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E H Gombrich

Dados Biográficos

ID257544
NOMEE H Gombrich
PRENOMESE H
SOBRENOMEGombrich
ASSINATURAGOMBRICH E H
AFILIAÇÕESWarburg Institute
VERIFICADONão
TOTAL DE OBRAS50
TOTAL DE CITAÇÕES47
TOTAL COMO AUTOR50
TOTAL COMO EDITOR0
PRIMEIRO ANO DE PUBLICAÇÃO1952
ANO MAIS RECENTE DE PUBLICAÇÃO2017
ÍNDICE H4
  • A Little History of the World

    E H Gombrich, Ernst Gombrich•BOOK•Little History of the World•2017

    E. H. Gombrich’s bestselling history of the world for young readers tells the story of mankind from the Stone Age to the atomic bomb, focusing not on small detail but on the sweep of human experience, the extent of human achievement, and the depth of its frailty. The product of a generous and humane sensibility, this timeless account makes intelligible the full span of human history. In forty concise chapters, Gombrich tells the story of man from…

  • Little History of the World

    Caroline Mustill, Clifford Harper et al.•BOOK•Little History of the World•2008

  • Obituary

    Open Access•E H Gombrich•ARTICLE•Renaissance Studies•2003

  • Art and Illusion

    E H Gombrich•BOOK•Art and Illusion•2001•Citada por: 1

    A groundbreaking account of perception and art, from one of the twentieth century's most important art historians E. H. Gombrich is widely considered to be one of the most influential art historians of the twentieth century, and Art and Illusion is generally agreed to be his most important book. Bridging science and the humanities, this classic work examines the history and psychology of pictorial representation in light of modern theories of inf…

  • The Sassetti Chapel Revisited

    E H Gombrich•ARTICLE•I Tatti Studies•1997

  • Shadows

    Harry Rand, E H Gombrich•ARTICLE•Leonardo•1996

    In this intriguing book, E.H. Gombrich, who was one of the world's foremost art historians, traces how cast shadows have been depicted in Western art through the centuries. Gombrich discusses the way shadows were represented--or ignored--by artists from the Renaissance to the 17th century and then describes how Romantic, Impressionist, and Surrealist artists exploited the device of the cast shadow to enhance the illusion of realism or drama in th…

  • Gombrich on the Renaissance

    Open Access•E H Gombrich•ARTICLE•The Art Book•1994

  • Reflections on the History of Art

    Allan Shields, E H Gombrich et al.•ARTICLE•Leonardo•1990

  • The Story of Art

    J Cooper, John W Cooper et al.•ARTICLE•Leonardo•1990

  • History of Art

    Bradford R Collins, H W Janson et al.•ARTICLE•Art Journal•1989•Citada por: 1

  • They Were All Human Beings

    E H Gombrich•ARTICLE•Critical Inquiry•1987•Citada por: 3

  • "Comment on "Theoretical Perspectives on the Arts, Sciences and Technology

    E H Gombrich•ARTICLE•Leonardo•1985

  • Reply to David Carrier

    E H Gombrich•ARTICLE•Leonardo•1985

  • Raphael

    Open Access•E H Gombrich•ARTICLE•Art History•1984

  • Tributes

    E H Gombrich•BOOK•Tributes•1984

  • Representation and Misrepresentation

    E H Gombrich•ARTICLE•Critical Inquiry•1984•Citada por: 12

  • Ideal und Typus in der italienischen Renaissancemalerei

    E H Gombrich•BOOK•Ideal und Typus in der…•1983

  • Drawings from Ancient Egypt

    E H Gombrich, William H Peck•ARTICLE•The Journal of Egyptian Archaeology•1983

  • Understanding Goethe

    Open Access•E H Gombrich•ARTICLE•Art History•1982

    Goethe on Art selected, edited and translated by John Gage , London: Scolar Press, 1980, 251 pp., 31 ills, £4.95 paper The Younger Goethe and the Visual Arts (Anglica Germanica Series 2) by W.D. Robson‐Scott , Cambridge: Cambridge University Press, 1981, 175 pp., 8 ills, £19.50

