Nancy Moore Goslee
Biographic Data
| ID | 2538725 |
|---|---|
| NAME | Nancy Moore Goslee |
| GIVEN NAMES | Nancy Moore |
| FAMILY NAME | Goslee |
| SIGNATURE | GOSLEE N M |
| AFFILIATIONS | University of Tennessee at Knoxville |
| VERIFIED | No |
| TOTAL WORKS | 7 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 7 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1988 |
| LATEST PUBLICATION YEAR | 2019 |
| H-INDEX | 0 |
Shelley's Oppositional Songs
Analyzing the function of song as a genre can clarify debates over how Shelley’s more visionary mode of poetry might intervene in politics and whether his overtly political popular songs betray the philosophical claim to a revolution in subjectivity made by those visionary works. Because the genre of song originates in communal, oral performance, yet is also a subgenre of the larger category of lyric, its intrinsic oppositions or tensions mediate…
Shelley's Visual Imagination
Shelley's Draft Notebooks
This chapter, which attempts to interpret manuscript evidence from Shelley's draft notebooks, focusing on two works – ‘The Two Spirits’ and Prometheus Unbound – first examines his drafting of the former and traces its relationship to adjacent lyric passages of Act I of the latter. Second, it looks at a lyric duet that develops through several draft notebooks from isolated song into the cosmic dance of a new fourth act for Prometheus.
Shelleyan Eros
In this work William Ulmer boldly advances our understanding of Shelley's concept of love by exploring eros as a figure for the poet's political and artistic aspirations. Applying a combination of deconstructive, historicist, and psychoanalytic approaches to six major poems, Ulmer follows the logic of the writing's rhetoric of love by tracing links between such elements as imagination, eros, metaphor, allegory, mirroring, repetition, death, and n…
Slavery and Sexual Character
Both the date engraved on the title page of Blake's Visions of the Daughters of Albion-1793, that tumultuous year for the French Revolution-and the first word of its narrative two pages laterEnslaved urge us to consider political contexts for its mythic narrative. In that narrative a woman leaves the vale of her adolescent virginity to meet the man she loves. Intercepted and raped by a second man, who is identified by his own exultant rhetoric as…
Scott the Rhymer
Wordsworth's Great Period Poems
No prominent works on this page.
Wordsworth's Great Period Poems
Scott the Rhymer
Slavery and Sexual Character
Both the date engraved on the title page of Blake's Visions of the Daughters of Albion-1793, that tumultuous year for the French Revolution-and the first word of its narrative two pages laterEnslaved urge us to consider political contexts for its mythic narrative. In that narrative a woman leaves the vale of her adolescent virginity to meet the man she loves. Intercepted and raped by a second man, who is identified by his own exultant rhetoric as…
Shelleyan Eros
In this work William Ulmer boldly advances our understanding of Shelley's concept of love by exploring eros as a figure for the poet's political and artistic aspirations. Applying a combination of deconstructive, historicist, and psychoanalytic approaches to six major poems, Ulmer follows the logic of the writing's rhetoric of love by tracing links between such elements as imagination, eros, metaphor, allegory, mirroring, repetition, death, and n…
Shelley's Draft Notebooks
This chapter, which attempts to interpret manuscript evidence from Shelley's draft notebooks, focusing on two works – ‘The Two Spirits’ and Prometheus Unbound – first examines his drafting of the former and traces its relationship to adjacent lyric passages of Act I of the latter. Second, it looks at a lyric duet that develops through several draft notebooks from isolated song into the cosmic dance of a new fourth act for Prometheus.
Shelley's Visual Imagination
Shelley's Oppositional Songs
Analyzing the function of song as a genre can clarify debates over how Shelley’s more visionary mode of poetry might intervene in politics and whether his overtly political popular songs betray the philosophical claim to a revolution in subjectivity made by those visionary works. Because the genre of song originates in communal, oral performance, yet is also a subgenre of the larger category of lyric, its intrinsic oppositions or tensions mediate…
Art (7 works) · Literature (6 works) · History (5 works) · Philosophy (3 works) · Poetry (3 works) · Science Education and Perceptions (3 works) · Aesthetics (2 works) · Historical and Literary Studies (2 works) · Literature, Film, and Journalism Analysis (2 works) · Romance (2 works)