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Rhonda Baynes Jeffries

Biographic Data

ID2552120
NAMERhonda Baynes Jeffries
GIVEN NAMESRhonda Baynes
FAMILY NAMEJeffries
SIGNATUREJEFFRIES R B
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS5
AUTHOR COUNT3
EDITOR COUNT0
FIRST PUBLICATION YEAR1993
LATEST PUBLICATION YEAR2014
H-INDEX1
  • Reclaiming Our Roots

    Rhonda Baynes Jeffries, Rhonda Jeffries et al.•ARTICLE•Multicultural Perspectives•2014•Cited by: 1•References: 3

    This article, theoretically constructed on Gramsci's notion of cultural hegemony, explores the use of Black female hair as a cultural signifier in two media texts, specifically Adrienne Kennedy's play, Funnyhouse of a Negro, and Chris Rock's documentary, Good Hair, in specific media texts. Analysis of the verbal and visual rhetoric regarding a Black female aesthetic revealed associated themes of generational family influences and identity formati…

  • The trickster figure in African-American teaching

    Open Access•Rhonda Baynes Jeffries, Rhonda Jeffries•ARTICLE•The Urban Review•1994•Cited by: 4•References: 9

  • To Go or Not to Go

    Rhonda Baynes Jeffries, Rhonda Jeffries•ARTICLE•The Journal of Negro Education•1993

    When I was growing up, there was never a thought in my mind about whether or not I would go to school. It was a given that I was going to go to school every day as long as my parents were alive and the Lord woke me up in good health. There was no room for negotiation about my being there. For my family, getting some kind of education is not something one does in order to climb social ladders or get a job that pays a high salary; rather, it is vie…

  • The trickster figure in African-American teaching

    Open Access•Rhonda Baynes Jeffries, Rhonda Jeffries•ARTICLE•The Urban Review•1994•Cited by: 4•References: 9

  • Reclaiming Our Roots

    Rhonda Baynes Jeffries, Rhonda Jeffries et al.•ARTICLE•Multicultural Perspectives•2014•Cited by: 1•References: 3

    This article, theoretically constructed on Gramsci's notion of cultural hegemony, explores the use of Black female hair as a cultural signifier in two media texts, specifically Adrienne Kennedy's play, Funnyhouse of a Negro, and Chris Rock's documentary, Good Hair, in specific media texts. Analysis of the verbal and visual rhetoric regarding a Black female aesthetic revealed associated themes of generational family influences and identity formati…

  • To Go or Not to Go

    Rhonda Baynes Jeffries, Rhonda Jeffries•ARTICLE•The Journal of Negro Education•1993

    When I was growing up, there was never a thought in my mind about whether or not I would go to school. It was a given that I was going to go to school every day as long as my parents were alive and the Lord woke me up in good health. There was no room for negotiation about my being there. For my family, getting some kind of education is not something one does in order to climb social ladders or get a job that pays a high salary; rather, it is vie…

  • The trickster figure in African-American teaching

    Open Access•Rhonda Baynes Jeffries, Rhonda Jeffries•ARTICLE•The Urban Review•1994•Cited by: 4•References: 9

  • Reclaiming Our Roots

    Rhonda Baynes Jeffries, Rhonda Jeffries et al.•ARTICLE•Multicultural Perspectives•2014•Cited by: 1•References: 3

    This article, theoretically constructed on Gramsci's notion of cultural hegemony, explores the use of Black female hair as a cultural signifier in two media texts, specifically Adrienne Kennedy's play, Funnyhouse of a Negro, and Chris Rock's documentary, Good Hair, in specific media texts. Analysis of the verbal and visual rhetoric regarding a Black female aesthetic revealed associated themes of generational family influences and identity formati…

Pedagogy (3 works) · Sociology (3 works) · Action (physics (1 work) · Action research (1 work) · Aesthetics (1 work) · African american (1 work) · Anarchism and Radical Politics (1 work) · Anthropology (1 work) · Art (1 work) · Critical Race Theory in Education (1 work)

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