  • A Sense of Order

    E H Gombrich•ARTICLE•Leonardo•1981

  • Ideals and Idols

    David Carrier, E H Gombrich•ARTICLE•Leonardo•1981

  • Order and Tolerance

    E H Gombrich•ARTICLE•Leonardo•1981

  • Lateral Viewing of Pictures

    E H Gombrich•ARTICLE•Leonardo•1980

  • The Sense of Order

    David Topper, David R Topper et al.•ARTICLE•Leonardo•1980

  • Standards of Truth

    E H Gombrich•ARTICLE•Critical Inquiry•1980•Citada por: 10

Próximo
  • Representation and Misrepresentation

    E H Gombrich•ARTICLE•Critical Inquiry•1984•Citada por: 12

  • Standards of Truth

    E H Gombrich•ARTICLE•Critical Inquiry•1980•Citada por: 10

  • On Information Available in Pictures

    E H Gombrich, Rudolf Arnheim et al.•ARTICLE•Leonardo•1971•Citada por: 10•Referências: 1

    The author reviews two current conflicting theories of what a picture is: (1) that it consists of a sheaf of light rays coming to a station point orperceiver, each corresponding to a spot of color on the picture surface and hence that the picture can standfor a real object or scene insofar as the rays from the picture are the same as the rays from the real object; (2) that it consists of a set of symbols, more or less like words, and the perceive…

  • The use of art for the study of symbols

    E H Gombrich•ARTICLE•American Psychologist•1965•Citada por: 4•Referências: 2

  • They Were All Human Beings

    E H Gombrich•ARTICLE•Critical Inquiry•1987•Citada por: 3

  • Criteria of Periodization in the History of European Art

    Meyer Schapiro, H W Janson et al.•ARTICLE•New Literary History•1970•Citada por: 3

    1. Apart from mathematical divisions (centuries, millenniums) and the prehistoric tool and site names with their numbered stages, period names have been of three kinds: political-dynastic, cultural, and aesthetic. Examples of the first are Carolingian, Ottonian, Tudor; of the second, Mediaeval, Renaissance; of the third, Romanesque, Classic, Mannerist, Baroque. Each type of name originally implied a theory about the art it designated. The aesthet…

  • Canons and Values in the Visual Arts

    E H Gombrich, Quentin Bell•ARTICLE•Critical Inquiry•1976•Citada por: 2

  • Art and Illusion

    E H Gombrich•BOOK•Art and Illusion•2001•Citada por: 1

    A groundbreaking account of perception and art, from one of the twentieth century's most important art historians E. H. Gombrich is widely considered to be one of the most influential art historians of the twentieth century, and Art and Illusion is generally agreed to be his most important book. Bridging science and the humanities, this classic work examines the history and psychology of pictorial representation in light of modern theories of inf…

  • History of Art

    Bradford R Collins, H W Janson et al.•ARTICLE•Art Journal•1989•Citada por: 1

  • The Museum

    E H Gombrich•ARTICLE•Critical Inquiry•1977•Citada por: 1

  • The Open Society--A Comment

    E H Gombrich•ARTICLE•British Journal of Sociology•1952

    In the last issue there appeared a review article by Mr. John Plamenatz of the second edition of Professor Popper's book, The Open Society and its Enemies. Unlike the reviewer I cannot claim to be a specialist in this field, but as a friend of Professor Popper I was somewhat involved in the publication of the first edition of his book and so I know it well. After reading Mr. Plamenatz's article I feel that so much that is careless, confused, badl…

  • Blurred Images and the Unvarnished Truth

    E H Gombrich•ARTICLE•The British Journal of Aesthetics•1962

    BLURRED IMAGES AND THE UNVARNISHED TRUTH Get access E. H. Gombrich E. H. Gombrich Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 2, Issue 2, April 1962, Pages 170–179, https://doi.org/10.1093/bjaesthetics/2.2.170 Published: 01 April 1962

  • A Grillparzer Anecdote

    Open Access•E H Gombrich•ARTICLE•German Life and Letters•1963

  • The Cartoonist's Armory

    E H Gombrich•ARTICLE•South Atlantic Quarterly•1963

    Research Article| April 01 1963 The Cartoonist’s Armory E. H. Gombrich E. H. Gombrich Search for other works by this author on: This Site Google South Atlantic Quarterly (1963) 62 (2): 189–228. https://doi.org/10.1215/00382876-62-2-189 Cite Icon Cite Share Icon Share Facebook Twitter LinkedIn MailTo Permissions Search Site Citation E. H. Gombrich; The Cartoonist’s Armory. South Atlantic Quarterly 1 April 1963; 62 (2): 189–228. doi: https://doi.or…

