similarities in plot from novel to film, Hidalgo’s frequent employment of the silent gaze among the female characters draws from the source text’s lack of dialogue and occasional loose details to create a spa…
Archaeology (2 works) · Art (2 works) · Gender Studies (2 works) · History (2 works) · Humanities (2 works) · Sociology (2 works) · Archetype (1 work) · Caribbean and African Literature and Culture (1 work) · Cuban History and Society (1 work) · Destiny (ISS module (1 work)