Alain Robbe-Grillet
Biographic Data
| ID | 257565 |
|---|---|
| NAME | Alain Robbe-Grillet |
| GIVEN NAMES | Alain |
| FAMILY NAME | Robbe-Grillet |
| SIGNATURE | ROBBE-GRILLET A |
| VERIFIED | No |
| TOTAL WORKS | 10 |
| TOTAL CITATIONS | 7 |
| AUTHOR COUNT | 10 |
| EDITOR COUNT | 0 |
| FIRST PUBLICATION YEAR | 1965 |
| LATEST PUBLICATION YEAR | 1995 |
| H-INDEX | 1 |
Les derniers jours de Corinthe
Robert Pinget, Mahu ou le matériau, Paris, Les Éditions de Minuit, 1982 (rééd.), 216 p
Le miroir qui revient
Entretien
Beyond the Image
Q: In contrast to your previous experience in fiction and in film, where you worked respectively with words and images in their separate realms, your most recent works, La Belle Captive (Lausanne and Paris, 1975), and Topologie d'une citefantome (Paris, 1976), bring the word and the image together, each in different ways. In your development as a writer, are there specific reasons behind these recent imagistic-verbal experiments? Would you say th…
Order and Disorder in Film and Fiction
Interview
The Way Back
Nature, Humanism and Tragedy
Tragedy is only a way of assembling human misfortune, of subsuming it, and thus of justifying it by putting it into the form of a necessity, of a kind of wisdom, or of a purification. To reject this regeneration and to seek the technical means of not succumbing
Condition of the Novel (France)
There have been a number of very interesting speeches here. But I must express my astonishment at hearing the majority of Soviet writers expressing the same sharp criticism of modern literary pursuits as are made in Western bourgeois society. Here, as in the West, we are blamed for
The Way Back
Nature, Humanism and Tragedy
Tragedy is only a way of assembling human misfortune, of subsuming it, and thus of justifying it by putting it into the form of a necessity, of a kind of wisdom, or of a purification. To reject this regeneration and to seek the technical means of not succumbing
Condition of the Novel (France)
There have been a number of very interesting speeches here. But I must express my astonishment at hearing the majority of Soviet writers expressing the same sharp criticism of modern literary pursuits as are made in Western bourgeois society. Here, as in the West, we are blamed for
Interview
Order and Disorder in Film and Fiction
Beyond the Image
Q: In contrast to your previous experience in fiction and in film, where you worked respectively with words and images in their separate realms, your most recent works, La Belle Captive (Lausanne and Paris, 1975), and Topologie d'une citefantome (Paris, 1976), bring the word and the image together, each in different ways. In your development as a writer, are there specific reasons behind these recent imagistic-verbal experiments? Would you say th…
Entretien
Le miroir qui revient
Robert Pinget, Mahu ou le matériau, Paris, Les Éditions de Minuit, 1982 (rééd.), 216 p
Les derniers jours de Corinthe
Art (6 works) · French Urban and Social Studies (4 works) · Philosophy (3 works) · Art history (2 works) · Computer Science (2 works) · Philosophy (2 works) · Psychoanalysis (2 works) · Psychology (2 works) · Artificial Intelligence (1 works) · Artificial Intelligence (1 works)