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Gillian Lathey

Biographic Data

ID2570561
NAMEGillian Lathey
GIVEN NAMESGillian
FAMILY NAMELathey
SIGNATURELATHEY G
AFFILIATIONSUniversity of Roehampton
ORCID0000-0002-2202-1844
VERIFIEDYes
TOTAL WORKS5
TOTAL CITATIONS1
WORKS AS AUTHOR5
WORKS AS EDITOR0
FIRST PUBLICATION YEAR2003
LATEST PUBLICATION YEAR2024
H-INDEX1
  • British Children's Literature in Japanese Culture

    Open Access•Gillian Lathey•ARTICLE•International Research in…•2024

  • Nostalgia, novelty and innovation

    Open Access•Gillian Lathey•ARTICLE•Strenae•2021

    It was a stroke of genius that caused Charles Baldwyn, publisher of the first English translation of tales by the Grimm Brothers, to hire satirical cartoonist George Cruikshank as illustrator for the publication. Cruikshank’s expressive etchings so impressed the Grimms that they decided to publish their own illustrated “small edition” in Germany. Thus the first step was taken towards the international commodification of the tales as illustrated c…

  • Rereading Childhood Books

    Open Access•Gillian Lathey•ARTICLE•International Research in…•2020

  • Places to Which I Have Never Been’

    Gillian Lathey•ARTICLE•Hispanic Research Journal•2012

    Children’s booksellers began to distil from translations of Cervantes’ novel a core set of episodes for young readers in the late eighteenth century, although earlier chapbook versions had doubtless fallen into the hands of literate children. Quixote quickly became an established figure in the English-language children’s canon; Charles Dickens was not alone in retaining a strong visual memory of his childhood reading of the would-be knight’s illu…

  • Time, Narrative Intimacy and the Child

    Open Access•Gillian Lathey•ARTICLE•Meta Journal des traducteurs•2003•Cited by: 1•References: 3

    The British version of Jean de Brunhoff's Histoire de Babar is a striking example of the transition from the present to the past tense in the translation of children's texts into English. With reference to theories of narrative time, this paper invites speculation on the impact of such a tense shift on the present-tense qualities of the original, on the performance of a shared reading by child and adult and, finally, on the relevance of the young…

  • Time, Narrative Intimacy and the Child

    Open Access•Gillian Lathey•ARTICLE•Meta Journal des traducteurs•2003•Cited by: 1•References: 3

    The British version of Jean de Brunhoff's Histoire de Babar is a striking example of the transition from the present to the past tense in the translation of children's texts into English. With reference to theories of narrative time, this paper invites speculation on the impact of such a tense shift on the present-tense qualities of the original, on the performance of a shared reading by child and adult and, finally, on the relevance of the young…

  • Time, Narrative Intimacy and the Child

    Open Access•Gillian Lathey•ARTICLE•Meta Journal des traducteurs•2003•Cited by: 1•References: 3

    The British version of Jean de Brunhoff's Histoire de Babar is a striking example of the transition from the present to the past tense in the translation of children's texts into English. With reference to theories of narrative time, this paper invites speculation on the impact of such a tense shift on the present-tense qualities of the original, on the performance of a shared reading by child and adult and, finally, on the relevance of the young…

  • Places to Which I Have Never Been’

    Gillian Lathey•ARTICLE•Hispanic Research Journal•2012

    Children’s booksellers began to distil from translations of Cervantes’ novel a core set of episodes for young readers in the late eighteenth century, although earlier chapbook versions had doubtless fallen into the hands of literate children. Quixote quickly became an established figure in the English-language children’s canon; Charles Dickens was not alone in retaining a strong visual memory of his childhood reading of the would-be knight’s illu…

  • Rereading Childhood Books

    Open Access•Gillian Lathey•ARTICLE•International Research in…•2020

  • Nostalgia, novelty and innovation

    Open Access•Gillian Lathey•ARTICLE•Strenae•2021

    It was a stroke of genius that caused Charles Baldwyn, publisher of the first English translation of tales by the Grimm Brothers, to hire satirical cartoonist George Cruikshank as illustrator for the publication. Cruikshank’s expressive etchings so impressed the Grimms that they decided to publish their own illustrated “small edition” in Germany. Thus the first step was taken towards the international commodification of the tales as illustrated c…

  • British Children's Literature in Japanese Culture

    Open Access•Gillian Lathey•ARTICLE•International Research in…•2024

Art (4 works) · History (4 works) · Literature (4 works) · Narrative (3 works) · Psychology (3 works) · Themes in Literature Analysis (3 works) · Art history (2 works) · Linguistics (2 works) · Philosophy (2 works) · Sociology (2 works)

Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae