David Banash
Biographic Data
| ID | 2562818 |
|---|---|
| NAME | David Banash |
| GIVEN NAMES | David |
| FAMILY NAME | Banash |
| SIGNATURE | BANASH D |
| AFFILIATIONS | Lock Haven University |
| VERIFIED | No |
| TOTAL WORKS | 9 |
| TOTAL CITATIONS | 0 |
| AUTHOR COUNT | 9 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1999 |
| LATEST PUBLICATION YEAR | 2015 |
| H-INDEX | 0 |
Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock
Journal Article Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock Get access William Rothman, Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock. New York, NY: Columbia University Press, 2014, 302 pp. David Banash David Banash [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 56, Issue 4, Winter 2015, Pages 489–4…
From Copyright to Copia: Marcus Boon's Buddhist Ontology of Copying
From Copyright to Copia:Marcus Boon's Buddhist Ontology of Copying David Banash (bio) Marcus Boon, In Praise of Copying. Cambridge: Harvard UP, 2010. Marcus Boon's In Praise of Copying is a radical attempt to overturn the conceptual and practical privileges accorded to those copies we call "originals," and in the process to reconceptualize all creative activity in terms of imitation, repetition, or more broadly a mimesis marked foremost by samene…
A Natural History of Consumption: The Shopping Carts of Julian Montague
A Natural History of Consumption:The Shopping Carts of Julian Montague David Banash (bio) Review of: Julian Montague, The Stray Shopping Carts of Eastern North America: A Guide to Field Identification. New York: Abrams Image, 2006. Seizing the amateur naturalist's field guide as a form, the artist Julian Montague has produced a provocative and haunting work that takes the shopping cart as its subject. While the project might well be read as an am…
Burroughs Resists Globalization
Globalizing William S. Burroughs David Banash Review of: Schneiderman, Davis and Philip Walsh, Retaking the Universe: William S. Burroughs in the Age of Globalization. London: Pluto, 2004. Imagining the work of William S. Burroughs through emerging theories of globalization promises to keep an extraordinary and difficult body of multimedia excesses and provocations relevant for the new millennium. Davis Schneiderman and Philip Walsh have assemble…
Building Suburbia: Green Fields and Urban Growth, 1820-2000
Book Review| July 01 2005 Building Suburbia: Green Fields and Urban Growth, 1820-2000 Building Suburbia: Green Fields and Urban Growth, 1820-2000Hayden, Dolores David Banash David Banash Search for other works by this author on: This Site Google Utopian Studies (2005) 16 (2): 280–283. https://doi.org/10.2307/20718740 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation David Banash; Building Suburbia: Green Fields and Urban Gr…
From Advertising to the Avant-Garde: Rethinking the Invention of Collage
From Advertising to the Avant-Garde: Rethinking the Invention of Collage David Banash Abstract This essay offers an alternative analysis of the invention of collage, arguing that this technique, most typically viewed as avant-garde and oppositional, is in fact preceded by and rooted in practices pioneered by early mass media advertisers. Beginning with an examination of the orthodox versions of the invention of collage told by art historians, the…
Intoxicating Class: Cocaine at the Multiplex
Postmodern Culture - Volume 12, Number 1, September 2001
Selling Surveillance: Privacy, Anonymity, and VTV
The Blair Witch Project: Technology, Repression, and the Evisceration of Mimesis
The Blair Witch Project: Technology, Repression, and the Evisceration of Mimesis David Banash The Blair Witch Project. Dir. Daniel Myrick and Eduardo Sanchez. Perf. Heather Donahue, Joshua Leonard, and Michael C. Williams. Artisan Entertainment, 1999. Given its preposterously low budget, outsider production, and a priori cult status as ludic masterpiece, The Blair Witch Project does not seem a likely candidate to become the allegorical moment of …
No prominent works on this page.
The Blair Witch Project: Technology, Repression, and the Evisceration of Mimesis
The Blair Witch Project: Technology, Repression, and the Evisceration of Mimesis David Banash The Blair Witch Project. Dir. Daniel Myrick and Eduardo Sanchez. Perf. Heather Donahue, Joshua Leonard, and Michael C. Williams. Artisan Entertainment, 1999. Given its preposterously low budget, outsider production, and a priori cult status as ludic masterpiece, The Blair Witch Project does not seem a likely candidate to become the allegorical moment of …
Selling Surveillance: Privacy, Anonymity, and VTV
Intoxicating Class: Cocaine at the Multiplex
Postmodern Culture - Volume 12, Number 1, September 2001
From Advertising to the Avant-Garde: Rethinking the Invention of Collage
From Advertising to the Avant-Garde: Rethinking the Invention of Collage David Banash Abstract This essay offers an alternative analysis of the invention of collage, arguing that this technique, most typically viewed as avant-garde and oppositional, is in fact preceded by and rooted in practices pioneered by early mass media advertisers. Beginning with an examination of the orthodox versions of the invention of collage told by art historians, the…
Building Suburbia: Green Fields and Urban Growth, 1820-2000
Book Review| July 01 2005 Building Suburbia: Green Fields and Urban Growth, 1820-2000 Building Suburbia: Green Fields and Urban Growth, 1820-2000Hayden, Dolores David Banash David Banash Search for other works by this author on: This Site Google Utopian Studies (2005) 16 (2): 280–283. https://doi.org/10.2307/20718740 Cite Icon Cite Share Icon Share Twitter Permissions Search Site Citation David Banash; Building Suburbia: Green Fields and Urban Gr…
Burroughs Resists Globalization
Globalizing William S. Burroughs David Banash Review of: Schneiderman, Davis and Philip Walsh, Retaking the Universe: William S. Burroughs in the Age of Globalization. London: Pluto, 2004. Imagining the work of William S. Burroughs through emerging theories of globalization promises to keep an extraordinary and difficult body of multimedia excesses and provocations relevant for the new millennium. Davis Schneiderman and Philip Walsh have assemble…
A Natural History of Consumption: The Shopping Carts of Julian Montague
A Natural History of Consumption:The Shopping Carts of Julian Montague David Banash (bio) Review of: Julian Montague, The Stray Shopping Carts of Eastern North America: A Guide to Field Identification. New York: Abrams Image, 2006. Seizing the amateur naturalist's field guide as a form, the artist Julian Montague has produced a provocative and haunting work that takes the shopping cart as its subject. While the project might well be read as an am…
From Copyright to Copia: Marcus Boon's Buddhist Ontology of Copying
From Copyright to Copia:Marcus Boon's Buddhist Ontology of Copying David Banash (bio) Marcus Boon, In Praise of Copying. Cambridge: Harvard UP, 2010. Marcus Boon's In Praise of Copying is a radical attempt to overturn the conceptual and practical privileges accorded to those copies we call "originals," and in the process to reconceptualize all creative activity in terms of imitation, repetition, or more broadly a mimesis marked foremost by samene…
Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock
Journal Article Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock Get access William Rothman, Must We Kill the Thing We Love? Emersonian Perfectionism and the Films of Alfred Hitchcock. New York, NY: Columbia University Press, 2014, 302 pp. David Banash David Banash [email protected] Search for other works by this author on: Oxford Academic Google Scholar Screen, Volume 56, Issue 4, Winter 2015, Pages 489–4…
Art (8 works) · Art history (7 works) · Literature (6 works) · Philosophy (6 works) · Philosophy (6 works) · Aesthetics (5 works) · Sociology (5 works) · Cinema and Media Studies (3 works) · Computer Science (3 works) · Art, Politics, and Modernism (2 works)