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Mark Hustwitt

Biographic Data

ID2525360
NAMEMark Hustwitt
GIVEN NAMESMark
FAMILY NAMEHustwitt
SIGNATUREHUSTWITT M
VERIFIEDNo
TOTAL WORKS2
TOTAL CITATIONS2
WORKS AS AUTHOR2
WORKS AS EDITOR0
FIRST PUBLICATION YEAR1983
LATEST PUBLICATION YEAR1984
H-INDEX1
  • Rocker Boy Blues

    Mark Hustwitt•ARTICLE•Screen•1984

    Journal Article Rocker Boy Blues Get access Mark Hustwitt Mark Hustwitt Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 3, May-June 1984, Pages 89–98, https://doi.org/10.1093/screen/25.3.89 Published: 01 May 1984

  • Caught in a whirlpool of aching sound

    Open Access•Mark Hustwitt•ARTICLE•Popular Music•1983•Cited by: 2•References: 6

    In the years between 1910 and 1930 there occurred a number of changes in the forms of popular music enjoyed in Britain, in the ways this music was produced and disseminated, and in its use for pleasure and profit. In this article I am concerned with mapping together themes which have hitherto been investigated in isolation; I focus on the relation of musical forms to their users, bandleaders, musicians, dancers, 'jazz fans', record companies, etc…

  • Caught in a whirlpool of aching sound

    Open Access•Mark Hustwitt•ARTICLE•Popular Music•1983•Cited by: 2•References: 6

    In the years between 1910 and 1930 there occurred a number of changes in the forms of popular music enjoyed in Britain, in the ways this music was produced and disseminated, and in its use for pleasure and profit. In this article I am concerned with mapping together themes which have hitherto been investigated in isolation; I focus on the relation of musical forms to their users, bandleaders, musicians, dancers, 'jazz fans', record companies, etc…

  • Caught in a whirlpool of aching sound

    Open Access•Mark Hustwitt•ARTICLE•Popular Music•1983•Cited by: 2•References: 6

    In the years between 1910 and 1930 there occurred a number of changes in the forms of popular music enjoyed in Britain, in the ways this music was produced and disseminated, and in its use for pleasure and profit. In this article I am concerned with mapping together themes which have hitherto been investigated in isolation; I focus on the relation of musical forms to their users, bandleaders, musicians, dancers, 'jazz fans', record companies, etc…

  • Rocker Boy Blues

    Mark Hustwitt•ARTICLE•Screen•1984

    Journal Article Rocker Boy Blues Get access Mark Hustwitt Mark Hustwitt Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 25, Issue 3, May-June 1984, Pages 89–98, https://doi.org/10.1093/screen/25.3.89 Published: 01 May 1984

Art (2 works) · Visual arts (2 works) · Art history (1 work) · Blues (1 work) · Cinema and Media Studies (1 work) · Dance (1 work) · Diversity and Impact of Dance (1 work) · Electronic dance music (1 work) · History (1 work) · History (1 work)

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