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Arthur F Marotti

Biographic Data

ID255471
NAMEArthur F Marotti
GIVEN NAMESArthur F
FAMILY NAMEMarotti
SIGNATUREMAROTTI A F
AFFILIATIONSWayne State University
VERIFIEDNo
TOTAL WORKS24
TOTAL CITATIONS19
WORKS AS AUTHOR21
WORKS AS EDITOR3
FIRST PUBLICATION YEAR1972
LATEST PUBLICATION YEAR2021
H-INDEX2
  • The Circulation of Poetry in Manuscript in Early Modern England

    Arthur F Marotti•BOOK•Circulation of Poetry in…•2021

    This study examines the transmission and compilation of poetic texts through manuscripts from the late-Elizabethan era through the mid-seventeenth century, paying attention to the distinctive material, social, and literary features of these documents. The study has two main focuses: the first, the particular social environments in which texts were compiled and, second, the presence within this system of a large body of (usually anonymous) rare or…

  • Poetry outside the Literary Canon

    Arthur F Marotti•ARTICLE•Études anglaises•2021

    Maintenant que nous disposons d’index utiles (quoique incomplets) des premiers vers de poèmes se trouvant dans des manuscrits appartenant à d’importantes archives (par exemple, Union First-Line Index of English Verse: 13 th -19 th Century à la Folger Shakespeare Library), il est possible d’identifier des poèmes qui ont survécu dans un unique exemplaire manuscrit ou un nombre très limité d’exemplaires. Ces compositions le plus souvent anonymes ont…

  • Poetry outside the Literary Canon

    Arthur F Marotti•ARTICLE•Études anglaises•2021

  • The Variorum Edition of the Poetry of John Donne. Vol. 4.1, The Songs and Sonets

    Arthur F Marotti•ARTICLE•Sixteenth Century Journal•2020

  • The Verse Nobody Knows

    Arthur F Marotti•ARTICLE•Huntington Library Quarterly•2017•References: 1

    This essay examines the phenomenon of rare or unique poems found in sixteenth- and seventeenth-century manuscript collections, positioning them within the familial, collegial, or coterie environments within and for which they were written. These include verses composed by compilers, politically dangerous or obscene texts, and texts related to scandals or topical events of local interest. These poems rarely feature in literary surveys, but they op…

  • Confessions of Faith in Early Modern England

    Open Access•Arthur F Marotti•ARTICLE•Renaissance Quarterly•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Shakespeare’s Unreformed Fictions

    Open Access•Arthur F Marotti•ARTICLE•Renaissance Quarterly•2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Special Issue

    Open Access•Arthur F Marotti•ARTICLE•Literature Compass•2010

    This piece is the introduction to the Literature Compass special issue on ‘Scholarly Editing in the Twenty‐First Century’. The special issue is made up of the following pieces: ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Preface’, Regenia Gagnier, Literature Compass 7.2 (2010): 33–34, doi: 10.1111/j.1741‐4113.2009.00672.x . ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Introduction’, Arthur F. Marotti, Lite…

  • Editing Manuscripts in Print and Digital Forms

    Open Access•Arthur F Marotti•ARTICLE•Literature Compass•2010•Cited by: 1

    Except for texts from a pre‐Gutenberg era, scholarly editions have, for the most part, been based on print exemplars. A bias against manuscript evidence has, as Margaret Ezell shows, worked against the recovery women’s writing that remained in manuscript and was not printed in its own time or later; it has also pushed much of the work of minor and anonymous authors to the side. Especially now that manuscript documents are beginning to become acce…

  • Special Issue

    Open Access•Jerome Mcgann, Hans Walter Gabler et al.•ARTICLE•Literature Compass•2010

    This piece is the combined bibliography for the Literature Compass special issue on ‘Scholarly Editing in the Twenty‐First Century’. The special issue is made up of the following pieces: ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Preface’, Regenia Gagnier, Literature Compass 7.2 (2010): 33–34, doi: 10.1111/j.1741‐4113.2009.00672.x . ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Introduction’, Arthur F. Mar…

  • Catholic Theology in Shakespeare's Plays

    Open Access•Arthur F Marotti•ARTICLE•Renaissance Quarterly•2008

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Catholic Culture in Early Modern England

    Ronald Corthell, Frances E Dolan et al.•EDITOR•BOOK•Catholic Culture in Early Modern…•2007

