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John Meddemmen

Biographic Data

ID255481
NAMEJohn Meddemmen
GIVEN NAMESJohn
FAMILY NAMEMeddemmen
SIGNATUREMEDDEMMEN J
VERIFIEDNo
TOTAL WORKS7
TOTAL CITATIONS5
AUTHOR COUNT7
EDITOR COUNT0
FIRST PUBLICATION YEAR1978
LATEST PUBLICATION YEAR1989
H-INDEX1
  • The Style of Greimas and Its Transformations

    Cesare Segre, John Meddemmen•ARTICLE•New Literary History•1989•Cited by: 1

    l'imperfection (1987) of A. J. Greimas on the part of reader who had never heard of its author; he would, I believe, at once relate the book to the most recherche tradition of contemporary French essay writing, to Blanchot and Barthes. Two passages in italics at the beginning and end of the book serve to frame the whole, and the way they are constructed manifestly aims for syntactical and rhetorical effect. The opening section, in prose, is made …

  • Maistre Pathelin: Manipulation of Topics and Epistemic Lability

    Cesare Segre, John Meddemmen•ARTICLE•Poetics Today•1984

    Cesare Segre, John Meddemmen, Maistre Pathelin: Manipulation of Topics and Epistemic Lability, Poetics Today, Vol. 5, No. 3, Medieval and Renaissance Representation: New Reflections (1984), pp. 563-583

  • Structures and Time: Narration, Poetry, Models

    Cesare Segre, John Meddemmen•ARTICLE•Poetics Today•1982

  • Narratology and Theater

    Cesare Segre, John Meddemmen•ARTICLE•Poetics Today•1981•Cited by: 1

    I shall try to arrive at a convergence of two lines of interpretation, two approaches to the semiotics of theater, which at first sight are quite independent. The first of these relates the play to all the other works which are narrative in character, in virtue of the incontrovertible fact that a theatrical text narrates events, in whole or in part imaginary, and that they are interconnected. The other line of interpretation sets its sights on th…

  • A Contribution to the Semiotics of Theater

    Cesare Segre, John Meddemmen•ARTICLE•Poetics Today•1980•Cited by: 1

    The semiotics of theater, like the semiotics of cinema, has attracted the attention of a great many scholars. To mention a few, we have the bibliography of Bettetini & De Marinis (1977), the bibliography which accompanies Pavis (1976), the anthologies of theatrical semiotics edited by Diez Borque & Lorenzo (1975), Helbo (1975), the 1978 (no. 13) issue of Degre's, and the 1978 (no. 20) issue of Biblioteca Teatrale. The reason for this is not hard …

  • Models and Antimodels in Medieval Culture

    Maria Corti, John Meddemmen•ARTICLE•New Literary History•1979•Cited by: 1

  • Culture and Modeling Systems

    Cesare Segre, John Meddemmen•ARTICLE•Critical Inquiry•1978•Cited by: 1

  • The Style of Greimas and Its Transformations

    Cesare Segre, John Meddemmen•ARTICLE•New Literary History•1989•Cited by: 1

    l'imperfection (1987) of A. J. Greimas on the part of reader who had never heard of its author; he would, I believe, at once relate the book to the most recherche tradition of contemporary French essay writing, to Blanchot and Barthes. Two passages in italics at the beginning and end of the book serve to frame the whole, and the way they are constructed manifestly aims for syntactical and rhetorical effect. The opening section, in prose, is made …

  • Narratology and Theater

    Cesare Segre, John Meddemmen•ARTICLE•Poetics Today•1981•Cited by: 1

    I shall try to arrive at a convergence of two lines of interpretation, two approaches to the semiotics of theater, which at first sight are quite independent. The first of these relates the play to all the other works which are narrative in character, in virtue of the incontrovertible fact that a theatrical text narrates events, in whole or in part imaginary, and that they are interconnected. The other line of interpretation sets its sights on th…

  • A Contribution to the Semiotics of Theater

    Cesare Segre, John Meddemmen•ARTICLE•Poetics Today•1980•Cited by: 1

    The semiotics of theater, like the semiotics of cinema, has attracted the attention of a great many scholars. To mention a few, we have the bibliography of Bettetini & De Marinis (1977), the bibliography which accompanies Pavis (1976), the anthologies of theatrical semiotics edited by Diez Borque & Lorenzo (1975), Helbo (1975), the 1978 (no. 13) issue of Degre's, and the 1978 (no. 20) issue of Biblioteca Teatrale. The reason for this is not hard …

  • Models and Antimodels in Medieval Culture

    Maria Corti, John Meddemmen•ARTICLE•New Literary History•1979•Cited by: 1

  • Culture and Modeling Systems

    Cesare Segre, John Meddemmen•ARTICLE•Critical Inquiry•1978•Cited by: 1

  • Culture and Modeling Systems

    Cesare Segre, John Meddemmen•ARTICLE•Critical Inquiry•1978•Cited by: 1

  • Models and Antimodels in Medieval Culture

    Maria Corti, John Meddemmen•ARTICLE•New Literary History•1979•Cited by: 1

  • A Contribution to the Semiotics of Theater

    Cesare Segre, John Meddemmen•ARTICLE•Poetics Today•1980•Cited by: 1

    The semiotics of theater, like the semiotics of cinema, has attracted the attention of a great many scholars. To mention a few, we have the bibliography of Bettetini & De Marinis (1977), the bibliography which accompanies Pavis (1976), the anthologies of theatrical semiotics edited by Diez Borque & Lorenzo (1975), Helbo (1975), the 1978 (no. 13) issue of Degre's, and the 1978 (no. 20) issue of Biblioteca Teatrale. The reason for this is not hard …

  • Narratology and Theater

    Cesare Segre, John Meddemmen•ARTICLE•Poetics Today•1981•Cited by: 1

    I shall try to arrive at a convergence of two lines of interpretation, two approaches to the semiotics of theater, which at first sight are quite independent. The first of these relates the play to all the other works which are narrative in character, in virtue of the incontrovertible fact that a theatrical text narrates events, in whole or in part imaginary, and that they are interconnected. The other line of interpretation sets its sights on th…

  • Structures and Time: Narration, Poetry, Models

    Cesare Segre, John Meddemmen•ARTICLE•Poetics Today•1982

  • Maistre Pathelin: Manipulation of Topics and Epistemic Lability

    Cesare Segre, John Meddemmen•ARTICLE•Poetics Today•1984

    Cesare Segre, John Meddemmen, Maistre Pathelin: Manipulation of Topics and Epistemic Lability, Poetics Today, Vol. 5, No. 3, Medieval and Renaissance Representation: New Reflections (1984), pp. 563-583

  • The Style of Greimas and Its Transformations

    Cesare Segre, John Meddemmen•ARTICLE•New Literary History•1989•Cited by: 1

    l'imperfection (1987) of A. J. Greimas on the part of reader who had never heard of its author; he would, I believe, at once relate the book to the most recherche tradition of contemporary French essay writing, to Blanchot and Barthes. Two passages in italics at the beginning and end of the book serve to frame the whole, and the way they are constructed manifestly aims for syntactical and rhetorical effect. The opening section, in prose, is made …

Art (5 works) · History (3 works) · Literature (3 works) · Philosophy (3 works) · French Literature and Critical Theory (2 works) · Narrative (2 works) · Aesthetics (1 works) · Byzantine Studies and History (1 works) · Chemistry (1 works) · Classical Antiquity Studies (1 works)

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