Juliet Steyn
Biographic Data
| ID | 253034 |
|---|---|
| NAME | Juliet Steyn |
| GIVEN NAMES | Juliet |
| FAMILY NAME | Steyn |
| SIGNATURE | STEYN J |
| AFFILIATIONS | City, University of London |
| VERIFIED | No |
| TOTAL WORKS | 18 |
| TOTAL CITATIONS | 5 |
| AUTHOR COUNT | 17 |
| EDITOR COUNT | 1 |
| FIRST PUBLICATION YEAR | 1991 |
| LATEST PUBLICATION YEAR | 2018 |
| H-INDEX | 1 |
Through a Lens Darkly: Art on the Borderline
My article focuses on migrants, borders and border control in the ideological, political and cultural domains. It considers UK statist attitudes to border control through its representation in The Border Force National Museum, Liverpool; it observes borders disassembling and reassembling in Belgique (2017), a sequence of images by artist Joan Key; finally, it watches as dominant images of migrants are dismantled and reconfigured in the film On th…
Breaching Borders: Art, Migrants and the Metaphor of Waste
As migration is described as a problem, mobility is seen as a goal. In a ‘Europe without Borders’, a place that prides itself on multiculturalism while struggling with racism, two opposing paradigms characterise contemporary discussions surrounding migrants. Breaching Borders: Art, Migrants and the Metaphor of Waste aims to interrogate the familiar debates, evolving new textual and interdisciplinary approaches to European cultural policies and un…
Breaching Borders
Light from the Middle East: New Photography
Roee Rosen: Vile, Evil Veil
Roee Rosen's artistic production over the last twenty years has freely explored writing, drawing, painting, photography and cinema, giving rise to a wide variety and eclectic body of work. The stru
Imagining Jewish Art: Differentiating Difference in the Face of Identity
Forced Journeys: Artists in Exile in Britain c. 1933–45 , Ben Uri Gallery/London Jewish Museum of Art, January 20–April 19, 2009 Forced Journeys: Artists in Exile in Britain c. 1933–45 by Shulamith Be…
Realism versus Realism in British Art of the 1950s
Never, in all its history did mankind so urgently require a Realist literature as it does today, and perhaps never before have the traditions of great Realism been so deeply buried under a rubble o
Reflections on the Balkans: Four Art Projects 1
Where do we situate the Balkans? The question might seem to refer to geography but each definition has political, ideological and social implications that are much more extended and perplexing. The
From whither art futures
Art: Futures of the past
The Cultural Politics of Friendship
Thy Friendship oft has made my heart to ake Do be my Enemy for Friendships sake. Blake 1 Cultural Policy must surely be one of the last grand narratives. In the UK, according to the Minister of C
The Museums' future
Jacob Epstein ‘the Artist who desires to épater ‘ 1
Jacob and the Angel, perhaps Epstein’s most autobiographical of works, was completed in 1941. Jacob is figured as a child caught in the embracing arms of the angel or in a murderous struggle with a
Strong light, dark shadows
Jean Baudrillard: Then We Too Shall See The Stars Fade Away
Rubies and rebels: Or missionary positions
Mods, Yids and foreigners
Mods, Yids and foreigners
Rubies and rebels: Or missionary positions
Jean Baudrillard: Then We Too Shall See The Stars Fade Away
Strong light, dark shadows
Jacob Epstein ‘the Artist who desires to épater ‘ 1
Jacob and the Angel, perhaps Epstein’s most autobiographical of works, was completed in 1941. Jacob is figured as a child caught in the embracing arms of the angel or in a murderous struggle with a
The Museums' future
Reflections on the Balkans: Four Art Projects 1
Where do we situate the Balkans? The question might seem to refer to geography but each definition has political, ideological and social implications that are much more extended and perplexing. The
From whither art futures
Art: Futures of the past
The Cultural Politics of Friendship
Thy Friendship oft has made my heart to ake Do be my Enemy for Friendships sake. Blake 1 Cultural Policy must surely be one of the last grand narratives. In the UK, according to the Minister of C
Realism versus Realism in British Art of the 1950s
Never, in all its history did mankind so urgently require a Realist literature as it does today, and perhaps never before have the traditions of great Realism been so deeply buried under a rubble o
Forced Journeys: Artists in Exile in Britain c. 1933–45 , Ben Uri Gallery/London Jewish Museum of Art, January 20–April 19, 2009 Forced Journeys: Artists in Exile in Britain c. 1933–45 by Shulamith Be…
Imagining Jewish Art: Differentiating Difference in the Face of Identity
Roee Rosen: Vile, Evil Veil
Roee Rosen's artistic production over the last twenty years has freely explored writing, drawing, painting, photography and cinema, giving rise to a wide variety and eclectic body of work. The stru
Light from the Middle East: New Photography
Breaching Borders: Art, Migrants and the Metaphor of Waste
As migration is described as a problem, mobility is seen as a goal. In a ‘Europe without Borders’, a place that prides itself on multiculturalism while struggling with racism, two opposing paradigms characterise contemporary discussions surrounding migrants. Breaching Borders: Art, Migrants and the Metaphor of Waste aims to interrogate the familiar debates, evolving new textual and interdisciplinary approaches to European cultural policies and un…
Breaching Borders
Through a Lens Darkly: Art on the Borderline
My article focuses on migrants, borders and border control in the ideological, political and cultural domains. It considers UK statist attitudes to border control through its representation in The Border Force National Museum, Liverpool; it observes borders disassembling and reassembling in Belgique (2017), a sequence of images by artist Joan Key; finally, it watches as dominant images of migrants are dismantled and reconfigured in the film On th…
Art (13 works) · Aesthetics (8 works) · Political science (7 works) · Art history (6 works) · Law (6 works) · Politics (6 works) · Sociology (6 works) · Law (5 works) · Visual arts (5 works) · History (4 works)