    This collection of essays explores the survival of culture in sixteenth- and seventeenth-century - a time of Protestant domination and sometimes persecution. Contributors examine not only devotional, political, autobiographical, and other written texts, but also material objects such as church vestments, architecture, and symbolic spaces. Among the topics discussed in this volume are the influence of Latin culture on women, Marian devotion, the a…

  • The Turn to Religion in Early Modern English Studies

    Ken Jackson, Arthur F Marotti•ARTICLE•Criticism•2004•Cited by: 16•References: 9

    When the New Historicist scholar Stephen Greenblatt recently published a book on Purgatory as well as an essay and two book chapters on the Eucharist,1 clearly something new was afoot in early modern English studies. Religion was once again at the center in interpretations of early modern culture. Not that religion had ever disappeared as a subject of inquiry in the field, for the prominence of such authors as Spenser, Donne, Herbert, and Milton …

  • Sir Walter Ralegh and His Readers in the Seventeenth Century

    Arthur F Marotti, Anna Beer et al.•ARTICLE•The Modern Language Review•1999

  • Catholicism and Anti-Catholicism in Early Modern English Texts

    Open Access•A Marotti, Arthur F Marotti•EDITOR•BOOK•Catholicism and Anti-Catholicism…•1999

    Responding to recent historical analyses of Post-Reformation English Catholicism, the essays in this collection by both literary scholars and historians focus on polemical, devotional, political, and

  • Texts and Cultural Change in Early Modern England

    Cedric C Brown, Arthur F Marotti•EDITOR•BOOK•Texts and Cultural Change in…•1997

  • Manuscript, Print, and the English Renaissance Lyric

    Arthur F Marotti•BOOK•Manuscript, Print, and the…•1995

    The last of the literary genres to be incorporated into print culture, verse in the English Renaissance not only was published in anthologies, pamphlets, and folio editions, it was also circulated in manuscript. In this ground-breaking historical and cultural study of sixteenth- and early seventeenth-century lyric poetry, Marotti examines the interrelationship between the two systems of literary transmission and shows how in England manuscript an…

  • Patronage, Poetry, and Print

    Arthur F Marotti•ARTICLE•The Yearbook of English Studies•1991

    In the modern institution of literature, itself a product of democratizing tendencies that have been operating over the course of the last 500 years, the social and economic relations of authors, publishers, and readers tend to be hidden or disguised. In the pre-Modern and early-Modern periods, in which literature was more obviously implicated in immediate social relations and had not yet been separated from other forms of discourse into the supp…

  • "Love is Not Love"

    Arthur F Marotti•ARTICLE•ELH•1982

  • Imitation and Praise in the Poems of Ben Jonson

    Open Access•Arthur F Marotti•ARTICLE•Renaissance Quarterly•1982

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Divine Poems of John Donne

    Open Access•Arthur F Marotti, Anne F Marotti•ARTICLE•Renaissance Quarterly•1980

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Two Renaissance Mythmakers

    Open Access•Arthur F Marotti•ARTICLE•Renaissance Quarterly•1978

    Alvin Kernan, ed. Two Renaissance Mythmakers: Christopher Marlowe and Ben Jonson. (Selected Papers from the English Institute, 1975-76. New Series, no. 1.) Baltimore and London: The Johns Hopkins University Press, 1977. xii+208 pp. $7.50. - Volume 31 Issue 4

  • Countertransference, the Communication Process, and the Dimensions of Psychoanalytic Criticism

    Arthur F Marotti•ARTICLE•Critical Inquiry•1978•Cited by: 2

  • All About Jonson's Poetry

    Arthur F Marotti•ARTICLE•ELH•1972

  • The Turn to Religion in Early Modern English Studies

    Ken Jackson, Arthur F Marotti•ARTICLE•Criticism•2004•Cited by: 16•References: 9

    When the New Historicist scholar Stephen Greenblatt recently published a book on Purgatory as well as an essay and two book chapters on the Eucharist,1 clearly something new was afoot in early modern English studies. Religion was once again at the center in interpretations of early modern culture. Not that religion had ever disappeared as a subject of inquiry in the field, for the prominence of such authors as Spenser, Donne, Herbert, and Milton …

  • Countertransference, the Communication Process, and the Dimensions of Psychoanalytic Criticism

