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Anna Lawrenson

Biographic Data

ID2564494
NAMEAnna Lawrenson
GIVEN NAMESAnna
FAMILY NAMELawrenson
SIGNATURELAWRENSON A
AFFILIATIONSThe University of Sydney
ORCID0000-0002-7731-5532
VERIFIEDYes
TOTAL WORKS7
TOTAL CITATIONS3
WORKS AS AUTHOR7
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2015
LATEST PUBLICATION YEAR2026
H-INDEX1
  • Leading community engagement on climate change

    Open Access•Conor O’reilly, Anna Lawrenson et al.•ARTICLE•Museum Management and Curatorship•2026

    Imagine a place where global climate challenges are tackled through the lens of local stories and art. Building on scholarship that frames museums as ‘lifeboats’ and ‘pathways’ through the climate crisis, this article demonstrates the unique strengths of regional institutions: their deep community embeddedness, local knowledge, and capacity for agile, place-based engagement. Regional institutions are closely attuned to the social and ecological s…

  • Being in and of local communities

    Anna Lawrenson, Conor O’reilly et al.•ARTICLE•Humanities Research•2024

    In Australia, environmental catastrophe is part of our identity: the country and community have all been shaped by repeated droughts, floods and fires.The experience of the 2019-20 Black Summer bushfires was, however, unprecedented.It destroyed vast swathes of country, impacting places, lives, livelihoods and communities, and its duration and severity caused untold grief.These catastrophic fires occurred in close succession to sustained droughts …

  • Disrupting Museum Authority

    Open Access•Anna Lawrenson, Conor O’reilly•ARTICLE•Curator The Museum Journal•2023

    Museums are wrestling with their past and exhibitions provide important spaces to create new dialogues and include previously excluded voices. This review examines two exhibitions from 2021 at museums in Sydney, Australia – Unsettled at the Australian Museum and Eucalyptusdom at the nearby Museum of Applied Arts and Sciences – as these exhibits are significant markers of fundamental changes in Australian museum practice. It examines how these mus…

  • Exhibition Reviews and Advancing Museum Practice

    Open Access•Anna Lawrenson, Conor O’reilly•ARTICLE•Curator The Museum Journal•2023

  • The Future of Museums

    Open Access•Craig Barker, Helena Robinson et al.•ARTICLE•Museum Worlds•2022

    The following conversation took place on 18 May 2021 during a panel discussion to coincide with marking the six months since the opening of the Chau Chak Wing Museum at the University of Sydney, along with the annual occurrence of International Museum Day

  • Democratising audience experience

    Conor O’reilly, Anna Lawrenson•ARTICLE•Museum Management and Curatorship•2021•Cited by: 1•References: 14

    The art museum, as observed by Duncan, is a ‘ritual’ space ‘reserved for a special quality of attention’ materialised in a narrow set of acceptable behaviours [Duncan, Carol. 1991. “Art Museums and the Ritual of Citizenship.” In The Poetics and Politics of Museum Display, edited by Ivan Karp and Steven D. Lavine, 88–103. Washington: Smithsonian Institute Press]. In recent decades, under the auspices of the new museology, the ritualised space was …

  • Revenue, relevance and reflecting community

    Open Access•Conor O’reilly, Chiara O’reilly et al.•ARTICLE•Museum and Society•2015•Cited by: 2

    Museums are judged not solely on the basis of their exhibition quality and collection care but, within a corporate model, they are also judged on quantitative measures such as audience numbers and, in turn, their financial viability. Programming has, therefore, become a major focus of forward planning and the basis for funding development. Blockbuster exhibitions, strategically placed throughout annual programs, have been a common way to increase…

  • Revenue, relevance and reflecting community

    Open Access•Conor O’reilly, Chiara O’reilly et al.•ARTICLE•Museum and Society•2015•Cited by: 2

    Museums are judged not solely on the basis of their exhibition quality and collection care but, within a corporate model, they are also judged on quantitative measures such as audience numbers and, in turn, their financial viability. Programming has, therefore, become a major focus of forward planning and the basis for funding development. Blockbuster exhibitions, strategically placed throughout annual programs, have been a common way to increase…