  • Evolution in the Arts

    E H Gombrich•ARTICLE•The British Journal of Aesthetics•1964

    Journal Article EVOLUTION IN THE ARTS Get access E. H. Gombrich E. H. Gombrich Search for other works by this author on: Oxford Academic Google Scholar The British Journal of Aesthetics, Volume 4, Issue 3, July 1964, Pages 263–270, https://doi.org/10.1093/bjaesthetics/4.3.263 Published: 01 July 1964

  • The use of art for the study of symbols

    E H Gombrich•ARTICLE•American Psychologist•1965•Citada por: 4•Referências: 2

  • The Story of Art

    Norman Narotzky, E H Gombrich•ARTICLE•Leonardo•1970

  • Criteria of Periodization in the History of European Art

    Meyer Schapiro, H W Janson et al.•ARTICLE•New Literary History•1970•Citada por: 3

    1. Apart from mathematical divisions (centuries, millenniums) and the prehistoric tool and site names with their numbered stages, period names have been of three kinds: political-dynastic, cultural, and aesthetic. Examples of the first are Carolingian, Ottonian, Tudor; of the second, Mediaeval, Renaissance; of the third, Romanesque, Classic, Mannerist, Baroque. Each type of name originally implied a theory about the art it designated. The aesthet…

  • In Search of Cultural History

    Leonard B Meyer, E H Gombrich•ARTICLE•History and Theory•1970

  • On Information Available in Pictures (Continued)

    E H Gombrich•ARTICLE•Leonardo•1971

  • On Information Available in Pictures

    E H Gombrich, Rudolf Arnheim et al.•ARTICLE•Leonardo•1971•Citada por: 10•Referências: 1

    The author reviews two current conflicting theories of what a picture is: (1) that it consists of a sheaf of light rays coming to a station point orperceiver, each corresponding to a spot of color on the picture surface and hence that the picture can standfor a real object or scene insofar as the rays from the picture are the same as the rays from the real object; (2) that it consists of a set of symbols, more or less like words, and the perceive…

  • Symbolic Images

    Peter Fingesten, E H Gombrich•ARTICLE•Leonardo•1973

  • Art, Perception, and Reality

    Douglas F Stalker, E H Gombrich et al.•ARTICLE•Philosophy and Phenomenological…•1974

  • Art, Perception and Reality

    Ralph Brocklebank, E H Gombrich et al.•ARTICLE•Leonardo•1974

  • Illusions in Nature and Art

    John Scott Willson, R L Gregory et al.•ARTICLE•Leonardo•1975

  • The Story of Art

    Barron M Hirsch, E H Gombrich•ARTICLE•Leonardo•1976

  • A Pictorial Syntax of Shapes

    E H Gombrich, Curtis L Carter•ARTICLE•Leonardo•1976

  • Canons and Values in the Visual Arts

    E H Gombrich, Quentin Bell•ARTICLE•Critical Inquiry•1976•Citada por: 2

  • Images of the Renaissance

    Barry Weller, D J Gordon et al.•ARTICLE•Modern Language Notes•1977

  • The Museum

    E H Gombrich•ARTICLE•Critical Inquiry•1977•Citada por: 1

  • On Interpreting Pictorial Art

    E H Gombrich, Rudolf Arnheim et al.•ARTICLE•Leonardo•1978

  • The Heritage of Apelles

    David Topper, David R Topper et al.•ARTICLE•Leonardo•1978

  • The Dream of Reason

    Open Access•E H Gombrich•ARTICLE•Journal for Eighteenth-Century…•1979

  • On J. J. Gibson's Approach to the Visual Perception of Pictures

    E H Gombrich, Nelson Goodman•ARTICLE•Leonardo•1979

  • Notes and Exchanges

    Quentin Bell, E H Gombrich et al.•ARTICLE•Critical Inquiry•1979

Art (36 obras) · Art history (24 obras) · Visual arts (24 obras) · Computer Science (20 obras) · History (15 obras) · Psychology (10 obras) · Library science (8 obras) · Philosophy (8 obras) · Aesthetic Perception and Analysis (7 obras) · Computer graphics (images) (7 obras)

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