    Arthur F Marotti•ARTICLE•Critical Inquiry•1978•Cited by: 2

  • Editing Manuscripts in Print and Digital Forms

    Open Access•Arthur F Marotti•ARTICLE•Literature Compass•2010•Cited by: 1

    Except for texts from a pre‐Gutenberg era, scholarly editions have, for the most part, been based on print exemplars. A bias against manuscript evidence has, as Margaret Ezell shows, worked against the recovery women’s writing that remained in manuscript and was not printed in its own time or later; it has also pushed much of the work of minor and anonymous authors to the side. Especially now that manuscript documents are beginning to become acce…

  • All About Jonson's Poetry

    Arthur F Marotti•ARTICLE•ELH•1972

  • Two Renaissance Mythmakers

    Open Access•Arthur F Marotti•ARTICLE•Renaissance Quarterly•1978

    Alvin Kernan, ed. Two Renaissance Mythmakers: Christopher Marlowe and Ben Jonson. (Selected Papers from the English Institute, 1975-76. New Series, no. 1.) Baltimore and London: The Johns Hopkins University Press, 1977. xii+208 pp. $7.50. - Volume 31 Issue 4

  • Countertransference, the Communication Process, and the Dimensions of Psychoanalytic Criticism

    Arthur F Marotti•ARTICLE•Critical Inquiry•1978•Cited by: 2

  • The Divine Poems of John Donne

    Open Access•Arthur F Marotti, Anne F Marotti•ARTICLE•Renaissance Quarterly•1980

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • "Love is Not Love"

    Arthur F Marotti•ARTICLE•ELH•1982

  • Imitation and Praise in the Poems of Ben Jonson

    Open Access•Arthur F Marotti•ARTICLE•Renaissance Quarterly•1982

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Patronage, Poetry, and Print

    Arthur F Marotti•ARTICLE•The Yearbook of English Studies•1991

    In the modern institution of literature, itself a product of democratizing tendencies that have been operating over the course of the last 500 years, the social and economic relations of authors, publishers, and readers tend to be hidden or disguised. In the pre-Modern and early-Modern periods, in which literature was more obviously implicated in immediate social relations and had not yet been separated from other forms of discourse into the supp…

  • Manuscript, Print, and the English Renaissance Lyric

    Arthur F Marotti•BOOK•Manuscript, Print, and the…•1995

    The last of the literary genres to be incorporated into print culture, verse in the English Renaissance not only was published in anthologies, pamphlets, and folio editions, it was also circulated in manuscript. In this ground-breaking historical and cultural study of sixteenth- and early seventeenth-century lyric poetry, Marotti examines the interrelationship between the two systems of literary transmission and shows how in England manuscript an…

  • Texts and Cultural Change in Early Modern England

    Cedric C Brown, Arthur F Marotti•EDITOR•BOOK•Texts and Cultural Change in…•1997

  • Sir Walter Ralegh and His Readers in the Seventeenth Century

    Arthur F Marotti, Anna Beer et al.•ARTICLE•The Modern Language Review•1999

  • Catholicism and Anti-Catholicism in Early Modern English Texts

    Open Access•A Marotti, Arthur F Marotti•EDITOR•BOOK•Catholicism and Anti-Catholicism…•1999

    Responding to recent historical analyses of Post-Reformation English Catholicism, the essays in this collection by both literary scholars and historians focus on polemical, devotional, political, and

  • The Turn to Religion in Early Modern English Studies

    Ken Jackson, Arthur F Marotti•ARTICLE•Criticism•2004•Cited by: 16•References: 9

    When the New Historicist scholar Stephen Greenblatt recently published a book on Purgatory as well as an essay and two book chapters on the Eucharist,1 clearly something new was afoot in early modern English studies. Religion was once again at the center in interpretations of early modern culture. Not that religion had ever disappeared as a subject of inquiry in the field, for the prominence of such authors as Spenser, Donne, Herbert, and Milton …

  • Catholic Culture in Early Modern England

    Ronald Corthell, Frances E Dolan et al.•EDITOR•BOOK•Catholic Culture in Early Modern…•2007

    This collection of essays explores the survival of culture in sixteenth- and seventeenth-century - a time of Protestant domination and sometimes persecution. Contributors examine not only devotional, political, autobiographical, and other written texts, but also material objects such as church vestments, architecture, and symbolic spaces. Among the topics discussed in this volume are the influence of Latin culture on women, Marian devotion, the a…

