Keisha Bruce
Biographic Data
| ID | 253944 |
|---|---|
| NAME | Keisha Bruce |
| GIVEN NAMES | Keisha |
| FAMILY NAME | Bruce |
| SIGNATURE | BRUCE K |
| AFFILIATIONS | University of Nottingham |
| ORCID | 0000-0003-4095-328X |
| VERIFIED | Yes |
| TOTAL WORKS | 4 |
| TOTAL CITATIONS | 5 |
| WORKS AS AUTHOR | 4 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 2021 |
| LATEST PUBLICATION YEAR | 2024 |
| H-INDEX | 1 |
Co-management as an Ethical Space of Engagement
Parks Canada’s commitments to reconciliation marks a significant shift in the governing paradigm of national parks, moving away from a colonial framework towards models that respect and elevate Indigenous forms of governance and knowledge systems. However, the extent to which a land claims–based co-management model, as the dominant mechanism of governance and engagement employed by Parks Canada, can serve as a vehicle for reconciliation is an ope…
Real queens fix each other's crowns
This article explores and analyses the production and representation of Black (British) girlhoods in Sarah Gavron's film Rocks (2019), and the effects this has had on Black women and girl actors, film-makers, and audiences. Adopting a critical Black (British) girlhood framework that is rooted in Black feminist theory, it explores how Black girls' interior worldbuilding in British screen media and beyond can be a source of empowerment and affectiv…
Everyone Has a Pic Like This in the Album
In this essay, I examine how the Black digital diaspora have found belonging online by imagining intimate kinships with one another. Building on my personal experiences of following and engaging with the popular Instagram archive, @BlackArchives.co, I offer the term digital diasporic intimacy to describe the ways that the Black diaspora have used social media to come together and creatively participate in the construction of online communities
Black feminist and digital media studies in Britain
Based on an in-depth discussion between us (six Black PhD and early career researchers), this work explores burgeoning Black feminist and digital media studies in Britain. Our article is rooted in dialogue about Black feminist digital culture, communications, aesthetics, joy, and our different yet interconnected scholarly experiences. We consider who and what shapes the work that we do, the way we approach it, and how it has developed in recent y…
Everyone Has a Pic Like This in the Album
In this essay, I examine how the Black digital diaspora have found belonging online by imagining intimate kinships with one another. Building on my personal experiences of following and engaging with the popular Instagram archive, @BlackArchives.co, I offer the term digital diasporic intimacy to describe the ways that the Black diaspora have used social media to come together and creatively participate in the construction of online communities
Real queens fix each other's crowns
This article explores and analyses the production and representation of Black (British) girlhoods in Sarah Gavron's film Rocks (2019), and the effects this has had on Black women and girl actors, film-makers, and audiences. Adopting a critical Black (British) girlhood framework that is rooted in Black feminist theory, it explores how Black girls' interior worldbuilding in British screen media and beyond can be a source of empowerment and affectiv…
Black feminist and digital media studies in Britain
Based on an in-depth discussion between us (six Black PhD and early career researchers), this work explores burgeoning Black feminist and digital media studies in Britain. Our article is rooted in dialogue about Black feminist digital culture, communications, aesthetics, joy, and our different yet interconnected scholarly experiences. We consider who and what shapes the work that we do, the way we approach it, and how it has developed in recent y…
Black feminist and digital media studies in Britain
Based on an in-depth discussion between us (six Black PhD and early career researchers), this work explores burgeoning Black feminist and digital media studies in Britain. Our article is rooted in dialogue about Black feminist digital culture, communications, aesthetics, joy, and our different yet interconnected scholarly experiences. We consider who and what shapes the work that we do, the way we approach it, and how it has developed in recent y…
Everyone Has a Pic Like This in the Album
In this essay, I examine how the Black digital diaspora have found belonging online by imagining intimate kinships with one another. Building on my personal experiences of following and engaging with the popular Instagram archive, @BlackArchives.co, I offer the term digital diasporic intimacy to describe the ways that the Black diaspora have used social media to come together and creatively participate in the construction of online communities
Co-management as an Ethical Space of Engagement
Parks Canada’s commitments to reconciliation marks a significant shift in the governing paradigm of national parks, moving away from a colonial framework towards models that respect and elevate Indigenous forms of governance and knowledge systems. However, the extent to which a land claims–based co-management model, as the dominant mechanism of governance and engagement employed by Parks Canada, can serve as a vehicle for reconciliation is an ope…
Real queens fix each other's crowns
This article explores and analyses the production and representation of Black (British) girlhoods in Sarah Gavron's film Rocks (2019), and the effects this has had on Black women and girl actors, film-makers, and audiences. Adopting a critical Black (British) girlhood framework that is rooted in Black feminist theory, it explores how Black girls' interior worldbuilding in British screen media and beyond can be a source of empowerment and affectiv…
Sociology (3 works) · Archaeology (2 works) · Art (2 works) · Computer Science (2 works) · Digital media (2 works) · Gender Studies (2 works) · Gender, Feminism, and Media (2 works) · Media studies (2 works) · Political science (2 works) · Aesthetics (1 work)