  • Democratising audience experience

    Conor O’reilly, Anna Lawrenson•ARTICLE•Museum Management and Curatorship•2021•Cited by: 1•References: 14

    The art museum, as observed by Duncan, is a ‘ritual’ space ‘reserved for a special quality of attention’ materialised in a narrow set of acceptable behaviours [Duncan, Carol. 1991. “Art Museums and the Ritual of Citizenship.” In The Poetics and Politics of Museum Display, edited by Ivan Karp and Steven D. Lavine, 88–103. Washington: Smithsonian Institute Press]. In recent decades, under the auspices of the new museology, the ritualised space was …

  • Revenue, relevance and reflecting community

    Open Access•Conor O’reilly, Chiara O’reilly et al.•ARTICLE•Museum and Society•2015•Cited by: 2

    Museums are judged not solely on the basis of their exhibition quality and collection care but, within a corporate model, they are also judged on quantitative measures such as audience numbers and, in turn, their financial viability. Programming has, therefore, become a major focus of forward planning and the basis for funding development. Blockbuster exhibitions, strategically placed throughout annual programs, have been a common way to increase…

  • Democratising audience experience

    Conor O’reilly, Anna Lawrenson•ARTICLE•Museum Management and Curatorship•2021•Cited by: 1•References: 14

    The art museum, as observed by Duncan, is a ‘ritual’ space ‘reserved for a special quality of attention’ materialised in a narrow set of acceptable behaviours [Duncan, Carol. 1991. “Art Museums and the Ritual of Citizenship.” In The Poetics and Politics of Museum Display, edited by Ivan Karp and Steven D. Lavine, 88–103. Washington: Smithsonian Institute Press]. In recent decades, under the auspices of the new museology, the ritualised space was …

  • The Future of Museums

    Open Access•Craig Barker, Helena Robinson et al.•ARTICLE•Museum Worlds•2022

    The following conversation took place on 18 May 2021 during a panel discussion to coincide with marking the six months since the opening of the Chau Chak Wing Museum at the University of Sydney, along with the annual occurrence of International Museum Day

  • Disrupting Museum Authority

    Open Access•Anna Lawrenson, Conor O’reilly•ARTICLE•Curator The Museum Journal•2023

    Museums are wrestling with their past and exhibitions provide important spaces to create new dialogues and include previously excluded voices. This review examines two exhibitions from 2021 at museums in Sydney, Australia – Unsettled at the Australian Museum and Eucalyptusdom at the nearby Museum of Applied Arts and Sciences – as these exhibits are significant markers of fundamental changes in Australian museum practice. It examines how these mus…

  • Exhibition Reviews and Advancing Museum Practice

    Open Access•Anna Lawrenson, Conor O’reilly•ARTICLE•Curator The Museum Journal•2023

  • Being in and of local communities

    Anna Lawrenson, Conor O’reilly et al.•ARTICLE•Humanities Research•2024

    In Australia, environmental catastrophe is part of our identity: the country and community have all been shaped by repeated droughts, floods and fires.The experience of the 2019-20 Black Summer bushfires was, however, unprecedented.It destroyed vast swathes of country, impacting places, lives, livelihoods and communities, and its duration and severity caused untold grief.These catastrophic fires occurred in close succession to sustained droughts …

  • Leading community engagement on climate change

    Open Access•Conor O’reilly, Anna Lawrenson et al.•ARTICLE•Museum Management and Curatorship•2026

    Imagine a place where global climate challenges are tackled through the lens of local stories and art. Building on scholarship that frames museums as ‘lifeboats’ and ‘pathways’ through the climate crisis, this article demonstrates the unique strengths of regional institutions: their deep community embeddedness, local knowledge, and capacity for agile, place-based engagement. Regional institutions are closely attuned to the social and ecological s…

Museums and Cultural Heritage (6 works) · Art (5 works) · Exhibition (5 works) · Sociology (4 works) · Visual arts (4 works) · Art history (3 works) · Computer Science (3 works) · Law (3 works) · Media studies (3 works) · Political science (3 works)

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