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Bridget Buxton

Biographic Data

ID2567169
NAMEBridget Buxton
GIVEN NAMESBridget
FAMILY NAMEBuxton
SIGNATUREBUXTON B
AFFILIATIONSUniversity of Rhode Island
VERIFIEDNo
TOTAL WORKS3
TOTAL CITATIONS26
WORKS AS AUTHOR3
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2008
LATEST PUBLICATION YEAR2014
H-INDEX2
  • A New Reading of the Belvedere Altar

    Bridget A Buxton, Bridget Buxton•ARTICLE•American Journal of Archaeology•2014•Cited by: 18•References: 18

    Controversy over the identification of the figures on the Belvedere altar has long hindered consensus about the meaning of this important Augustan monument. Attention has focused on the chariot-riding figure previously identified as Julius Caesar, Augustus, Romulus-Quirinus, Aeneas, or even Agrippa. I argue that references in Ovid's Fasti and the Consolatio ad Liviam, as well as the dedicatory inscription of the altar, suggest this figure depicts…

  • Unesco, URI, and Archaeology in the Deep Blue Sea

    Open Access•William H Krieger, Bridget Buxton•ARTICLE•Journal of Maritime Archaeology•2012•References: 3

  • Pledges of Empire

    Diana E E Kleiner, Bridget Buxton•ARTICLE•American Journal of Archaeology•2008•Cited by: 8

    The Ara Pacis presents the most important surviving programmatic statement of the middle years of the Augustan principate. Recent scholarship has focused on the identity and significance of the altar's children, but progress has been constrained by assumptions about Augustus' dynastic ambitions. The altar reflects the political realities and ideals of the year 13 B.C.E., when adult generals were in ascendance, foreign children took center stage, …

  • A New Reading of the Belvedere Altar

    Bridget A Buxton, Bridget Buxton•ARTICLE•American Journal of Archaeology•2014•Cited by: 18•References: 18

    Controversy over the identification of the figures on the Belvedere altar has long hindered consensus about the meaning of this important Augustan monument. Attention has focused on the chariot-riding figure previously identified as Julius Caesar, Augustus, Romulus-Quirinus, Aeneas, or even Agrippa. I argue that references in Ovid's Fasti and the Consolatio ad Liviam, as well as the dedicatory inscription of the altar, suggest this figure depicts…

  • Pledges of Empire

    Diana E E Kleiner, Bridget Buxton•ARTICLE•American Journal of Archaeology•2008•Cited by: 8

    The Ara Pacis presents the most important surviving programmatic statement of the middle years of the Augustan principate. Recent scholarship has focused on the identity and significance of the altar's children, but progress has been constrained by assumptions about Augustus' dynastic ambitions. The altar reflects the political realities and ideals of the year 13 B.C.E., when adult generals were in ascendance, foreign children took center stage, …

  • Pledges of Empire

    Diana E E Kleiner, Bridget Buxton•ARTICLE•American Journal of Archaeology•2008•Cited by: 8

    The Ara Pacis presents the most important surviving programmatic statement of the middle years of the Augustan principate. Recent scholarship has focused on the identity and significance of the altar's children, but progress has been constrained by assumptions about Augustus' dynastic ambitions. The altar reflects the political realities and ideals of the year 13 B.C.E., when adult generals were in ascendance, foreign children took center stage, …

  • Unesco, URI, and Archaeology in the Deep Blue Sea

    Open Access•William H Krieger, Bridget Buxton•ARTICLE•Journal of Maritime Archaeology•2012•References: 3

  • A New Reading of the Belvedere Altar

    Bridget A Buxton, Bridget Buxton•ARTICLE•American Journal of Archaeology•2014•Cited by: 18•References: 18

    Controversy over the identification of the figures on the Belvedere altar has long hindered consensus about the meaning of this important Augustan monument. Attention has focused on the chariot-riding figure previously identified as Julius Caesar, Augustus, Romulus-Quirinus, Aeneas, or even Agrippa. I argue that references in Ovid's Fasti and the Consolatio ad Liviam, as well as the dedicatory inscription of the altar, suggest this figure depicts…

History (3 works) · History (3 works) · Altar (2 works) · Ancient history (2 works) · Archaeology (2 works) · Art (2 works) · Classical Antiquity Studies (2 works) · Empire (2 works) · Ancient Egypt and Archaeology (1 work) · Archaeological Research and Protection (1 work)

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