Michael Noone
Biographic Data
| ID | 254347 |
|---|---|
| NAME | Michael Noone |
| GIVEN NAMES | Michael |
| FAMILY NAME | Noone |
| SIGNATURE | NOONE M |
| AFFILIATIONS | Boston College |
| ORCID | 0000-0002-4710-5403 |
| VERIFIED | Yes |
| TOTAL WORKS | 11 |
| TOTAL CITATIONS | 0 |
| WORKS AS AUTHOR | 11 |
| WORKS AS EDITOR | 0 |
| FIRST PUBLICATION YEAR | 1987 |
| LATEST PUBLICATION YEAR | 2021 |
| H-INDEX | 0 |
Andrew A. Cashner Hearing Faith
Susana Muñoz, ympressora de los libros de musica, y el Libro de canto de misas y magnificas y motetes y una salue (Salamanca, 1620) de Diego de Bruceña
Entre sus muchos tesoros, la Catedral de Miranda do Douro en el distrito de Bragança en Portugal alberga el único ejemplar conocido del libro de polifonía de Diego de Bruceña (Salamanca: Antonio Vázquez, 1620). Este libro de coro conserva el conjunto más significativo de las obras de un compositor cuyas composiciones se pensaba que estaban casi completamente perdidas. El estudio detenido del libro de coro nos permite elaborar una comprensión más …
Listening to Early Modern Catholicism
Filippi, Daniele V., and Michael Noone, eds. Listening to Early Modern Catholicism: Perspectives from Musicology. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 41, Number 2, Spring 2018, pp. 7-227), on Érudit
Companion to Music in the Age of the Catholic Monarchs
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Devotional Music in the Iberian World, 1450–1800
Tess Knighton and Álvaro Torrente, eds. Devotional Music in the Iberian World, 1450–1800: The Villancico and Related Genres. Aldershot: Ashgate Publishing Company, 2007. viii + 492 pp. index. illus. bibl. $134.95. ISBN: 978–0–7546–5841–2. - Volume 61 Issue 3
Torrentes, Andrés de
Claudio Coello’s Sagrada Forma and music for the ceremonial relocations of a sacred Relic at E1 Escortai in 1684 and 1690
Claudio Coello’s painting La Sagrada Forma is one of the most important iconographical sources we possess for the study of music at the monastery-palace of the Escorial. The canvas depicts an historical event: the reception in 1684 of a miraculous host in a newly constructed altar in the sacristy of the Escorial basilica. The ceremonies, which culminated in the benediction commemorated in the painting, are carefully described in a manuscript writ…
Palace Pieties
La Música en Nueva Nursia
If the publication of any monograph concerned with the history of Australian music is a significant event, then one published in a foreign language, Spanish in this instance, is even more so. But when the book concerned is a translation of an unpublished manuscript written in English by a Spanish-born Australian musician we are forced again to confront certain familiar questions about Australian commitment to our own musical history and its docum…
Catalogo del Archivo de Musica De la Catedral de Granada
The present volumes are the first in a projected collection which appears under the imposing generic title of La Müsica en las Catedrales Andaluzas. Predicated on the unquestionable importance of the enormous number of musical sources held in Spanish cathedrals, the collection is organized by the Andalucian Centre of Musical Documentation and will comprise four series: (I) catalogues, (II) documentation, (III) musical editions and (IV) studies. T…
Matthew Locke, dramatic music
One welcomes the publication of Professor Tilmouth's edition of the dramatic music of Matthew Locke not only because of the quality of the music it has assembled, but also because it follows in the wake of the publication of several important studies of English music for the stage, most notably those of Curtis Price and Eric Walter White
No prominent works on this page.
Matthew Locke, dramatic music
One welcomes the publication of Professor Tilmouth's edition of the dramatic music of Matthew Locke not only because of the quality of the music it has assembled, but also because it follows in the wake of the publication of several important studies of English music for the stage, most notably those of Curtis Price and Eric Walter White
Catalogo del Archivo de Musica De la Catedral de Granada
The present volumes are the first in a projected collection which appears under the imposing generic title of La Müsica en las Catedrales Andaluzas. Predicated on the unquestionable importance of the enormous number of musical sources held in Spanish cathedrals, the collection is organized by the Andalucian Centre of Musical Documentation and will comprise four series: (I) catalogues, (II) documentation, (III) musical editions and (IV) studies. T…
La Música en Nueva Nursia
If the publication of any monograph concerned with the history of Australian music is a significant event, then one published in a foreign language, Spanish in this instance, is even more so. But when the book concerned is a translation of an unpublished manuscript written in English by a Spanish-born Australian musician we are forced again to confront certain familiar questions about Australian commitment to our own musical history and its docum…
Claudio Coello’s Sagrada Forma and music for the ceremonial relocations of a sacred Relic at E1 Escortai in 1684 and 1690
Claudio Coello’s painting La Sagrada Forma is one of the most important iconographical sources we possess for the study of music at the monastery-palace of the Escorial. The canvas depicts an historical event: the reception in 1684 of a miraculous host in a newly constructed altar in the sacristy of the Escorial basilica. The ceremonies, which culminated in the benediction commemorated in the painting, are carefully described in a manuscript writ…
Palace Pieties
Torrentes, Andrés de
Devotional Music in the Iberian World, 1450–1800
Tess Knighton and Álvaro Torrente, eds. Devotional Music in the Iberian World, 1450–1800: The Villancico and Related Genres. Aldershot: Ashgate Publishing Company, 2007. viii + 492 pp. index. illus. bibl. $134.95. ISBN: 978–0–7546–5841–2. - Volume 61 Issue 3
Listening to Early Modern Catholicism
Filippi, Daniele V., and Michael Noone, eds. Listening to Early Modern Catholicism: Perspectives from Musicology. An article from journal Renaissance and Reformation / Renaissance et Réforme (Volume 41, Number 2, Spring 2018, pp. 7-227), on Érudit
Companion to Music in the Age of the Catholic Monarchs
An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content
Susana Muñoz, ympressora de los libros de musica, y el Libro de canto de misas y magnificas y motetes y una salue (Salamanca, 1620) de Diego de Bruceña
Entre sus muchos tesoros, la Catedral de Miranda do Douro en el distrito de Bragança en Portugal alberga el único ejemplar conocido del libro de polifonía de Diego de Bruceña (Salamanca: Antonio Vázquez, 1620). Este libro de coro conserva el conjunto más significativo de las obras de un compositor cuyas composiciones se pensaba que estaban casi completamente perdidas. El estudio detenido del libro de coro nos permite elaborar una comprensión más …
Andrew A. Cashner Hearing Faith
Art (10 works) · History (5 works) · History (5 works) · Literature (5 works) · Visual arts (5 works) · Art history (4 works) · Historical Art and Architecture Studies (4 works) · Philosophy (4 works) · Philosophy (4 works) · Computer Science (3 works)