E H Gombrich
Dados Biográficos
| ID | 257544 |
|---|---|
| NOME | E H Gombrich |
| PRENOMES | E H |
| SOBRENOME | Gombrich |
| ASSINATURA | GOMBRICH E H |
| AFILIAÇÕES | Warburg Institute |
| VERIFICADO | Não |
| TOTAL DE OBRAS | 50 |
| TOTAL DE CITAÇÕES | 47 |
| TOTAL COMO AUTOR | 50 |
| TOTAL COMO EDITOR | 0 |
| PRIMEIRO ANO DE PUBLICAÇÃO | 1952 |
| ANO MAIS RECENTE DE PUBLICAÇÃO | 2017 |
| ÍNDICE H | 4 |
A Little History of the World
E. H. Gombrich’s bestselling history of the world for young readers tells the story of mankind from the Stone Age to the atomic bomb, focusing not on small detail but on the sweep of human experience, the extent of human achievement, and the depth of its frailty. The product of a generous and humane sensibility, this timeless account makes intelligible the full span of human history. In forty concise chapters, Gombrich tells the story of man from…
Little History of the World
Obituary
Art and Illusion
A groundbreaking account of perception and art, from one of the twentieth century's most important art historians E. H. Gombrich is widely considered to be one of the most influential art historians of the twentieth century, and Art and Illusion is generally agreed to be his most important book. Bridging science and the humanities, this classic work examines the history and psychology of pictorial representation in light of modern theories of inf…
The Sassetti Chapel Revisited
Shadows
In this intriguing book, E.H. Gombrich, who was one of the world's foremost art historians, traces how cast shadows have been depicted in Western art through the centuries. Gombrich discusses the way shadows were represented--or ignored--by artists from the Renaissance to the 17th century and then describes how Romantic, Impressionist, and Surrealist artists exploited the device of the cast shadow to enhance the illusion of realism or drama in th…
Gombrich on the Renaissance
Reflections on the History of Art
The Story of Art
History of Art
They Were All Human Beings
"Comment on "Theoretical Perspectives on the Arts, Sciences and Technology
Reply to David Carrier
Raphael
Tributes
Representation and Misrepresentation
Ideal und Typus in der italienischen Renaissancemalerei
Drawings from Ancient Egypt
Understanding Goethe
Goethe on Art selected, edited and translated by John Gage , London: Scolar Press, 1980, 251 pp., 31 ills, £4.95 paper The Younger Goethe and the Visual Arts (Anglica Germanica Series 2) by W.D. Robson‐Scott , Cambridge: Cambridge University Press, 1981, 175 pp., 8 ills, £19.50
A Sense of Order
Ideals and Idols
Order and Tolerance
Lateral Viewing of Pictures
The Sense of Order
Standards of Truth
Representation and Misrepresentation
Standards of Truth
On Information Available in Pictures
The author reviews two current conflicting theories of what a picture is: (1) that it consists of a sheaf of light rays coming to a station point orperceiver, each corresponding to a spot of color on the picture surface and hence that the picture can standfor a real object or scene insofar as the rays from the picture are the same as the rays from the real object; (2) that it consists of a set of symbols, more or less like words, and the perceive…
The use of art for the study of symbols
They Were All Human Beings
Criteria of Periodization in the History of European Art
1. Apart from mathematical divisions (centuries, millenniums) and the prehistoric tool and site names with their numbered stages, period names have been of three kinds: political-dynastic, cultural, and aesthetic. Examples of the first are Carolingian, Ottonian, Tudor; of the second, Mediaeval, Renaissance; of the third, Romanesque, Classic, Mannerist, Baroque. Each type of name originally implied a theory about the art it designated. The aesthet…
Canons and Values in the Visual Arts
Art and Illusion
A groundbreaking account of perception and art, from one of the twentieth century's most important art historians E. H. Gombrich is widely considered to be one of the most influential art historians of the twentieth century, and Art and Illusion is generally agreed to be his most important book. Bridging science and the humanities, this classic work examines the history and psychology of pictorial representation in light of modern theories of inf…
History of Art
The Museum
The Open Society--A Comment
In the last issue there appeared a review article by Mr. John Plamenatz of the second edition of Professor Popper's book, The Open Society and its Enemies. Unlike the reviewer I cannot claim to be a specialist in this field, but as a friend of Professor Popper I was somewhat involved in the publication of the first edition of his book and so I know it well. After reading Mr. Plamenatz's article I feel that so much that is careless, confused, badl…
Blurred Images and the Unvarnished Truth
BLURRED IMAGES AND THE UNVARNISHED TRUTH Get access E. H. Gombrich E. H. Gombrich Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 2, Issue 2, April 1962, Pages 170–179, https://doi.org/10.1093/bjaesthetics/2.2.170 Published: 01 April 1962
A Grillparzer Anecdote
The Cartoonist's Armory
Research Article| April 01 1963 The Cartoonist’s Armory E. H. Gombrich E. H. Gombrich Search for other works by this author on: This Site Google South Atlantic Quarterly (1963) 62 (2): 189–228. https://doi.org/10.1215/00382876-62-2-189 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation E. H. Gombrich; The Cartoonist’s Armory. South Atlantic Quarterly 1 April 1963; 62 (2): 189–228. doi: https://doi.or…
Evolution in the Arts
Journal Article EVOLUTION IN THE ARTS Get access E. H. Gombrich E. H. Gombrich Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 4, Issue 3, July 1964, Pages 263–270, https://doi.org/10.1093/bjaesthetics/4.3.263 Published: 01 July 1964
The use of art for the study of symbols
The Story of Art
Criteria of Periodization in the History of European Art
1. Apart from mathematical divisions (centuries, millenniums) and the prehistoric tool and site names with their numbered stages, period names have been of three kinds: political-dynastic, cultural, and aesthetic. Examples of the first are Carolingian, Ottonian, Tudor; of the second, Mediaeval, Renaissance; of the third, Romanesque, Classic, Mannerist, Baroque. Each type of name originally implied a theory about the art it designated. The aesthet…
In Search of Cultural History
On Information Available in Pictures (Continued)
On Information Available in Pictures
The author reviews two current conflicting theories of what a picture is: (1) that it consists of a sheaf of light rays coming to a station point orperceiver, each corresponding to a spot of color on the picture surface and hence that the picture can standfor a real object or scene insofar as the rays from the picture are the same as the rays from the real object; (2) that it consists of a set of symbols, more or less like words, and the perceive…
Symbolic Images
Art, Perception, and Reality
Art, Perception and Reality
Illusions in Nature and Art
The Story of Art
A Pictorial Syntax of Shapes
Canons and Values in the Visual Arts
Images of the Renaissance
The Museum
On Interpreting Pictorial Art
The Heritage of Apelles
The Dream of Reason
On J. J. Gibson's Approach to the Visual Perception of Pictures
Notes and Exchanges
Art (36 obras) · Art history (24 obras) · Visual arts (24 obras) · Computer Science (20 obras) · History (15 obras) · Psychology (10 obras) · Library science (8 obras) · Philosophy (8 obras) · Aesthetic Perception and Analysis (7 obras) · Computer graphics (images) (7 obras)