  • Catholic Theology in Shakespeare's Plays

    Open Access•Arthur F Marotti•ARTICLE•Renaissance Quarterly•2008

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Special Issue

    Open Access•Arthur F Marotti•ARTICLE•Literature Compass•2010

    This piece is the introduction to the Literature Compass special issue on ‘Scholarly Editing in the Twenty‐First Century’. The special issue is made up of the following pieces: ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Preface’, Regenia Gagnier, Literature Compass 7.2 (2010): 33–34, doi: 10.1111/j.1741‐4113.2009.00672.x . ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Introduction’, Arthur F. Marotti, Lite…

  • Editing Manuscripts in Print and Digital Forms

    Open Access•Arthur F Marotti•ARTICLE•Literature Compass•2010•Cited by: 1

    Except for texts from a pre‐Gutenberg era, scholarly editions have, for the most part, been based on print exemplars. A bias against manuscript evidence has, as Margaret Ezell shows, worked against the recovery women’s writing that remained in manuscript and was not printed in its own time or later; it has also pushed much of the work of minor and anonymous authors to the side. Especially now that manuscript documents are beginning to become acce…

  • Special Issue

    Open Access•Jerome Mcgann, Hans Walter Gabler et al.•ARTICLE•Literature Compass•2010

    This piece is the combined bibliography for the Literature Compass special issue on ‘Scholarly Editing in the Twenty‐First Century’. The special issue is made up of the following pieces: ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Preface’, Regenia Gagnier, Literature Compass 7.2 (2010): 33–34, doi: 10.1111/j.1741‐4113.2009.00672.x . ‘Special Issue: “Scholarly Editing in the Twenty‐First Century”– Introduction’, Arthur F. Mar…

  • Shakespeare’s Unreformed Fictions

    Open Access•Arthur F Marotti•ARTICLE•Renaissance Quarterly•2014

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • Confessions of Faith in Early Modern England

    Open Access•Arthur F Marotti•ARTICLE•Renaissance Quarterly•2015

    An abstract is not available for this content so a preview has been provided. Please use the Get access link above for information on how to access this content

  • The Verse Nobody Knows

    Arthur F Marotti•ARTICLE•Huntington Library Quarterly•2017•References: 1

    This essay examines the phenomenon of rare or unique poems found in sixteenth- and seventeenth-century manuscript collections, positioning them within the familial, collegial, or coterie environments within and for which they were written. These include verses composed by compilers, politically dangerous or obscene texts, and texts related to scandals or topical events of local interest. These poems rarely feature in literary surveys, but they op…

  • The Variorum Edition of the Poetry of John Donne. Vol. 4.1, The Songs and Sonets

    Arthur F Marotti•ARTICLE•Sixteenth Century Journal•2020

  • The Circulation of Poetry in Manuscript in Early Modern England

    Arthur F Marotti•BOOK•Circulation of Poetry in…•2021

    This study examines the transmission and compilation of poetic texts through manuscripts from the late-Elizabethan era through the mid-seventeenth century, paying attention to the distinctive material, social, and literary features of these documents. The study has two main focuses: the first, the particular social environments in which texts were compiled and, second, the presence within this system of a large body of (usually anonymous) rare or…

  • Poetry outside the Literary Canon

    Arthur F Marotti•ARTICLE•Études anglaises•2021

    Maintenant que nous disposons d’index utiles (quoique incomplets) des premiers vers de poèmes se trouvant dans des manuscrits appartenant à d’importantes archives (par exemple, Union First-Line Index of English Verse: 13 th -19 th Century à la Folger Shakespeare Library), il est possible d’identifier des poèmes qui ont survécu dans un unique exemplaire manuscrit ou un nombre très limité d’exemplaires. Ces compositions le plus souvent anonymes ont…

  • Poetry outside the Literary Canon

    Arthur F Marotti•ARTICLE•Études anglaises•2021

Art (18 works) · History (17 works) · Literature (16 works) · History (10 works) · Poetry (10 works) · Philosophy (8 works) · Classics (6 works) · Literature: history, themes, analysis (6 works) · Reformation and Early Modern Christianity (6 works) · Sociology (6 works)

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